Coco Chanel & Igor Stravinsky | |
---|---|
Directed by | Jan Kounen |
Written by | Carlo de Boutiny Jan Kounen |
Based on | Coco & Igor by Chris Greenhalgh |
Produced by | Chris Bolzli Claudie Ossard Veronika Zonabend |
Starring | Anna Mouglalis Mads Mikkelsen |
Cinematography | David Ungaro |
Edited by | Anne Danché |
Music by | Gabriel Yared |
Distributed by | Wild Bunch Distribution (France) |
Release dates |
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Running time | 118 minutes |
Country | France |
Languages | French Russian English |
Budget | $12 million |
Box office | $6.2 million [1] |
Coco Chanel & Igor Stravinsky is a 2009 French romantic drama film directed by Jan Kounen. It was chosen as the Closing Film of the 2009 Cannes Film Festival, and was shown on 24 May 2009. [2] [3]
Coco Chanel & Igor Stravinsky is based on the 2002 fictional novel Coco and Igor by Chris Greenhalgh and traces a rumoured affair between Coco Chanel and Igor Stravinsky in Paris in 1920, the year that Chanel No. 5 was created. Greenhalgh also wrote the screenplay for the film. Chanel and its former chief designer Karl Lagerfeld lent their support to the production; [4] they granted access to the company's archives and to Coco Chanel's apartment at 31, rue Cambon, Paris. [5]
An introductory scene takes place in Paris in 1913, where Coco Chanel attends the first, scandalous performance of Igor Stravinsky's The Rite of Spring . The rhythmic and harmonic dissonance of the score and the surprising choreography of the piece result in heckling and outrage among much of the audience. But Chanel is impressed by Stravinsky and his music.
Seven years later, Chanel and Stravinsky meet again. Although her business has flourished, Chanel is mourning the death of her lover, Arthur "Boy" Capel. Stravinsky has chosen to flee to France following the Russian Revolution. An immediate sympathy and attraction occurs between the couturière and the composer.
Chanel invites Stravinsky to live in her villa outside Paris, along with his ailing wife and their children. The summer months that follow see Chanel and Stravinsky begin an affair, one which Stravinsky's wife cannot avoid becoming aware of. Tensions between Stravinsky and his wife, and between Stravinsky's wife and Chanel, are unavoidable.
The film implies that the affair, and the later termination of the affair by Chanel, has a major influence on the lives of both Chanel and Stravinsky. It is during this time that Chanel creates Chanel No. 5 with her perfumer, Ernest Beaux, and that Stravinsky begins to compose in a new, more liberated style. During his time at the villa, he works hard on a revision of The Rite of Spring. One of the last scenes of the movie shows the revival of the ballet, with new choreography, and this time, shows that it was an artistic triumph and recognized as a masterpiece.
Reviews were mixed. Stephen Holden of The New York Times said the film was "cool, elegant and sexy…. But the film … never regains that initial blast of energy and the final scenes wobble toward a wishy-washy ending." [6] Writing for DVD Talk, Casey Burchby praises the "extraordinarily bold" opening sequence that recreates the Paris premiere of Stravinsky's The Rite of Spring . [7]
Modestas Mankus from Our Culture Mag gave the film 3/5 stars saying "stumbled through its unclear presentation but gave us a look into the world of two greats." [8]
The riotous premiere of The Rite of Spring at the Théâtre des Champs-Élysées on 29 May 1913 is legendary (see: The Rite of Spring#Premiere).
In the spring of 1920, Chanel was introduced to Stravinsky by Sergei Diaghilev, impresario of the Ballets Russes. During the summer, Chanel discovered that the Stravinsky family was seeking a place to live. She invited them to her new home, "Bel Respiro," in the Paris suburb of Garches until they could find a more suitable residence. They arrived at "Bel Respiro" during the second week of September and remained until May 1921. Chanel also guaranteed the 1920 Ballets Russes production of The Rite of Spring against financial loss with an anonymous gift to Diaghilev, said to be 300,000 francs. [9]
The personal relationships depicted in the film are largely fictionalized. Stravinsky was reputed to have been a philanderer who had several affairs, including one with Chanel. Whereas Stravinsky never publicly referred to this alleged affair, Chanel spoke about it at length to her biographer Paul Morand in 1946 (the conversation was published thirty years later as l'Allure de Chanel ). [10] The accuracy of Chanel's claims has been disputed both by Stravinsky's second wife, Vera, and by his close musical collaborator, Robert Craft. [11] The Chanel fashion house avers there is no evidence that any affair between Chanel and Stravinsky ever occurred. [12]
Sergei Pavlovich Diaghilev, also known as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.
