Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and were joined by Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
Green Grow the Rushes, O, is an English folk song. It is sometimes sung as a Christmas carol. It often takes the form of antiphon, where one voice calls and is answered by a chorus.
"The Cherry-Tree Carol" is a ballad with the rare distinction of being both a Christmas carol and one of the Child Ballads. The song itself is very old, reportedly sung in some form at the Feast of Corpus Christi in the early 15th century.
Mike Seeger was an American folk musician and folklorist. He was a distinctive singer and an accomplished musician who mainly played autoharp, banjo, fiddle, dulcimer, guitar, harmonica, mandolin, dobro, jaw harp, and pan pipes. Seeger, a half-brother of Pete Seeger, produced more than 30 documentary recordings, and performed in more than 40 other recordings. He desired to make known the caretakers of culture that inspired and taught him. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2018.
"I Saw Three Ships (Come Sailing In)" is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.
"Oleanna" is a Norwegian folk song that was translated into English and popularized by former Weavers member Pete Seeger. The song is a critique of Ole Bull's vision of a perfect society in America. Oleanna was actually the name of one of Ole Bull's settlements in the New Norway colony of Pennsylvania. His society failed, and all of the immigrants moved away, since the dense forest made it hard to settle there. The lyrics concern the singer's desire to leave Norway and escape to Oleanna, a land where "wheat and corn just plant themselves, then grow a good four feet a day while on your bed you rest yourself."
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on the folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet.
"Michael, Row the Boat Ashore" is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"John the Revelator" is a gospel blues call and response song. Music critic Thomas Ward describes it as "one of the most powerful songs in all of pre-war acoustic music ... [which] has been hugely influential to blues performers". American gospel-blues musician Blind Willie Johnson recorded "John the Revelator" in 1930. Subsequently, a variety of artists, including the Golden Gate Quartet, Son House, Depeche Mode, Jerry Garcia Band, The White Stripes, The Forest Rangers, The Sword, have recorded their renditions of the song, often with variations in the verses and music.
Here We Come A-wassailing, also known as Here We Come A-Christmasing,Wassail Song and by many other names, is a traditional English Christmas carol and New Year song, typically sung whilst wassailing, or singing carols, wishing good health and exchanging gifts door to door. It is listed as number 209 in the Roud Folk Song Index. Gower Wassail and Gloucestershire Wassail are similar wassailing songs.
"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Carols of All Seasons is a 1959 studio album by American folk singer Jean Ritchie.
The Weavers at Carnegie Hall (1957) is the second album by the Weavers. The concert was recorded live at Carnegie Hall in New York City on Christmas Eve 1955. At the time the concert was a comeback for the group following the inclusion of the group on the entertainment industry blacklist. The album peaked at number 24 on the Billboard Top 200 in 1961.
"Dink's Song" is an American folk song played by many folk revival musicians such as Pete Seeger, Fred Neil, Bob Dylan, Joan Baez, Dave Van Ronk, Kate & Anna McGarrigle, and Cisco Houston as well as more recent musicians like Jeff Buckley. The song tells the story of a woman deserted by her lover when she needs him the most.
Christmas Spirituals is the name of two albums recorded by the American folk singer Odetta. The first was released in 1960 on Vanguard Records. The second, a new recording of mostly the same songs, produced by Rachel Faro at White Crowe Audio in Burlington, Vermont, was originally released in 1987 on Alcazar Records and was reissued digitally in 2007 on Ashe Records. Both albums have Bill Lee, Spike Lee's father on double bass. The cover of the second Christmas Spirituals album, by the artist Coleen Patterson, depicts a Black Madonna by the River Jordan with the Three Kings in attendance. Odetta said that these songs were traditional spirituals that emerged from the sufferings of slavery as a catharsis for the terrible wrongs that were committed.
"Farewell", also known as "Fare Thee Well", is a song by American singer-songwriter Bob Dylan. Dylan wrote the song in January 1963. He considered it for his third album, The Times They Are a-Changin', but only attempted a few takes during the album's first studio session. Dylan's earlier recordings of "Farewell" found their way onto various bootlegs, and a collection of demos that included the song was released in October 2010 as The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964.
"This Train", also known as "This Train Is Bound for Glory", is a traditional African-American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe. After switching from acoustic to electric guitar, Tharpe released a more secular version of the song in the early 1950s.
