Chinese typewriter

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A 1970s-vintage Double Pigeon mechanical Chinese typewriter. The characters can be assorted on the board and can be picked separately and then typed. Chinese typewriter.jpg
A 1970s-vintage Double Pigeon mechanical Chinese typewriter. The characters can be assorted on the board and can be picked separately and then typed.

A Chinese typewriter is a typewriter that can type Chinese script. Early European typewriters began appearing in the early 19th century. [1] [2] However, as the Chinese language uses a logographic writing system, fitting thousands of Chinese characters on the machine needed much more complex engineering than typewriters using a simple Latin alphabet, or other non-logographic scripts. [3] [4] An ordinary Chinese printing office uses 6,000 Chinese characters. [5] Chinese typewriters, and similar Japanese typewriters invented by Kyota Sugimoto, which use kanji adopted from the Chinese writing system, started to appear only in the early 20th century. [5] [6] [7] There have been at least five dozen versions of Chinese typewriters, ranging from sizable mechanical models to sophisticated electric word processors. [8]

Contents

Hou-Kun Chow Tong-Zhi typewriter

Hou-Kun Chow, inventor of the first Chinese typewriter Hou-Kun Chow.jpg
Hou-Kun Chow, inventor of the first Chinese typewriter

Hou-Kun Chow (Chinese :周厚坤), a mechanical engineer in Shanghai, is credited with inventing the first Chinese typewriter in 1916. [7] His typewriter typed 4,000 characters. He had studied in the United States like several other Chinese who also contributed to the development of Chinese typewriters. [5] [8] Chow first thought about the practicality of a Chinese typewriter in Boston, while he was inspecting American typewriters as a student of the Massachusetts Institute of Technology. His efforts were initially hindered by a lack of technical assistance in Shanghai. [5] [9]

Chow considered it impossible to build a Chinese typewriter with a separate key for each Chinese character. Instead, his design used a revolving cylinder containing the characters. They were ordered by radicals and number of strokes on the cylinder, like a Chinese dictionary. This design however proved heavy, the machine initially weighing 40 pounds (18 kg) and an improved version about 30 pounds (14 kg). [5]

Chow expected his typewriter to be used in Chinese offices where multiple copies of documents would have to be made, and by Chinese living in foreign countries without access to skilled writers of Chinese. [5]

IBM's Electric Chinese Typewriter

On June 28, 1944, Kao Chung-Chin, an inventor at IBM, filed for a patent with the United States Patent and Trademark Office, and on December 17, 1946, was issued patent number 2412777A for his invention. [10] The typewriter employed 36 keys divided across four banks. The first bank had six keys numbered 0 through 5; the other three each had 10 keys numbered 0 through 9. To type a character, the operator was required to simultaneously select one key from each of the four banks. Each of those four-digit combinations corresponded to one of 5,400 Chinese characters, or other symbols such as punctuation marks, which were etched onto the surface of a revolving drum inside the typewriter. The drum had a diameter of 7 inches, a length of 11 inches, and made a complete revolution once per second, allowing the operator to achieve a maximum typing speed of 45 words per minute. [11]

Wanneng and Double Pigeon typewriters

Chinese typewriters made in Japan entered the market in the 1920s, with the Wanneng (Chinese :万能; pinyin :Wànnéng) brand, introduced by the Nippon Typewriter Company in 1940 during the Second Sino-Japanese War, becoming the de facto standard. [12] After Japan's defeat and the subsequent nationalization of typewriter companies by the Communist government, locally made models based on the Wanneng continued to dominate the market, particularly the Double Pigeon (Chinese :双鸽; pinyin :Shuānggē). [12]

Ming Kwai typewriter

Ming Kwai typewriter invented by Lin Yutang as it appears in the United States patent Ming Kwai 1952 US 2613795 A.png
Ming Kwai typewriter invented by Lin Yutang as it appears in the United States patent

The Ming Kwai typewriter is an electromechanical typewriter invented and patented by Lin Yutang. The patent, No. 2613795, was filed on April 17, 1946, by Lin, and was issued by the United States Patent and Trademark Office on October 14, 1952. [13] One of Lin's intentions was to help modernize China. Lin called his design the "Ming Kwai" typewriter and promoted it as "The Only Chinese Typewriter Designed for Everybody's Use". The two Chinese characters "Ming kwai" (Chinese :明快; pinyin :míngkuài; Wade–Giles :ming-k'uai) means "clear" (as in understandable) and "quick".

