Cheri Gaulke

Last updated
Cheri Gaulke
Born1954 (age 6970)
St. Louis, Missouri
NationalityAmerican
Known forPerformance art, film and video, public art, and artists' books
AwardsArt as a Hammer Award from Center for the Study of Political Graphics, 2013; Vesta Award from the Woman's Building, 1986; Fellowship for Visual Artists from California Community Foundation; Veteran Feminists of America, 2013
Website http://cherigaulke.com

Cheri Gaulke (born 1954) is a visual artist and filmmaker [1] most known for her role in the Feminist Art Movement in southern California in the 1970s and her work on gay and lesbian families. [2]

Contents

Biography

Artists' Book by Cheri Gaulke and Sue Maberry called Offerings at the Crossroads, 2006. Offeringsatthecrossroads.jpg
Artists' Book by Cheri Gaulke and Sue Maberry called Offerings at the Crossroads, 2006.

Gaulke holds a Bachelor of Fine Arts degree from Minneapolis College of Art and Design and a Master of Arts degree (in Feminist Art/Education) from Goddard College. [2] In 1975, she moved to Los Angeles and became involved with the Feminist Studio Workshop at the Woman's Building. [3] At the Feminist Studio Workshop, Gaulke studied with Suzanne Lacy and focused primarily on performance art. [4] There she created a character she called Cinderella, who Gaulke describes as not conforming to any specific sex or gender role and thus "in a constant state of transformation." [5] In addition to her solo work, Gaulke collaborated with Anne Gauldin to produce The Malta Project, in which the two performed rites related to female spirituality at prehistoric temples throughout Malta. [5] [6] Gaulke has been a co-founder of two collaborative feminist performance groups: Feminist Art Workers (1976–81), co-founded with Nancy Angelo, Candace Compton, Vanalyne Green, and Laurel Klick, [7] and Sisters of Survival (SOS), co-founded in 1981 with Nancy Angelo, Jerri Allyn, Anne Gauldin, and Sue Maberry. [8]

Gaulke's last performance was in 1992 at Highways Performance, Santa Monica. [9] Though Gaulke has moved away from performance, the feminist art strategies that she helped to innovate in the 1970s in southern California continue in her work. Her art continues to be a vehicle for social commentary and as a way to tell the stories of individuals and groups under-represented in society. She works in a variety of media, but mostly video, installation art, artists' books, and public art. Such projects have included a video in collaboration with lesbian and gay teens, a photographic wall installation about lesbian and gay families, a video installation with Latino teenagers about the L.A. River, and a video installation about kids’ perspectives on a river in North Carolina. With her partner, Sue Maberry, Gaulke explored their relationship through the documentation series "Thicker than Blood: Our Lesbian Family" (1992). In an extension of this work, they later invited gay and lesbian parents with children to take traditional family portraits at Sears portrait studio, and to write about what family and marriage meant to them, particularly before the legalization of gay marriage in the United States. This later work manifested in the installation "Families Next Door" (1995) and the artist's book "Marriage Matters" (2005). [10] [11]

Gaulke has completed three public art projects;- a Metro-Rail Station in Los Angeles that tells stories about an oft ignored urban river, [12] an outdoor sculptural piece for a library in Lake View Terrace, and three stainless steel and glass glowing “Pillars of Community” for the City of Lakewood, California. [13] A black granite memorial honoring the service of Filipino World War II veterans was dedicated on November 11, 2006 in a park in Historic Filipinotown, Los Angeles, the first such monument in the U.S. [14]

In 1991 Gaulke was an Artist Book Resident at Women's Studio Workshop in Rosendale, NY. While a resident, Gaulke published Impedement, a handmade artist's book that investigates the abuse of women’s footwear and feet through the ages, from the ancient Chinese foot binding to high heeled shoes of the present. Personal and historical narratives illustrate the results of cultures’ persisting foot fetish. Nested within the book is a pop-up which presents the reader with a packet of “seeds” for change. Impedement was published as an edition of 200. [15]

Gaulke has received grants from the National Endowment for the Arts, the California Arts Council, the City of Los Angeles Cultural Affairs Department, and the Brody Arts Fund. She has exhibited her work in numerous formats all over the world, including exhibitions at the Los Angeles Art Association (LAAA) [16] and Museum of Modern Art as well as on buses and in churches. Gaulke's 2013 video Cycle of the Witch, which explores the development of her identity from her childhood as a Midwestern minister's daughter to her adulthood as a lesbian feminist artist living in Los Angeles, was screened at the 'Tapping the Third Realm' exhibition at the Otis College of Art and Design and at Loyola Marymount University in 2013. [17] [18] Her 2016 video 'I Am Be,' which retells the myth of Demeter and Persephone to explore the theme of sexual violence, was screened at the Harvard Westlake School in 2016. [19]

In 1986 Gaulke received the Vesta Award from the Los Angeles Woman's Building for Contributions to Performance art, [3] and she was honored with a mid-career fellowship from the Cultural Affairs Department (COLA grant) in 2004-05. [2] [20] In 2013, she received the Art as a Hammer Award from the Center for the Study of Political Graphics.

