"Come Inside" | ||||
---|---|---|---|---|
Single by Thompson Twins | ||||
from the album Queer | ||||
B-side | "The Saint" | |||
Released | 1991 | |||
Genre |
| |||
Length | 3:57 | |||
Label | Warner Bros. | |||
Songwriter(s) | ||||
Producer(s) |
| |||
Thompson Twins singles chronology | ||||
|
"Come Inside" is a song by British pop group Thompson Twins, released in 1991 as the lead single from their eighth studio album Queer . It was written and produced by Alannah Currie and Tom Bailey. The single peaked at No. 56 in the UK and spent four weeks on the chart. [1] The single also peaked at No. 7 on the US Billboard Dance Music/Club Play Singles Chart. [2] The single had a music video filmed to promote it.
Speaking of the song's meaning, Bailey told The Advocate in 1991, "It's about a breakthrough between two people, the act of penetration. The song is inspired by William Blake's poem 'The Doors of Deception,' which, as Blake wrote, are hard to open wide. It's amazing how people are not willing to open their minds, but are more than ready to open their legs." [3]
"Come Inside" was initially released in the UK under the moniker 'Feedback Max feat. T.T.' to disguise the identity of the band to club DJs. In a 1991 interview with Kiss FM, Bailey explained the thinking behind hiding the Thompson Twins name on the single:
"I did a remix [which] was put out first on a white label format credited to Feedback Max. Why? Because... I guess, in a way, we were trying to do something underhand; we were trying to slip in unnoticed into the clubs, which is sometimes a fun thing to do – to wear a disguise. So then people are judging the piece of work rather than the reputation of the people who made it. Sometimes people can hold your reputation against you and we wanted to avoid that with this song. Some people have this prejudice problem – they think, 'if it's them, then I'm not interested' – but when they realised they'd been dancing to it for a couple of weeks already anyway, they had to come to terms with their own prejudice. In the end, we released a version by C&C. It seems to be taking off club-wise really well for us." [4] [5]
Upon its release, Billboard described "Come Inside" as a "moody and rhythmic pop confection". They added, "Its reliable knack for crafting clever lyrics and insinuating hooks makes this a good best for attention at top 40, modern rock, and club levels. Tom Bailey's voice has never sounded better." [6] The radio industry trade publication The Network Forty considered the song "catchy" and noted that Thompson Twins "are back and stronger than ever". [7]
Simon Price of Melody Maker felt it showed the Thompson Twins had "gone baggy" which "means a C&C Music Factory remix and lines like 'close your eyes, kiss the sky'". He concluded, "As embarrassing as seeing your parents dancing to House music, as convincing as a Linda McCartney techno-bleep project. Hilarious." [8] Simon Williams of NME wrote, "If Electronic had made 'Come Inside', relatively sane people would indeed be ejaculating forth within the confines of their cotton briefs. Alas, it's only those sad old Thompson Twins getting all dancey." [9]
In a review of Queer, Larry Flick of Billboard stated: "The first single "Come Inside" sets the mood nicely with its slow and sleazy rhythms and sing-along chorus". [10] Ira Robbins of the Trouser Press Record Guide said: "There is a dark, edgy undercurrent to Bailey's singing - like eau de Foetus, diluted to a safe concentration - and in the arrangements of songs like Come Inside, Groove On and The Saint, but the album's general tone is upbeat, atmospheric and clubby." [10]
7-inch single
12-inch single
12-inch single (US only)
Double 12-inch gatefold single (US only)
CD single
CD single (US only)
CD single (US promo)
Chart (1991) | Peak position |
---|---|
Australia (ARIA) [11] | 149 |
UK Singles Chart [12] | 56 |
US Billboard Dance/Club Play [13] | 7 |
US Billboard Hot Dance Music/Maxi-Singles Sales [13] | 13 |
Thompson Twins were a British pop band, formed in 1977 in Sheffield. Initially a new wave group, they switched to a more mainstream pop sound and achieved considerable popularity during the early and mid-1980s, scoring a string of hits in the United Kingdom, the United States, and around the world. In 1993, they changed their name to Babble, to reflect their change in music from pop to dub-influenced chill-out. They continued as Babble until 1996, at which point the group permanently broke up.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
Quick Step & Side Kick is the third studio album by the British new wave group Thompson Twins. It was released in February 1983 by Arista Records, and was their first album to be released as a trio. The album reached no. 2 on the UK Albums Chart and was later certified Platinum by the BPI.
