Christadelphian hymnals

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The 2002 English language hymn book 2002 Christadelphian hymnbook.jpg
The 2002 English language hymn book
Sing To The Lord book Praise The Lord Christadelphian Hymn Book.jpg
Sing To The Lord book

The earliest Christadelphian hymn book published was the "Sacred Melodist" which was published by Benjamin Wilson in Geneva, Illinois in 1860. [1] The next was the hymn book published for the use of Baptised Believers in the Kingdom of God (an early name for Christadelphians) [2] by George Dowie in Edinburgh in 1864. [3] "The Golden Harp" was put together in 1864 by Scotsman Robert Roberts.

This was then followed a year later by first 'official' (as the Christadelphians had not been named as such until then) book, compiled also by Roberts, and was called simply "The Christadelphian Hymn Book." It contained 223 psalms/hymns and 50 anthems but no music. In 1869 Roberts produced a version of this book with music included. [4]

The first major revision of the official book took place in 1932 under the guidance of Charles Curwen Walker of Birmingham, England, the editor of The Christadelphian magazine. There were 73 new songs added, including some originals. It was further expanded in 1962 by John Carter, also editor of the magazine, and L G Sargent. Its simple monotone front cover with gold writing gave it the nickname "The Black Hymn Book." The last major revision, this time by various members of the denomination, was in 2002. Subtitled Psalms, Hymns and Spiritual Songs the cover colour was changed to green, the number of songs increased to 438 and the hymns and anthems were no longer in separate sections. [5] As most Christadelphians own their own hymn books (i.e. they are not communal) many get their names or initials embossed on them. The 2002 version of the book (commonly called "The Green Book") is also available in E-book format from The Christadelphian publishing office.

Christadelphian hymnody makes considerable use of the hymns of the Anglican and British Protestant traditions [6] (even in US ecclesias the hymnody is typically more British than American). In many Christadelphian hymn books a sizeable proportion of hymns are drawn from the Scottish Psalter and non-Christadelphian hymn-writers including Isaac Watts, Charles Wesley, William Cowper and John Newton. Despite incorporating non-Christadelphian hymns however, Christadelphian hymnody preserves the essential teachings of the community.

Other works

While the books mentioned above (or translations thereof) are often used outside the English-speaking world there are a variety of different books in many different languages.

Related Research Articles

The Christadelphians are a restorationist and nontrinitarian Christian denomination. The name means 'brothers and sisters in Christ', from the Greek words for Christ (Christos) and brothers (adelphoi).

<span class="mw-page-title-main">Hymn</span> Religious song for the purpose of adoration or prayer

A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.

<span class="mw-page-title-main">Hymnal</span> Collection or book of religious hymns

A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook. They are used in congregational singing. A hymnal may contain only hymn texts ; written melodies are extra, and more recently harmony parts have also been provided.

<span class="mw-page-title-main">Isaac Watts</span> English hymnwriter and theologian (1674–1748)

Isaac Watts was an English Congregational minister, hymn writer, theologian, and logician. He was a prolific and popular hymn writer and is credited with some 750 hymns. His works include "When I Survey the Wondrous Cross", "Joy to the World", and "Our God, Our Help in Ages Past". He is recognised as the "Godfather of English Hymnody"; many of his hymns remain in use today and have been translated into numerous languages.

<span class="mw-page-title-main">Contemporary worship music</span> Modern genre of music sung in many churches

Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well.

<span class="mw-page-title-main">Anglican church music</span> Music genre

Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.

Kingdom songs are the hymns sung by Jehovah's Witnesses at their religious meetings. Since 1879, the Watch Tower Society has published hymnal lyrics; by the 1920s they had published hundreds of adapted and original songs, and by the 1930s they referred to these as "Kingdom songs" in reference to God's Kingdom.

Decisions concerning the conduct of public worship in the Church of Scotland are entirely at the discretion of the parish minister. As a result, a wide variety of musical resources are used. However, at various times in its history, the General Assembly has commissioned volumes of psalms and hymns for use by congregations.

