GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Campitelli is the 10th rione of Rome, identified by the initials R. X, and is located in the Municipio I.
The Basilica of Saint Mary of the Altar in Heaven is a titular basilica in Rome, located on the highest summit of the Campidoglio. It is still the designated church of the city council of Rome, which uses the ancient title of Senatus Populusque Romanus. The present cardinal priest of the Titulus Sanctae Mariae de Aracoeli is Salvatore De Giorgi.
Giacomo della Porta (1532–1602) was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica. He was born at Porlezza, Lombardy and died in Rome.
The Basilica of Saint Praxedes, commonly known in Italian as Santa Prassede, is an early medieval titular church and minor basilica located near the papal basilica of Saint Mary Major, on Via di Santa Prassede, 9/a in rione Monti of Rome, Italy. The current Cardinal Priest of Titulus Sancta Praxedis is Paul Poupard.
There are more than 900 churches in Rome, which makes it the city with the largest number of churches in the world. Almost all of these are Catholic.
San Martino ai Monti, officially known as Santi Silvestro e Martino ai Monti, is a minor basilica in Rome, Italy, in the Rione Monti neighbourhood. It is located near the edge of the Parco del Colle Oppio, near the corner of Via Equizia and Viale del Monte Oppio, about five to six blocks south of Santa Maria Maggiore.
Marco Benefial was an Italian, proto-Neoclassical painter, mainly active in Rome. Benefial is best known for his repudiation of 18th century decorative Rococo styles pre-eminent in the Rome dominated by Carlo Maratta pupils. His paintings portrayed tangible human figures, with complex treatment of space, and luminous, warm colors. Along with the altarpieces and frescoes, he also painted many portraits. Because he partnered with some inferior artists who subsequently received credit, some of his paintings have been frequently misidentified.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
Giovanni Odazzi was an Italian painter and etcher of the Baroque period, active mainly in Rome.
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national churches in Rome. These institutions were generally organized as confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often, they were also connected to national scholæ, where the clergymen of that nation were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian states.
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
The Basilica of Saint Anthony of Padua al Laterano is a Roman Catholic titular church in Rome on Via Merulana, one block from the Obelisk of St. John Lateran. It was built for the Order of Friars Minor, who needed a new home after they were moved from Santa Maria in Ara Coeli to allow the construction of the Victor Emmanuel II Monument.
Piazza d'Aracoeli is a square of Rome (Italy), placed at the base of the Capitoline Hill, in the Rione X Campitelli.
The Chiesa di Santa Rita da Cascia in Campitelli is a deconsecrated church in Rome (Italy), in the rione Sant'Angelo; it is located in Via Montanara, at the crossroad with Via del Teatro Marcello. The church formerly rose on the preexisting church of San Biagio de Mercato, dating at least to the 11th-century. The remains of St Blaise putatively were discovered during the dismantling of Santa Rita.
The Santo Bambino of Aracœli, sometimes known as the Bambino Gesù di Aracœli is a 15th-century Roman Catholic devotional replicated wooden image enshrined in the titular Basilica of Santa Maria in Aracoeli, depicting the Child Jesus swaddled in golden fabric, wearing a crown, and adorned with various gemstones and jewels donated by devotees.
The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizucchi square and vicolo Capizucchi is located in the 10th District. It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century.
Decoration for a Thesis in Honor of Saint Francis Solano is an etched print in two sheets by the Italian printmaker Stefano della Bella, made in 1639 as an invitation or advertisement for a debate defending a theological thesis. The event took place in the Franciscan convent of Santa Maria in Aracoeli in Rome and was related to the writings of Friar Buenaventura de Salinas y Córdoba. The thesis was dedicated to the Spanish Franciscan friar, Saint Francis Solano for his works with the indigenous communities in the Peruvian Viceroyalty of Spain.
Palazzetto Venezia is a Renaissance palace situated on one side of Piazza Venezia, in the historic center of Rome, Italy.
The so-called Tower of Paul III was a characteristic fortified villa belonging to the Popes, rising on the Capitoline Hill in Rome (Italy).
The edifice was built in the 16th century by the architect Jacopo Meleghino at the behest of Pope Paul III and demolished in 1886 as part of the construction works of the Vittoriano. Its official name was Palazzo di Aracoeli, but it was also known as Rocca Paolina and Torre Paolina.
