Claire Fontaine

Last updated
Claire Fontaine
BornFounded in Paris, France 2004
NationalityItalian / British
EducationUniversità degli Studi di Padova, Paris VIII / Glasgow School of Art
Known forConceptual art, Human Strike, ready-made artist
Notable workForeigners Everywhere (Arabic), 2005, In God They Trust, 2004
Website http://www.clairefontaine.ws
Claire Fontaine, Untitled (on vous intoxique!) (2018) Untitled (on vous intoxique!), 2018.jpg
Claire Fontaine, Untitled (on vous intoxique!) (2018)
When women strike the world stops (2020)/ Newsfloor (Le Monde Pixelise) (2020) When women strike the world stops, 2020.jpg
When women strike the world stops (2020)/ Newsfloor (Le Monde Pixelisé) (2020)
Claire Fontaine, In God They Trust (2005). Twenty-five-cent coin, steel box-cutter blade, solder and rivet. In god they trust (2005).jpg
Claire Fontaine, In God They Trust (2005). Twenty-five-cent coin, steel box-cutter blade, solder and rivet.
Claire Fontaine, Untitled (Negative) (2016) Untitled (Negative) (2016).jpg
Claire Fontaine, Untitled (Negative) (2016)

Claire Fontaine is a feminist, conceptual artist, founded in Paris in 2004 by Fulvia Carnevale and James Thornhill, an Italian-British artist duo who declared themselves her assistants. [1] Since 2018 Claire Fontaine lives and works in Palermo and has a studio in the historical centre of the Kalsa near Piazza Magione.

Contents

After lifting her name from a popular brand of French school notebooks and stationery, Claire Fontaine declared herself a readymade artist [2] [3] and began to elaborate a version of neo-conceptual art that often looks like other people's work. Claire Fontaine translated into English means "Clear Fountain" and can also be conceptually linked to the artwork Fountain by Marcel Duchamp, known as the most famous readymade. [4]

Work

Claire Fontaine uses the concept of the readymade as a way of criticising "production" disguised as a creation of more and more artefacts that are desirable because they superficially appear as new. Generally she works with appropriation on a formal level and she hijacks contents, using sculpture, installation, video and painting to create an emotionally loaded criticism of the author and the forms of authority at this stage of capitalism. This aesthetic approach that she describes as "expropriation", a way of giving an existential use value to pre-existing objects and artworks, also addresses the general crisis of singularity, which she describes as the individual and collective impossibility to give a meaning to one's life under the current political circumstance and the systematic surveillance, repression and countless limitations of our freedom. Claire Fontaine prefers to integrate the existing art circuit to create complicities and foster change which entails partaking in the mechanisms and subjects of the art industry including collectors, dealers and institutions. [5]

In an Interview with Circa Art Magazine in 2008 she states: "I think forming gangs, mafias, collectives, networks, bands of people is a way to survive in the hostile capitalist system and then eventually a way to become a pressure group, in order to transform these particular conditions." [6]

Writing and text based pieces play an important role in Claire Fontaine's work. She distributes texts in her exhibitions and she uses different registers in her writing such as poetry, critical theory, essays and manifestos. The artist criticises the hierarchy between visual and verbal expression.

In February 2020 she was invited by Maria Grazia Chiuri to create the mise-en-scène for Dior's Autumn/Winter 2020 collection for Paris Fashion Week which took place in the Les Tuileries. The artist used the catwalk to perform an operation of Institutional Critique investing the floor and the ceiling; she presented Newsfloor (Le Monde Pixelisé) (2020) and several large suspended LED signs stating for example: Patriarchy Kills Love, When women strike the world stops, Feminine beauty is a ready-made or Patriarchy = Climate emergency. [7] [8]

Monographs

Books

Writings

Interviews

Solo exhibitions

Requiem for Jean-Charles de Menezes (2005) Requiem for Jean-Charles de Menezes (2005).jpg
Requiem for Jean-Charles de Menezes (2005)

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References

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  39. Descent to revolution. Voorhies, James Timothy., Bureau for Open Culture., Columbus College of Art and Design. Columbus: Bureau for Open Culture. 2010. ISBN   978-0-9797476-4-9. OCLC   649513797.{{cite book}}: CS1 maint: others (link)
  40. "Download Petit manuel de torture à lusage des femmes-soldats ePub eBook @4423A70628A820AC72B148D5F39303E9.FARMACRED.COM.AR". 4423a70628a820ac72b148d5f39303e9.farmacred.com.ar. Retrieved 2020-06-09.
  41. "L'immanenza del linguaggio: un dialogo con Claire Fontaine |". Flash Art (in Italian). 2020-06-09. Retrieved 2020-06-09.
  42. Morletto, Eva (20 May 2020). "L'arte di essere libere".{{cite journal}}: Cite journal requires |journal= (help)
  43. "Collecteurs". collecteurs.com. Retrieved 2020-06-09.
  44. "Pretend to be dead". White Fungus . Retrieved 2020-06-09.
  45. Crano, Claire Fontaine, Andrew Culp and Ricky. "Claire Fontaine, Andrew Culp and Ricky Crano: Claire Fontaine / Radical Philosophy". Radical Philosophy. Retrieved 2020-06-09.{{cite web}}: CS1 maint: multiple names: authors list (link)
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Further reading

