Civil Dusk | ||||
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Studio album by | ||||
Released | 5 August 2016 | |||
Recorded | January–July 2016 | |||
Studio | La Cueva Recording, Byron Bay, New South Wales | |||
Genre | ||||
Length | 39:15 | |||
Label | ||||
Producer | Nick DiDia | |||
Bernard Fanning chronology | ||||
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Singles from Civil Dusk | ||||
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Civil Dusk is the third solo album by Australian musician Bernard Fanning, a followup to his 2013 album Departures , and is the second album following the disbanding of Fanning's band Powderfinger in 2011. The album was released on 5 August 2016. The album signals Fanning's return to more of an acoustic folk sound, more akin to his first solo album, Tea & Sympathy , than the alternative rock sound of Departures. [1] Civil Dusk is released as part one of a series of two albums, the second instalment, Brutal Dawn, was released on 26 May 2017. It won at the 2016 ARIA Music Awards for Best Adult Contemporary Album, it was also nominated for Best Male Artist, but lost to Flume for Skin. [2]
The writing process for the album began towards the end of 2014, in northern New South Wales, ending approximately a year later in Madrid, Spain. [3] Following Fanning's return to Australia in early 2016, he set about recording for Civil Dusk, alongside friend and producer Nick DiDia, at La Cueva Recording, a home recording studio that the two developed. [4] Taking such an approach was a new experience for Fanning, [5] used to recording in professional studios in comparison with the open-floor layout of the home studio. DiDia believes such a layout helped to make communication easier, enhancing the recording process. [5]
The album places a particular focus on consequences and decisions, though Fanning states that it is not only coloured by his own experiences. [6] On describing the album, Fanning says: "Sometimes, particular decisions appear to be the most sensible or realistic path to take. A civil, pragmatic compromise. But the passage of time reveals those decisions to have been flawed and to have far deeper and wide ranging consequences than predicted at the time. We all live with the consequences of our decisions but have daily things to attend to." [7]
Within the scope of decisions, the album explores a number of issues—from "Belly of the Beast" exploring Fanning's belief that the state of politics is "just a failure at all levels across the globe", [8] to ideas of loss and devotion in songs such as "Emerald Flame".
The album's name is drawn from a photography term, civil twilight, described by Fanning as "[talking] about the light in the sky when the sun has gone below the horizon, but you can still make out all the objects", [9] a direct reference to the album's core theme of decisions, and their lasting consequences. The album's cover photography is by Karen Lynch of Leaf and Petal, the work of whom Fanning's wife discovered whilst browsing a Spanish Instagram site, which upon Fanning's inspection, he found to "[fit] perfectly with the lyrical themes." [10]
Civil Dusk was mastered at Studios 301 in Alexandria, New South Wales by Leon Zervos. [11]
From October through to mid-November 2016, [12] Fanning embarked on an Australian-wide tour, accompanied by Australian artists Dustin Tebbutt and Ainslie Wills. [13] Concerts received generally favourable reviews - Bernard Zuel of The Sydney Morning Herald describing the atmosphere at Fanning's State Theatre show as "safe returns on a comfortable investment". [14]
Civil Dusk has received generally favourable reviews. It has been described by Rolling Stone Australia as Fanning "re-embracing an old honesty, reclaiming some of the identity that he shrugged – deliberately enough – when setting out alone", [15] blending elements of Tea & Sympathy with the likes of Jackson Browne and Cat Stevens. [16] Fanning's politically-charged closer, "Belly Of The Beast" was described as "an intriguing cut perhaps best described in the form of a thought experiment: imagine if Cat Stevens had written Sympathy for the Devil." [15]
However, The Music's Mac McNaughton described the album as having "produced a collection on which he sounds kinda bored, not knowing whether to kick around a country pub (on the half pissed 'What A Man Wants') or rocking out a horrible Status Quo pastiche (on 'Change Of Pace')", [17] stating that "Civil Dusk's lyrical unrest is mesmerising, but unsure musical footing makes for a challenging listen." [17]
The songs as a whole were seen as "a touch predictable" by Double J, with Fanning "not interested in trying to win you over", but as "surely the soundtrack to many dinner parties, road trips, backyard barbecues and quiet nights in the near future." [18]
Powderfinger were an Australian rock band formed in Brisbane in 1989. From 1992 until its break-up in 2010, the line-up consisted of vocalist Bernard Fanning, guitarists Darren Middleton and Ian Haug, bass guitarist John Collins and drummer Jon Coghill. The group's third studio album Internationalist peaked at No. 1 on the ARIA Albums Chart in September 1998. They followed with four more number-one studio albums in a row: Odyssey Number Five, Vulture Street, Dream Days at the Hotel Existence and Golden Rule. Their top-ten hit singles are "My Happiness" (2000), "(Baby I've Got You) On My Mind" (2003) and "Lost and Running" (2007). Powderfinger earned a total of eighteen ARIA Awards, making them the second-most awarded band behind Silverchair. Ten Powderfinger albums and DVDs certified multiple-platinum, with Odyssey Number Five—their most successful album—achieving eightfold platinum certification for shipment of over 560,000 units.
Parables for Wooden Ears is the debut studio album released by the Australian band Powderfinger. It was released on 18 July 1994 by Polydor Records, after recording at the Metropolis Studios in Melbourne during February 1994.
Vulture Street is the fifth studio album by Australian alternative rock band Powderfinger, released on 29 July 2003 by Universal Music. It won the 2003 ARIA Music Award for Best Rock Album. Produced by Nick DiDia, Vulture Street was certified platinum, and spent 47 weeks on the ARIA Charts and peaked at #1. Singles from the album included "(Baby I've Got You) On My Mind", "Since You've Been Gone", "Love Your Way" and "Sunsets".
Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works.
Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.
Bernard Joseph Fanning is an Australian musician and singer-songwriter. He was the lead vocalist of Queensland alternative rock band Powderfinger from its formation in 1989.
Double Allergic is the second studio album by Australian alternative rock band Powderfinger. Released in Australia on 2 September 1996 Polydor, the album was produced by Tim Whitten and widely considered Powderfinger's mainstream breakthrough.
Darren Middleton is an Australian musician, best known as lead guitarist and songwriter for alternative rock band Powderfinger. He was also lead singer/songwriter for Drag; his current solo tour is 'Splinters', a follow-up to his 2013 solo tour 'Translations.' The 'Splinters' tour is Middleton's tour of Western Australia and Victoria in August and November 2016, respectively.
Fingerprints: The Best of Powderfinger, 1994–2000 is a greatest hits album by Australian alternative rock band Powderfinger, released on 30 October 2004 in Australia.
Tea & Sympathy is the debut solo album by Australian musician Bernard Fanning. It was released on 31 October 2005, by Dew Process records while Powderfinger—Fanning's main band—were on hiatus. Contrary to Powderfinger's usual alternative style, the album blends alternative and country-folk music. Most of the record was written after the cancer-related death of his brother in 2002. His brother's death coincided with the end of Fanning's twelve-year relationship with his partner, and both events were instrumental in his move away from his typically political and socially lyrical subject matter.
Dream Days at the Hotel Existence is the sixth studio album by Australian rock band Powderfinger, released by Universal Music on 2 June 2007 in Australia, 19 November 2007 in the United Kingdom, and 11 November 2008 in the United States on the Dew Process label. It was released in Australia with a limited edition bonus DVD, titled Powderfinger's First XI, featuring eleven music videos spanning the band's career, from the first single, "Tail" to "Bless My Soul", the band's latest single before the release of the album. A collector's edition, including a CD and DVD, was released on 18 April 2008.
"Lost and Running" is a song by Australian rock group Powderfinger. It was released as the first single from the group's sixth studio album Dream Days at the Hotel Existence. It is the band's twenty-second single and peaked at No. 5 on the Australian chart, the group's second highest-charting single after "My Happiness". It made its radio debut on 13 April on Triple J and was released to wide radio play and the band's MySpace on 16 April 2007. The single was officially released on 12 May 2007.
"My Happiness" is a song by Australian rock band Powderfinger. It was released via record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result. It was inspired by his love of gospel and soul music. The rest of the band are co-credited with Fanning for composing the track. Despite its melancholy mood, "My Happiness" is considered by many to be a love song, a suggestion Fanning regards as mystifying.
"Sunsets" is a song released as the third single from Australian rock band Powderfinger's fifth studio album, Vulture Street. The single was released on 4 January 2004 in Australia and New Zealand. "Sunsets" earned a mixed response from reviewers. Some reviewers praised its appeal and aggression, whilst others appreciated the power ballad elements within it. Others, however, described the song negatively as "lumbering". "Sunsets" charted moderately, reaching No. 11 on the Australian Singles Chart.
The discography of Powderfinger, an Australian alternative rock group, consists of seven studio albums, thirty-three singles, six extended plays, three live albums, four compilation albums, one video album and twenty-nine music videos. They have been nominated for forty-nine ARIA Music Awards, of which they have won eighteen. Shortly after the independent release of their debut self-titled EP in 1993, Powderfinger signed on to a major record label to release their second EP, Transfusion. In 1994 they issued their debut album Parables for Wooden Ears, which did not reach the ARIA Albums Chart. After performances at music festivals, touring and supporting international artists, Powderfinger released their second studio album, Double Allergic (1996), which became their charting breakthrough by peaking at No. 4. Following public recognition from the album's high-selling singles, Powderfinger went on to release Internationalist in 1998, which was their first number-one album; it was certified five times platinum by ARIA for shipment of 350,000 copies.
"Since You've Been Gone" is a 2004 single from Powderfinger's fifth studio album Vulture Street. It was the fourth and final single released from Vulture Street and reached #51 on the Australian music chart. It was a limited edition single, hence no video or puzzle piece on the spine of the single. The song refers to Powderfinger's lead singer Bernard Fanning missing his brother who had died a year prior to the song's release.
"Stumblin'" is a song by Australian rock group Powderfinger, which is a track on their fifth album, Vulture Street. A live version was issued on 4 June 2004 as a promotional single from the group's first live album, These Days: Live in Concert, which had been recorded from a performance at the Sydney Entertainment Centre on 12 December 2003. The B-side is the studio version from Vulture Street. The track was listed on the Triple J Hottest 100, 2003 – an annual poll by listeners of the national radio station. The song was used in an ad for Australian road safety.
"I Don't Remember" is a song by Australian alternative rock band Powderfinger, from the album Dream Days at the Hotel Existence. It made its radio debut on 9 July 2007 on Australian radio stations, and was subsequently released as a single and digital download on 4 August 2007 in Australia, 3 September 2007 in New Zealand, and 13 August 2007 in the United States. The song was written by Powderfinger lead singer Bernard Fanning, and influenced by bassist John Collins. The riff was then developed by guitarist Ian Haug. The song is about reconciling difficulties and arguments, rather than shifting the blame.
"Nobody Sees" is a song by Powderfinger from their sixth album Dream Days at the Hotel Existence. It is the third single from the album and was released in Australia on 1 December 2007. The announcement that it would be released as a single came at the same time as releasing the music video to the internet on the official Universal Records website.
Golden Rule is the seventh and final studio album by Australian rock band Powderfinger, released on 13 November 2009. The album reunites the band with producer Nick DiDia, who produced several of the group's previous albums including, Internationalist, Odyssey Number Five and Vulture Street.