Selected works

Film/video work

Related Research Articles

The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca."

Sheila Levrant de Bretteville is an American graphic designer, artist and educator whose work reflects her belief in the importance of feminist principles and user participation in graphic design. In 1990 she became the director of the Yale University Graduate Program in Graphic Design and the first woman to receive tenure at the Yale University School of Art. In 2010 she was named the Caroline M. Street Professor of Graphic Design.

Suzanne Lacy is an American artist, educator, writer, and professor at the USC Roski School of Art and Design. She has worked in a variety of media, including installation, video, performance, public art, photography, and art books, in which she focuses on "social themes and urban issues." She served in the education cabinet of Jerry Brown, then mayor of Oakland, California, and as arts commissioner for the city. She designed multiple educational programs beginning with her role as performance faculty at the Feminist Studio Workshop at the Woman's Building in Los Angeles.

Jerri Allyn is an American feminist performance, installation artist and educator based in Los Angeles, California.

<span class="mw-page-title-main">Arlene Raven</span> American art historian (1944–2006)

Arlene Raven was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.

John C. Goss is an American artist and author and has lived most of his life in the Asia/Pacific region.

<span class="mw-page-title-main">Feminist art movement in the United States</span> Promoting the study, creation, understanding, and promotion of womens art, began in 1970s

The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..

Carole Caroompas was an American painter known for work which examined the intersection of pop culture and gender archetypes.

<span class="mw-page-title-main">Terry Wolverton</span> American novelist, memoirist, poet, and editor (born 1954)

Terry Wolverton is an American novelist, memoirist, poet, and editor. Her book Insurgent Muse: Life and Art at the Woman's Building, a memoir published in 2002 by City Lights Books, was named one of the "Best Books of 2002" by the Los Angeles Times, and was the winner of the 2003 Publishing Triangle Judy Grahn Award, and a finalist for the Lambda Literary Award. Her novel-in-poems Embers was a finalist for the PEN USA Litfest Poetry Award and the Lambda Literary Award.

Carol Heifetz Neiman was an American artist who was a member of the feminist art movement of the 1970s, known for her surrealist and xerox art. She also created etchings, and worked in pencil, pastels, and mixed media and was a painter.

<span class="mw-page-title-main">Judithe Hernández</span> American Chicana artist

Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.

The Waitresses were a collaborative feminist performance art group that formed in 1977. The group consisted of artists that also worked as waitresses in Los Angeles, California. The group was active from their inception until 1985.

<span class="mw-page-title-main">Ivy Bottini</span> American activist and artist (1926–2021)

Ivy Bottini was an American activist for women's and LGBT rights, and a visual artist.

Nancy Angelo is an organizational psychologist and formerly a performance and video artist who took part in the feminist art movement in Los Angeles. As an artist, she is best known for co-founding the collaborative performance art group The Feminist Art Workers in 1976 with Candace Compton, Cheri Gaulke, and Laurel Klick.

The Great American Lesbian Art Show (GALAS) was an art exhibition at the Woman's Building (a feminist art center) in Los Angeles, California with associated events in other locations. It ran from 3–31 May 1980. The Los Angeles Gay and Lesbian Community Services Center also supported the exhibit.

Cassils is a performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.

<span class="mw-page-title-main">Harry Dodge</span> American artist (born 1966)

Harry Dodge is an American sculptor, performer, video artist, professor, and writer.

Eve Fowler is an American Artist based in Los Angeles.

Jan Oxenberg (1950) is an American film producer, director, editor, and screenwriter. She is known for her work in lesbian feminist films and in television.

<i>Radical Harmonies</i> 2002 American documentary film

Radical Harmonies is a 2002 American independent documentary film directed and executive produced by Dee Mosbacher that presents a history of women's music, which has been defined as music by women, for women, and about women. The film was screened primarily at LGBTQ film festivals in 2003 and 2004.