  1. "Verso". versobooks.com. Retrieved 2020-06-09.
  2. "Out of This Disaster, New Approaches to Art May Emerge". Literary Hub. 2020-05-21. Retrieved 2020-06-09.
  3. "MAY, Quarterly Journal » On Claire Fontaine at Reena Spaulings, Los Angeles". mayrevue.com. Retrieved 2020-06-09.
  4. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  5. "PFW FW20: Dior's Ode to the Past is a Path to the Future". Whitewall. 2020-02-26. Retrieved 2020-06-09.
  6. Dürrholz, Johanna. "Paris Fashion Week: Sorry, das ist Poster-Feminismus". Frankfurter Allgemeine Zeitung (in German). ISSN   0174-4909 . Retrieved 2020-06-09.
  7. A companion to feminist art. Robinson, Hilary, 1956–, Buszek, Maria Elena, 1971–. Hoboken, NJ. ISBN   978-1-118-92917-9. OCLC   1081376220.{{cite book}}: CS1 maint: others (link)
  8. "Collettivi di artisti, sul mercato l'unione fa la forza". Il Sole 24 ORE (in Italian). Retrieved 2020-06-09.
  9. "il primo amore". ilprimoamore.com. Retrieved 2020-06-09.
  10. Beech, Dave (April 2019). "Marina Vishmidt: Speculation as a Mode of Production – Forms of Value Subjectivity in Art and Capital". Art Monthly. No. 425. pp. 37–38. ProQuest   2224924770.
  11. Vishmidt, Marina. (2019). Speculation as a mode of production : forms of value subjectivity in art and capital. Chicago, IL: Haymarket Books. ISBN   978-1-64259-051-7. OCLC   1088740454.
  12. Frantzen, Mikkel Krause (29 November 2019). Going nowhere, slow : the aesthetics and politics of depression. Winchester, UK. ISBN   978-1-78904-215-3. OCLC   1124609251.{{cite book}}: CS1 maint: location missing publisher (link)
  13. Maida, Desirée (2019-08-21). "Claire Fontaine per l'ottava edizione di Viaggio in Sicilia di Planeta". Artribune (in Italian). Retrieved 2020-06-09.
  14. "Storie dell'Arte / Claire Fontaine, ready-made per riflettere sul senso delle cose". Corriere della Sera (in Italian). Retrieved 2020-06-09.
  15. Mansoor, Jaleh, 1975– (30 September 2016). Marshall Plan modernism : Italian postwar abstraction and the beginnings of autonomia. Durham. ISBN   978-0-8223-6245-6. OCLC   930683605.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  16. Andrea Rossetti (2019-04-12). "Prendi i soldi e vivi! exibart.com". exibart.com (in Italian). Retrieved 2020-06-09.
  17. "Les pompiers entre dévouement et amertume". Le Monde diplomatique. Retrieved 2020-06-09.
  18. "il manifesto" (in Italian). Retrieved 2020-06-09.
  19. "Claire Fontaine |". Flash Art. 2016-12-20. Retrieved 2020-06-09.
  20. GG. "Are We All Migrants? | Zérodeux / 02" . Retrieved 2020-06-09.
  21. "Portrait Claire Fontaine". Spike Art Magazine. 2015-07-03. Retrieved 2020-06-09.
  22. Chari, Anita (January 2013). "Crisis and Redemption: Claire Fontaine on the Critique of Neoliberalism". Contemporary Political Theory.
  23. Wiley, Chris. "Claire Fontaine". frieze. No. 146. ISSN   0962-0672 . Retrieved 2020-06-09.
  24. "Locating Claire Fontaine". Temporary Art Review. 2012-01-18. Retrieved 2020-06-09.
  25. Art since 1900 : modernism, antimodernism, postmodernism. Foster, Hal. (2nd ed.). London: Thames & Hudson. 2011. ISBN   978-0-500-23889-9. OCLC   765578047.{{cite book}}: CS1 maint: others (link)
  26. "Just who on earth is Claire Fontaine? - Art". Time Out London. Retrieved 2020-06-09.
  27. "Conversation entre Claire Fontaine et Manuel Fadat". calameo.com. Retrieved 2020-06-09.
  28. "Exhibitions". New Museum Digital Archive. Retrieved 2020-06-09.
  29. "Get Lost: Claire Fontaine – a-n The Artists Information Company" . Retrieved 2020-06-09.
  30. "Fulvia Carnevale and John Kelsey". Artforum. March 2007. Retrieved 2020-06-09.
  31. "Claire Fontaine". frieze. No. 105. ISSN   0962-0672 . Retrieved 2020-06-09.
  32. "Musings on the Mutinies to Come | The Village Voice". The Village Voice. 11 October 2005. Retrieved 2020-06-09.
  33. Tiqqun. (2011). Conscious organ of the imaginary party : exercises in critical metaphysics (PDF). Paris: libcom.org. ISBN   978-1620490099. OCLC   896732445.
  34. Tiqqun (2000). "Theory of Bloom" (PDF). libcom.org.
  35. Fontaine, Claire (2009). Ready-made artist and Human Strike: A Few Clarifications. mute.
  36. Fontaine, Claire. "readymadeartist".
  37. Fontaine, Claire. "readymadeartist" via Twitter.