Igor Fyodorovich Stravinsky was a Russian composer and conductor with French citizenship and American citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
Vaslav or Vatslav Nijinsky was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century.
The Rite of Spring is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
The Firebird is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).
The Théâtre des Champs-Élysées is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while the smaller Comédie and Studio des Champs-Élysées above the latter may seat 601 and 230 people respectively.
Misia Sert was known primarily as a patron of contemporary artists and musicians during the decades she hosted salons in her homes in Paris. Born in the Russian Empire and of Belgian, French and Polish descent, she became a professional pianist and gave her first public concert in 1892. She was a patron and friend of numerous artists, for whom she regularly posed, appearing on magazine covers and posters. Her salons were frequented by contemporary writers and musicians played their newest works.
Mads Dittmann Mikkelsen is a Danish actor, former gymnast and dancer. He rose to fame in Denmark as an actor for his roles such as Tonny in the first two films of the Pusher film trilogy, Detective Sergeant Allan Fischer in the television series Rejseholdet (2000–2004), Niels in Open Hearts (2002), Svend in The Green Butchers (2003), Ivan in Adam's Apples (2005) and Jacob Petersen in After the Wedding (2006).
Jan Kounen is a Netherlands-born French film director and producer.
The Wedding, or Svadebka (Russian: Свадебка), is a Russian-language ballet-cantata by Igor Stravinsky scored unusually for four vocal soloists, chorus, percussion and four pianos. Dedicating the work to impresario Sergei Diaghilev, the composer described it in French as "choreographed Russian scenes with singing and music" [sic], and it remains known by its French name of Les noces despite being Russian.
Anna Mouglalis is a French actress and model. She is known for being a house ambassador for Chanel since 2002, and for portraying the fashion designer Coco Chanel in the 2009 film Coco Chanel & Igor Stravinsky, and actress Paula Maxa in the 2018 film The Most Assassinated Woman in the World.
Arthur Edward Capel CBE, known as Boy Capel, was an English polo player, possibly best-remembered for being a lover and muse of fashion designer Coco Chanel.
The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Trois mouvements de Petrouchka or Three Movements from Petrushka is an arrangement for piano of music from the ballet Petrushka by the composer Igor Stravinsky for the pianist Arthur Rubinstein.
Gabrielle Bonheur "Coco" Chanel was a French fashion designer and businesswoman. The founder and namesake of the Chanel brand, she was credited in the post-World War I era with popularising a sporty, casual chic as the feminine standard of style. She is the only fashion designer listed on Time magazine's list of the 100 most influential people of the 20th century. A prolific fashion creator, Chanel extended her influence beyond couture clothing into jewellery, handbags, and fragrance. Her signature scent, Chanel No. 5, has become an iconic product, and Chanel herself designed her famed interlocked-CC monogram, which has been in use since the 1920s.
Nijinsky is a 1980 American biographical film directed by Herbert Ross. Hugh Wheeler wrote a screenplay that explores the later life and career of Vaslav Nijinsky; it was based largely on the premier danseur's personal diaries, and her 1934 biography of Nijinsky, largely ghostwritten by Lincoln Kirstein, who later co-founded the New York City Ballet.
Chris Greenhalgh is a British novelist, screenwriter, teacher and poet.
Coco and Igor is a 2002 novel by Chris Greenhalgh. Set mainly in Paris in 1920, it is based on a possible real-life affair between Coco Chanel and Igor Stravinsky.
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted recordings of the work but is by no means exhaustive. The avant-garde character of the music, combined with Nijinsky's innovative choreography, caused a near riot at the first performance. It has since gained wide acceptance both as a ballet and as a concert piece.
Marek Tomaszewski is a Polish pianist. He was one half of the pianist duo Marek and Wacek with Wacław Kisielewski from 1963 until his death on 12 July 1986. He is the father of French music video director David Tomaszewski.