<span class="mw-page-title-main">Exclusive psalmody</span> Practice of singing only Psalms in worship

Exclusive psalmody is the practice of singing only the biblical Psalms in congregational singing as worship. Today it is practised by several Protestant, especially Reformed denominations. Hymns besides the Psalms have been composed by Christians since the earliest days of the church, but psalms were preferred by the early church and used almost exclusively until the end of the fourth century. During the Protestant Reformation, Martin Luther and many other reformers, including those associated with the Reformed tradition, used hymns as well as psalms, but John Calvin preferred the Psalms and they were the only music allowed for worship in Geneva. This became the norm for the next 200 years of Reformed worship. Hymnody became acceptable again for the Reformed in the middle of the nineteenth century, though several denominations, notably the Reformed Presbyterians, continue the practice of exclusive psalmody.

The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ. The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections origin, a full lectionary-based Psalter, service music selections, and a selection of liturgies from the UCC Book of Worship (1986). Generally speaking, the hymnal is theologically within the mainline Protestant tradition, with a slant toward liturgical forms.

Hymns are an important part of the history and worship of the Church of Jesus Christ of Latter-day Saints.

<i>Hymns of the Church of Jesus Christ of Latter-day Saints</i> (1985 book) Hymnal of the Church of Jesus Christ of Latter-day Saints

Hymns of the Church of Jesus Christ of Latter-day Saints is the official hymnal of the Church of Jesus Christ of Latter-day Saints . Published in English in 1985, and later in many other languages, it is used throughout the LDS Church. This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).

<i>Hymns Ancient and Modern</i> English hymnal

Hymns Ancient and Modern is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement. The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable trust, Hymns Ancient and Modern Ltd, and as of 2022 it publishes a wide range of hymnals as well as other theological and religious books and magazines, under imprints such as the Canterbury Press and SCM Press.

<span class="mw-page-title-main">Jubilate Group</span>

The Jubilate Group is a Christian publishing house that administers copyright for more than sixty composers and writers. The group was founded by Michael Baughen in the 1960s. The group's first production was Youth Praise. In 1982, Jubilate published Hymns for Today's Church, one of the first hymn books with completely modernised language. In 1999, Sing Glory, Jubilate's most recent major hymn book, was published.

<span class="mw-page-title-main">Hymn tune</span> Musical melody of a Christian hymn

A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, with or without refrain or chorus.

Hymnology is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from hymnody, the creation and practice of such song. Hymnologists, such as Erik Routley, may study the history and origins of hymns and of traditions of sung worship, the biographies of the women and men who have written hymns that have passed into choral or congregational use, the interrelationships between text and tune, the historical processes, both folk and redactional, that have changed hymn texts and hymn tunes over time, and the sociopolitical, theological and aesthetic arguments concerning various styles of sung worship.

<i>Chinese New Hymnal</i> Protestant hymn book in China

The Chinese New Hymnal was published in the early 1980s and is the main hymnal used by the Protestant churches registered through the TSPM in present-day China.

Hymns of Universal Praise, a Chinese hymnal published in 1936, is considered to be an ecumenical attempt at Chinese hymnology from the early twentieth century. According to the Hong Kong hymnologist Andrew Leung, the first edition, HUP1936, established the foundation of Chinese hymnody and is now set as a model of Chinese hymnology.

References

  1. Hocking, Rachel. A Study of Christadelphian Hymnody: singing with the spirit and with the understanding.
  2. Peter Hemingray, John Thomas: His Friends and His Faith 2003 p. 235
  3. Andrew Wilson, History of the Christadelphians 1864–1885: the emergence of a denomination 1997, p. 326
  4. "History of Christadelphian Music". Theworshipbook.com. Retrieved 2017-01-22.
  5. "Hymn Book Pocket Size - Leather". Thechristadelphian.com. Archived from the original on 2016-12-23. Retrieved 2017-01-22.
  6. "Chapter 8: Christadelphian Views on Music and Praise" (PDF). Rachelhocking.com.au. Retrieved 2017-01-22.
  7. "A History of Christadelphian Music". theworshipbook.com. Retrieved 17 November 2021.
  8. "Worship". theworshipbook.com. Retrieved 17 November 2021.
  9. "Worship 2". theworshipbook.com. Retrieved 17 November 2021.
  10. "Praise the Lord 2016". hoddesdon.info. Retrieved 17 November 2021.