Lin had a prototype machine custom built by the Carl E. Krum Company, a small engineering-design consulting firm with an office in New York City. That multilingual typewriter was the size of a conventional office typewriter of the 1940s. It measured 36 cm × 46 cm × 23 cm (14.2 in × 18.1 in × 9.1 in). The typefaces fit on a drum. A "magic eye" was mounted in the center of the keyboard which magnifies and allows the typist to review a selected character. [14] Characters are selected by first pressing two keys to choose a desired character which is arranged according to a system Lin devised for his dictionary of the Chinese language. The selected Chinese character appeared in the magic eye for preview, [14] the typist then pressed a "master" key, similar to today's computer function key. The typewriter could create 90,000 distinct characters using either one or two of six character-containing rollers, which in combination has 7000 full characters and 1,400 character radicals or partial characters. [14]

The inspired aspect of the typewriter was the system Lin devised for a Chinese script. It had thirty geometric shapes or strokes (somewhat analogous to the elements of a glyph). These became "letters" by which to alphabetize Chinese characters. He broke tradition with the long-standing system of radicals and stroke order writing and categorizing of Chinese characters, inventing a new way of seeing and categorizing.

The typewriter was not produced commercially. According to Lin's daughter, Lin Tai-Yi, the day she was to demonstrate the machine to executives of the Remington Typewriter Company, they could not make it work. Although they did get the machine fixed for a press conference the next day, it was to no avail. Lin found himself deeply in debt. In 1947, Lin paid income taxes owed to the Internal Revenue Service and went to work in Paris for UNESCO.

The Mergenthaler Linotype Company bought the rights for the typewriter from Lin in 1948. The Cold War had begun and the United States and the Soviet Union were racing to research cryptography and machine translation. The U.S. Air Force acquired the keyboard to study machine translation and disk storage for rapid access to large quantities of information. The Air Force then handed the keyboard to Gilbert W. King, the director of research at IBM. King moved to Itek and authored a seminal scientific paper on machine translation. He also unveiled the Sinowriter, a devise for converting Chinese-character texts into machine input codes for processing Chinese into English. [15]

Cultural and technological impact

Between the 1930s and 1950s, Chinese typewriters had a political implication, as they were used in mass-production of leaflets and pamphlets. The typewriters also gained popular appeal and changed Chinese office work. [7]

According to Thomas Mullaney, it is possible that development of modern Chinese typewriters in the 1960s and 1970s influenced the development of modern computer word processors and even affected the development of computers themselves. In the 1950s, typists came to rearrange the character layout from the standard dictionary layout to groups of common words and phrases. [16] Chinese typewriter engineers were trying to make the most common characters accessible at the fastest speed possible by word prediction, a technique used today in Chinese input methods for computers, and in text messaging in many languages. [7] [14] This arrangement was called the lianxiang (“connected thought”) layout, similar to predictive text, and sped typing speeds from about 20 words per minute to around 80. [16]

The Chinese typewriter has become a metaphor for absurdity, complexity and backwardness in Western popular culture. One such example is MC Hammer's dance move named after the Chinese typewriter in the music video for "U Can't Touch This". The move, with its fast-paced and large gestures, supposedly resembles a person working on a huge, complex typewriter. [7]

