The Picts were a group of peoples who lived in Britain north of the Forth–Clyde isthmus in the Pre-Viking, Early Middle Ages. Where they lived and details of their culture can be inferred from early medieval texts and Pictish stones. The term Picti appears in written records as an exonym from the late third century AD, but was adopted as an endonym in the late seventh century during the Verturian hegemony. This lasted around 160 years until the succession of the Alpínid dynasty, when the Pictish kingdom merged with that of Dál Riata to form the Kingdom of Alba. The concept of "Pictish kingship" continued for a few decades until it was abandoned entirely as a contemporary signifier during the reign of Caustantín mac Áeda.
The cunning folk were professional or semi-professional practitioners of magic in Europe from the medieval period through the early 20th century. In Britain they were known by a variety of names in different regions of the country, including wise men and wise women, pellars, wizards, dyn hysbys, and sometimes white witches.
An incantation, a spell, a charm, an enchantment, or a bewitchery, is a magical formula intended to trigger a magical effect on a person or objects. The formula can be spoken, sung, or chanted. An incantation can also be performed during ceremonial rituals or prayers. In the world of magic, wizards, witches, and fairies allegedly perform incantations.
A Luckenbooth brooch is a Scottish heart-shaped brooch. These brooches often have a crown above one heart, or two intertwined hearts. They are typically made of silver and may be engraved or set with stones.
Lochbuie is a settlement on the Isle of Mull in Scotland about 22 kilometres (14 mi) west of Craignure.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
A storm beach is a beach affected by particularly fierce waves, usually with a very long fetch. The resultant landform is often a very steep beach composed of rounded cobbles, shingle and occasionally sand. The stones usually have an obvious grading of pebbles, from large to small, with the larger diameter stones typically arrayed at the highest beach elevations. It may also contain many small parts of shipwrecked boats.
Painted pebbles are a class of Early Medieval artifact found in northern Scotland dating from the first millennium CE.
A bullaun is the term used for the depression in a stone which is often water filled. Natural rounded boulders or pebbles may sit in the bullaun. The size of the bullaun is highly variable and these hemispherical cups hollowed out of a rock may come as singles or multiples with the same rock.
A rock-cut basin is a natural cylindrical depression cut into stream or river beds, often filled with water. Such plucked-bedrock pits are created by kolks; powerful vortices within the water currents which spin small boulders around, eroding out these rock basins by their abrasive action. These basins are frequently found in streams and rivers with a relatively soft rock substrates such as limestones and sandstones. The rather unusual and man-made appearance of such depressions has led to various folk-tales becoming associated with them, such as their identification as petrosomatoglyphs, including knee prints, elbow prints, etc. of saints, heroes, kings or supernatural beings.
In English folklore, elf-arrows, elf-bolts and pixie arrows were names given to discovered arrowheads of flint, used in hunting and war by the Pre-Indo-Europeans of the British Isles and of Europe generally. The name derives from the folklore belief that the arrows fell from the sky, and were used by the elves to kill cattle and inflict elf-shot on human beings.
The Brooch of Lorn or Braìste Lathurna in Gaelic, is a medieval "turreted" disk brooch supposedly taken from Robert the Bruce at the Battle of Dalrigh in 1306. However it is today dated long after this period.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
The Hunterston Brooch is a highly important Celtic brooch of "pseudo-penannular" type found near Hunterston, North Ayrshire, Scotland, in either, according to one account, 1826 by two men from West Kilbride, who were digging drains at the foot of Goldenberry Hill, or in 1830. It is now in the National Museum of Scotland, Edinburgh. Made within a few decades of 700 AD, the Hunterston Brooch is cast in silver, gilt, and set with pieces of amber, and decorated with interlaced animal bodies in gold filigree. The diameter of the ring is 12.2 cm, and in its centre there is a cross and a golden glory representing the risen Christ, surrounded by tiny bird heads. The pin, which is broken, can travel freely around the ring as far as the terminals, which was necessary for fastening; it is now 13.1 cm long, but was probably originally 15 cm or more.
The National Museum of Ireland – Archaeology is a branch of the National Museum of Ireland located on Kildare Street in Dublin, Ireland, that specialises in Irish and other antiquities dating from the Stone Age to the Late Middle Ages.
A talisman is any object ascribed with religious or magical powers intended to protect, heal, or harm individuals for whom they are made. Talismans are often portable objects carried on someone in a variety of ways, but can also be installed permanently in architecture. Talismans are closely linked with amulets, fulfilling many of the same roles, but a key difference is in their form and materiality, with talismans often taking the form of objects which are inscribed with magic texts.
Anglo-Saxon Amulets and Curing Stones is an archaeological study of amulets, talismans and curing stones in the burial record of Anglo-Saxon England. Written by the Australian archaeologist Audrey Meaney, it was published by the company British Archaeological Reports as the 96th monograph in their BAR British Series. Prior to writing the work, Meaney had published several books dealing with Anglo-Saxon burials.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
Scottish jewellery is jewellery created in Scotland or in a style associated with Scotland, which today often takes the form of the Celtic style. It is often characterised by being inspired by nature, Scandinavian mythology, and Celtic knot patterns. Jewellery has a history in Scotland dating back to at least the Iron Age.
The Kilmainham Brooch is a late 8th- or early 9th-century Celtic brooch of the "penannular" type. With a diameter of 9.67 cm, it is a relatively large example, and is made from silver, gold and glass, with filigree and interlace decorations. Like other high-quality brooches of its class, it was probably intended to fasten copes and other vestments rather than for everyday wear, as its precious metal content would have made it a status symbol for its owner; less expensive Viking-style brooches were typically worn in pairs on women's clothing.
