Christopher Bucklow (born 1957) is a British artist and art-historian. [1] His work has been exhibited internationally and is held in numerous public collections including the Guggenheim Museum, [2] Museum of Modern Art (MoMA), [3] Museum of Modern Art, San Francisco (SFMoMA), [4] and The Metropolitan Museum of Art [5] among others. He has received residencies at The British Museum, London, the Banff Center for the Arts, Alberta, and The Centre for Studies in British Romanticism, Grasmere. [6] Bucklow is best known for his ongoing photographic series Guests (1993–present) [7] and his improvisational paintings from the series To Reach Inside A Vault (2006–present). [8] He is the author of numerous books and essays including The Sea of Time and Space (Wordsworth Trust, 2004), [9] "This is Personal: Blake and Mental Fight" in Blake & Sons, Lifestyles and Mysticism in Contemporary Art (University College, Cork, 2005), What is in the Dwat: The Universe of Guston's Final Decade (Wordsworth Trust, 2007), [10] and the co-author of Bacon and the Mind: Art, Neuroscience and Psychology (Thames & Hudson, 2019). [11]
Bucklow was born in Flixton, Greater Manchester, England. He graduated with a degree in art history in 1978. Between 1978 and 1995 he worked as a curator in the Prints & Drawings Department at the Victoria & Albert Museum, London [12] where he researched Romanticism, photography, and developed an interest in the work of William Blake (British, 1757 – 1827). [13] An account of Bucklow's career as a curator and the forces that propelled his transition to art praxis can be found in "Rhetoric and Motive in the Writing of Art History: A Shapeshifter's Perspective" in Remaking Art History (Routledge, New York City; 2007). [14]
Bucklow's early work (1989–91) was conceptual and sculptural, often taking the form of plant species that he altered genetically or grafted together. [15] In the 1990s he created two bodies of photographic work, The Beauty of the World (1991) and Guest - also known as Tetrarchs, that were foundational for Britain's contemporary negative-less photography movement [16] .
Guests was created using a 30 x 40-inch pinhole camera, built by Bucklow, with thousands of apertures to make unique cibachrome chromogenic prints. [17] Tetrarchs were created using either a 40 x 60-inch camera, or one with a 40 x 100 inches plate size. [18] Guest (1993–present) features silhouettes of persons that appear to the artist in dreams. Friends, family, and fellow artists like Matthew Barney and Adam Fuss [19] are featured individually in the work as a collective of figures drawn by the multiple solar images directed through the 25,000 apertures in Bucklow's camera. [20] [21]
His interest in personal mythology, Jungian dream psychology, metaphor and the use of personification was continued in his subsequent paintings. [22] To Reach Inside A Vault is a series of large scale improvisational paintings in which a commedia dell'arte technique is used to generate the subjects or plot. [23] These paintings were exhibited in Bucklow's 2017 retrospective Said Now, For All Time at the Southampton City Art Gallery, UK. [24]
Museum of Modern Art, New York [25]
Metropolitan Museum of Art [26]
Solomon R. Guggenheim Museum [27]
Museum of Fine Arts, Houston [28]
Modern Art Museum of Fort Worth [29]
The Wordsworth Trust, Grasmere
Herzliya Museum of Art [32]
Museum of Fine Arts, Boston [34]
Norton Museum, Palm Beach [37]
The Ashmolean Museum of Art and Archaeology on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel.
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum and nonprofit organization located in San Francisco, California. SFMOMA was the first museum on the West Coast devoted solely to 20th-century art, and has built an internationally recognized collection with over 33,000 works of painting, sculpture, photography, architecture, design, and media arts. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
"I Wandered Lonely as a Cloud" is a lyric poem by William Wordsworth. It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. Written in 1804, this 24 line lyric was first published in 1807 in Poems, in Two Volumes, and revised in 1815.
The International Center of Photography (ICP) is a photography museum and school at 79 Essex Street on the Lower East Side of Manhattan in New York City. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974. It is located at 79 Essex Street, within the Lower East Side.
