Concert in the Garden | ||||
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Studio album by | ||||
Released | 2004 | |||
Recorded | March 8–11, 2004 | |||
Studio | Avatar, New York City | |||
Genre | Jazz, big band | |||
Length | 58:13 | |||
Label | ArtistShare | |||
Producer | Maria Schneider | |||
Maria Schneider chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [2] |
Concert in the Garden is the fourth studio album by American jazz composer Maria Schneider. The album was released in 2004 by ArtistShare and won the Grammy Award for Best Large Jazz Ensemble Album in 2005. [3]
In 2019, the album was selected by the Library of Congress for preservation in the United States National Recording Registry for being "culturally, historically, or aesthetically significant". [4]
Schneider's three previous albums were nominated for Grammy Awards, but the previous one, Allégresse , was released four years before Concert in the Garden. The delay has been attributed to the financial difficulty of recording with large groups, which are required for the music that Schneider writes. [5]
Compared to previous albums, this album is more classical than jazz, with a greater influence of Brazilian, Spanish, and flamenco music. [5]
The JazzTimes review was mostly positive, stating, "Three Romances" and "Buleria, Solea y Rumba" "are revelatory in their complete realization", but the solos on the other pieces "are not strong enough to provide sufficient contrast to the piece's slow, hovering progress". [5]
The Penguin Guide to Jazz gave the album a maximum four stars and added it to the book's Core Collection. It stated that the title-track was “a slight disappointment”, but overall the album was "the great achievement of her career so far." [2]
The album was inducted into the National Recording Registry in 2019. In its citation, the Library of Congress stated that, alongside its musical merits, Concert in the Garden's release on ArtistShare, the first ever commercial crowdfunding website (the album was the site's first fan-funded project), as well as becoming the first-ever Grammy-winning album to be sold on the Internet instead of in stores, marked it as a trailblazer in music distribution, opening the door for ways "to respond to fan-driven demand for styles of music not otherwise readily available, while offering artists greater control over their work." [6]
All tracks are written by Maria Schneider
No. | Title | Length |
---|---|---|
1. | "Concert in the Garden" | 11:57 |
2. | "Three Romances: Choro Dançado" | 9:45 |
3. | "Three Romances: Pas de Deux" | 9:02 |
4. | "Three Romances: Dança Ilusória" | 9:05 |
5. | "Bulería, Soleá y Rumba" | 18:24 |
Consummation is an album by the Thad Jones/Mel Lewis Jazz Orchestra. It was released in 1970 on Blue Note Records and re-released in 2002. It was recorded at A&R Studios in New York City. The album was nominated for a 1970 Grammy award in the "Best Jazz Performance - Large Group..." category. All tracks were included in Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
European Memoirs is the tenth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. Akiyoshi was nominated for a 1983 Grammy award in the Best Instrumental Arrangement category for the arrangement of "Remembering Bud" on this album. This would be the final recording of the Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band before the principals moved to New York City in 1982 and formed a new big band, the "Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin" that released nine more albums and two live performance videos before disbanding in 2003.
Carnegie Hall Concert is the third recording released by the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. The album received a 1992 Grammy award nomination in the category "Best Large Jazz Ensemble Performance."
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993.
Live at the Village Vanguard is a 1967 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1967 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra and seven tracks were also re-issued in the 1990s on CD as Volume 3 of LRC Ltd.'s series Village Vanguard Live Sessions.
Rejoicing with the Light is an album by Muhal Richard Abrams. It was released on the Italian Black Saint label in 1983 and features performances of five of Abrams' compositions by a fourteen-member orchestra.
Evanescence is the debut studio large-ensemble jazz album by American composer Maria Schneider. It was released in 1994 by Enja Records.
Allégresse is the third studio album by American jazz composer Maria Schneider. The album was released in 2000 by Enja Records.
Sky Blue is the fifth studio album by American jazz composer Maria Schneider. The album was released in 2007 through ArtistShare and was nominated for two 2008 Grammy Awards for Best Large Jazz Ensemble and Best Instrumental Composition.
Theatre is an album by George Gruntz's Concert Jazz Band '83 recorded in July 1983 and released on ECM the following year.
Live at the Royal Festival Hall is an album by Dizzy Gillespie and the United Nation Orchestra. It won the Grammy Award for Best Large Jazz Ensemble Album in 1991. The concert was also released on DVD.
The Blues Roar is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in 1964 and originally released on the Mainstream label.
Connection is an album by trumpeter/bandleader Don Ellis recorded in 1972 and released on the Columbia label. The album features big band arrangements of pop hits of the day along with Ellis' "Theme from The French Connection" which won him a Grammy Award for Best Instrumental Arrangement in 1973
The Thompson Fields is an album by the Maria Schneider Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 2017. Schneider was the composer, conductor, and co-producer of the autobiographical work. The title comes from the Minnesota farm where she was raised.
All Blues is an album by the GRP All-Star Big Band that won the Grammy Award for Best Large Jazz Ensemble Performance in 1996.
Coming About is a large-ensemble jazz album by composer, arranger, and conductor Maria Schneider and her orchestra that was released in 1996 by Enja Records.
First Prize is an album by pianist and composer George Gruntz's Concert Jazz Band, which was recorded in Switzerland in 1989 and released on Enja Records.
Barefoot Dances and Other Visions is an album by Jim McNeely released early in 2018. The album was recorded with the Frankfurt Radio Big Band in 2014. It was nominated for a Grammy Award for Best Large Jazz Ensemble Album in 2019, but it did not win.
Data Lords is a large-ensemble jazz album by the Maria Schneider Orchestra that was released in 2020.
Days of Wine and Roses - Live at the Jazz Standard is a live large-ensemble jazz album by the Maria Schneider Orchestra. It was originally released in 2000 as a limited edition sold along with bottles of wine. Subsequently it was re-released by ArtistShare.