References

  1. 1 2 Ryan, Rin (10 September 2021). "The DC Shorts Festival Is Back + Timelier Than Ever". District Fray. Retrieved 22 September 2023.
  2. 1 2 3 Gaulke, Cheri (12 November 2006). "Cheri Gaulke, Artist". Bio. Retrieved October 26, 2011.
  3. 1 2 Gaulke, Cheri (2011). "1+1=3: Art and Collaboration at the WB". In Meg Linton and Sue Maberry (ed.). Doin' It In Public: Feminism and Art at the Woman's Building. OTIS College of Art and Design. pp. 21–33 [22]. ISBN   978-0-930209-22-3.
  4. Klein, Jennie (2011). "The Ritual Body as Pedagogical Tool: The performance Art of the Woman's Building". In Meg Linton and Sue Maberry (ed.). Doin' It In Public: Feminism and Art at the Woman's Building. OTIS College of Art and Design. pp. 193–227 [220]. ISBN   978-0-930209-22-3.
  5. 1 2 Gaulke, Cheri (1998). Linda Frye Burnham and Steven Durland (ed.). The Citizen Artist: 20 Years of Art in the Public Arena (Volume 1 ed.). Critical Press. p. 16.
  6. Moravec, Michelle (2014). "Performing Prehistory: Would you rather be a goddess or a cyborg?' Cheri Gaulke and Anne Gauldin's The Malta Project". N.paradoxa. 33: 73–84.
  7. "The Woman's Building". Timeline. Archived from the original on 2011-11-25. Retrieved October 26, 2011.
  8. Moravec, Michelle (2010). "Topographies of Anti-Nuclear Art in Late Cold War Los Angeles". International Journal of Regional and Local History. 6 (1): 58–71. doi:10.1179/jrl.2010.6.1.58. S2CID   154562727.
  9. "California Feminists: Cheri Gaulke and Linda Nishio". TDR: The Drama Review. 49 (1): 50–53. 2005 via Project MUSE.
  10. Cotter, Holland (1997-06-27). "Art in Review". The New York Times. ISSN   0362-4331 . Retrieved 2020-02-29.
  11. DUBIN, ZAN (April 22, 1995). "Common Ground of 'Properties': Arts: Panelists at the new Huntington Beach center discuss how their public works encourage interaction with the people who view them". Los Angeles Times.
  12. "Cheri Gaulke – Art". November 3, 2023.
  13. "Lakewood Connect". Lakewoodcity.org. Retrieved 2014-07-30.
  14. "Garcetti Unveils Nation's First Filipino Veterans Memoirial" (PDF). www.ci.la.ca.us. Archived from the original (PDF) on September 26, 2007.
  15. “Impedement.” Women’s Studio Workshop. Retrieved 2014-01-31.
  16. Gaulke, Cheri. "Cheri Gaulke, Artist". Exhibitions. Retrieved October 25, 2011.
  17. "Cycle of the Witch". Cheri Gaulke. 2013. Retrieved 16 March 2018.
  18. "Tapping the Third Realm". Otis College of Art and Design. August 15, 2013. Retrieved 16 March 2018.
  19. "Screening of I Am Be by Cheri Gaulke". AWBW: Art Transforming Trauma. A Window Between Worlds. October 5, 2016. Retrieved 16 March 2018.
  20. "Silver Lake California : WHO'S WHO IN SILVER LAKE". Thesilverlakenews.com. Retrieved 2014-07-30.
  21. "A mindbending trip that summons the forgotten women of surrealism". Aeon. 5 May 2022. Retrieved 29 October 2023.
  22. "57th AAFF Awards!". Ann Arbor Film Festival. 31 March 2019. Retrieved 29 October 2023.
  23. "2019 NBFF Awards". Newport Beach Film Festival. 8 May 2019. Retrieved 29 October 2023.
  24. "Film Team". Gloria's Call. Retrieved 29 October 2023.
  25. Valentine, Victoria L. (22 September 2021). "Happy Birthday: Alma Thomas Would Have Been 130 Today, New Exhibitions, Film, Books & More Celebrate the Pioneering Artist". Culture Type. Retrieved 29 October 2023.
  26. "TEFF Winners". Thomas Edison Film Festival. Retrieved 29 October 2023.
  27. Morgan, Lisa L. (30 November 2022). "Inside the Beauty Bubble Documentary is Bursting with Accolades". Joshua Tree Voice. Retrieved 22 September 2023.
  28. "Homegrown: Perfect Day". Frameline. Retrieved 29 October 2023.
  29. Grobar, Matt (20 June 2022). "Anike L. Tourse's Drama 'America's Family' Claims Grand Jury & Audience Awards At Dances With Films 2022 – Complete Winners List". Deadline. Retrieved 29 October 2023.
  30. "2022 Award Winners". San Luis Obispo International Film Festival. Archived from the original on 27 September 2022. Retrieved 29 October 2023.

Bibliography