Here's to Future Days is the fifth studio album by the British pop group Thompson Twins, released on 20 September 1985 by Arista Records. It was the third and final release for the band as a trio, which was their most successful and recognisable line-up. It peaked at No. 5 on the UK Albums Chart and No. 20 on the US Billboard 200.
Queer is the eighth and final studio album by the British pop group Thompson Twins, which was released in 1991 by Warner Bros.
"Hold Me Now" is a 1983 song by British band the Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and the group's lead vocalist Tom Bailey. The song is a mid-tempo new wave song that uses a varied instrumentation, including keyboards, a xylophone, a piano and Latin percussion. It was released in November 1983 as the first single from their fourth studio album, Into the Gap.
"Break 4 Love" is a song written, produced, and recorded by Vaughan Mason, the principal member of American house-music group Raze, the song's original credited performer. The song, the group's only significant US hit, featured vocals by Keith Thompson and Vaughan Mason, as well as sexual sound samples by Erique Dial. The single peaked at number 28 on the UK Singles Chart and topped the US Billboard Hot Dance Club Play chart in 1988. It is still considered a classic of the early house music genre.
"Sugar Daddy" is a song by British pop group Thompson Twins, which was released in 1989 as the lead single from their seventh studio album Big Trash. The song was written and produced by Tom Bailey and Alannah Currie. "Sugar Daddy" reached number 28 on the US Billboard Hot 100 and number 97 in the UK Singles Chart.
"Get That Love" is a song by the British pop group Thompson Twins, released on 9 March 1987 as the lead single from their sixth studio album Close to the Bone. It was written by Alannah Currie and Tom Bailey, and produced by Rupert Hine and Bailey. "Get That Love" peaked at number 66 in the UK Singles Chart and spent four weeks in the Top 100. It fared better in America where it reached number 31 on the US Billboard Hot 100.
"In the Name of Love" is a 1982 single written and performed by British pop band Thompson Twins, at the time a septet. It was the first of twelve entries on the Billboard Dance chart for the group.
"Long Goodbye" is a song by the British pop group Thompson Twins, released in 1987 as the second and final single from their sixth studio album Close to the Bone. It was written by Alannah Currie and Tom Bailey, and produced by Rupert Hine and Bailey. "Long Goodbye" peaked at No. 89 in the UK.
"Nothing in Common" is a song by the British band Thompson Twins, which was released in 1986 as a single from the soundtrack of the American comedy-drama film Nothing in Common. The song was written by Alannah Currie and Tom Bailey, and produced by Geoffrey Downes and Bailey. With the departure of band member Joe Leeway earlier in 1986, "Nothing in Common" was the Thompson Twins' first release as a duo. It reached No. 54 on the US Billboard Hot 100.
"Lay Your Hands on Me" is a song by the British band Thompson Twins, written by Tom Bailey, Alannah Currie, and Joe Leeway. Released as a single in the UK in 1984, a different version of the song appeared on their 1985 album Here's to Future Days.
"King For A Day" is a 1985 song by the British band the Thompson Twins. It was released as the third single from the band's fifth album Here's to Future Days.
"You Take Me Up" is a song by British pop group Thompson Twins, released as the third single from their fourth studio album, Into the Gap (1984), on 19 March 1984. It was written by Tom Bailey, Alannah Currie and Joe Leeway and prominently features the harmonica and a melodica solo. In addition to the regular 7-inch and multiple 12-inch releases, Arista Records also released four different shaped picture discs for the single, three of which were part of a jigsaw.
"Play with Me (Jane)" is a song from the British pop duo Thompson Twins, which was released in 1992 as a single from Songs from the Cool World, the soundtrack release for the 1992 film Cool World. The song was written and produced by Alannah Currie and Tom Bailey. It peaked at number 85 in the UK Singles Chart.
"Groove On" is a song from the British pop duo Thompson Twins, which was released in 1992 as the third single from their eighth studio album Queer (1991). The song was written and produced by Alannah Currie and Tom Bailey.
"Take Me Away" is a song from British-New Zealand electronic dance music group Babble, which was released in 1994 as the lead single from their debut studio album The Stone. The song was written and produced by Alannah Currie and Tom Bailey. It reached number 18 on the US Billboard Hot Dance Music Club Play chart.
"The Saint" is a song from the British pop duo Thompson Twins, which was released in 1992 as the second single from eighth studio album Queer. The song was written and produced by Tom Bailey and Alannah Currie.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link){{cite web}}
: CS1 maint: bot: original URL status unknown (link){{cite web}}
: CS1 maint: bot: original URL status unknown (link)