Philip Guston was a Canadian American painter, printmaker, muralist and draftsman. "Guston worked in a number of artistic modes, from Renaissance-inspired figuration to formally accomplished abstraction," and is now regarded as one of the "most important, powerful, and influential American painters of the last 100 years." He frequently depicted racism, antisemitism, fascism and American identity, as well as, especially in his later most cartoonish and mocking work, the banality of evil. In 2013, Guston's painting To Fellini set an auction record at Christie's when it sold for $25.8 million.
Roy Rudolph DeCarava was an American artist. DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades, DeCarava came to be known as a founder in the field of black and white fine art photography, advocating for an approach to the medium based on the core value of an individual, subjective creative sensibility, which was separate and distinct from the "social documentary" style of many predecessors.
The Wordsworth Trust is an independent charity in the United Kingdom. It celebrates the life of the poet William Wordsworth, and looks after Dove Cottage in the Lake District village of Grasmere where Wordsworth and his sister Dorothy Wordsworth lived between 1799 and 1808. It also looks after the majority of the surrounding properties in the conservation area of Town End, and a collection of manuscripts, books and fine art relating to Wordsworth and other writers and artists of the Romantic period. In 2020 it introduced the brand name Wordsworth Grasmere.
Loretta Lux is a fine art photographer known for her surreal portraits of young children. She lives and works in Ireland.
Paul Seawright is a Northern Irish artist. He is the professor of photography and the Deputy Vice Chancellor at Ulster University in Belfast/Derry/Coleraine. Seawright lives in his birthplace of Belfast.
Dove Cottage is a house on the edge of Grasmere in the Lake District of England. It is best known as the home of the poet William Wordsworth and his sister Dorothy Wordsworth from December 1799 to May 1808, where they spent over eight years of "plain living, but high thinking". During this period, William wrote much of the poetry for which he is remembered today, including his "Ode: Intimations of Immortality", "Ode to Duty", "My Heart Leaps Up" and "I Wandered Lonely as a Cloud", together with parts of his autobiographical epic, The Prelude.
Jerwood Foundation is an independent grant-making foundation in the United Kingdom. In 1999 the Jerwood Foundation established the Jerwood Charitable Foundation, a registered charity under English law.
Dan Holdsworth is a British photographer who creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography. He has exhibited internationally including solo shows at BALTIC Centre for Contemporary Art, Gateshead, and Barbican Art Gallery, London; and group shows at Tate Britain, London, and Centre Pompidou, Paris. His work is held in collections including the Tate Collection, Saatchi Collection, and the Victoria and Albert Museum, London. He lives and works in Newcastle upon Tyne and London.
Kohei Yoshiyuki was a Japanese photographer whose work included "Kōen", photographs of people at night in sexual activities in parks in Tokyo. Prints from The Park are held in the collections of the Museum of Modern Art and Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art (SFMOMA); Museum of Contemporary Photography, Chicago; and Museum of Fine Arts, Houston. Examples from the series were included in the exhibition Exposed: Voyeurism, Surveillance and the Camera at Tate Modern, SFMOMA and the Walker Art Center.
Barbara Probst is a contemporary artist whose photographic work consists of multiple images of a single scene, shot simultaneously with several cameras via a radio-controlled system. Using a mix of color and black-and-white film, she poses her subjects, positioning each lens at a different angle, and then triggers the cameras’ shutters all at once, creating tableaux of two or more individually framed images. Although the pictures are of the same subject and are taken at the same instant, they provide a range of perspectives. She lives and works in both New York City and Munich. She relocated to New York City in 1997.
Lynn Stern is an American photographer, known for her black and white photographs produced using natural light. Stern began to pursue photography as a career in the late 1970s. She lives and works in New York City. Stern's work is held in the collections of the Museum of Fine Arts Houston and the Center for Creative Photography.
Martin Harrison is a British art historian, author and curator, noted for his work on photography, on the medium of stained glass and its history, and as an authority on the work of the painter Francis Bacon.
Adam Broomberg and Oliver Chanarin are artists living and working in London.
Richard Learoyd is a British contemporary artist and photographer.
Shizuka Yokomizo is a Japanese photographer and installation artist.
Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.
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