The Chinese typewriter was ultimately eclipsed and made redundant with the introduction of computerised word processing, pioneered by engineer and dissident Wan Runnan and his partners when they formed Stone Emerging Industries Company (Chinese :四通新型产业公司; pinyin :Sìtōng xīnxíng chányè gōngsī) in 1984 in Zhongguancun, China's "Silicon Valley". [17] The last Chinese typewriters were completed around 1991. [16] Stone developed software based on Alps Electric custom-made 8088 based hardware [18] with a Brother Industries dot matrix printer, distributed by Mitsui, to print Chinese characters, and released the system as the MS-2400. [14] [19]

Notes

  1. ↑ Fuller, George Newman (1922). Michigan history, Volume 6. Michigan Department of State. p. 191.
  2. ↑ Revett, Kenneth (September 15, 2008). Behavioral Biometrics: A Remote Access Approach. John Wiley & Sons. p. 222. ISBN   978-0-470-99793-2 . Retrieved September 26, 2014.
  3. ↑ Potowski, Kim (2010). Language Diversity in the USA. Cambridge: Cambridge University Press. p. 82. ISBN   978-0-521-74533-8.
  4. ↑ Jing Tsu, "Lin Yutang's Typewriter," in Sound and Script in Chinese Diaspora (Harvard University Press, 2010; ISBN   978-0674055407), pp. 49–79.
  5. 1 2 3 4 5 6 "Chinaman Invents Chinese Typewriter Using 4,000 Characters" (PDF), The New York Times, July 23, 1916
  6. ↑ R Messenger (November 9, 2012). "On This Day in Typewriter History: Sugimoto's Japanese Typewriter". Australian Typewriter Museum. Retrieved September 26, 2014.
  7. 1 2 3 4 5 Featured Research – world's first history of the Chinese typewriter, Humanities at Stanford, January 2, 2010, retrieved September 26, 2014
  8. 1 2 Mullaney, Thomas (May 14, 2009). "The Chinese Typewriter". The China Beat. Retrieved September 26, 2014.
  9. ↑ Tsu, Jing (2022). Kingdom of Characters: The Language Revolution That Made China Modern. New York: Riverhead Books. pp. 81–87. ISBN   978-0-7352-1472-9.
  10. ↑ Chinese language typewriter and the like, United States Patent and Trademark Office, December 17, 1946, retrieved May 23, 2021
  11. ↑ Mullaney, Thomas (May 17, 2021), Meet the mystery woman who mastered IBM's 5,400-character Chinese typewriter, Fast Company , retrieved May 23, 2021
  12. 1 2 Fisher, Jamie (March 8, 2018). "The Left-Handed Kid". London Review of Books. 40 (5).
  13. ↑ Chinese typewriter, United States Patent and Trademark Office, October 14, 1952, retrieved October 8, 2014
  14. 1 2 3 4 5 Sorrel, Charlie (February 23, 2009), "How it Works: The Chinese Typewriter", Wired , retrieved September 26, 2014
  15. ↑ Tsu, Jing (2022). Kingdom of Characters: The Language Revolution That Made China Modern. New York: Riverhead Books. pp. 166–168. ISBN   978-0-7352-1472-9.
  16. 1 2 3 Mullaney, Thomas S. (July 16, 2018). "90,000 Characters on 1 Keyboard". Foreign Policy. Retrieved April 25, 2020.
  17. ↑ Kennedy, Scott (1997). "The Stone Group: State Client of Market Pathbreaker?". The China Quarterly . Cambridge University Press. 152 (December 1997): 752–756. doi:10.1017/S0305741000047548. JSTOR   655558. S2CID   154841745.
  18. ↑ Zhang, Difan (September 18, 2020). "Stone MS-240x Typewriter (2): Hardware Design". tifan.net. Retrieved September 18, 2020.
  19. ↑ Dorothy J. Solinger (1993). China's Transition from Socialism: Statist Legacies and Market Reforms, 1980–1990 . New York: M.E. Sharpe. pp.  266. ISBN   978-1-56324-068-3.

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References

Further reading

  • Thomas S. Mullaney (2017), The Chinese Typewriter: A History (MIT Press), ISBN   978-0262036368

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