Cortijada Los Gazquez creative retreat

Last updated
La Cortijada Homelacortijada.jpg
La Cortijada

Cortijada Los Gazquez is a creative retreat situated in an off-grid location within the Parque Natural Sierra Maria - Los Velez, in Andalucia, Southern Spain. The house is the result of renovating five traditional farmhouses (Cortijada, in Spanish) into one carbon-neutral building. Energy is harnessed through the use of solar power, wind power, and wood burning. Los Gazquez oversees 47 acres (190,000 m2) of farmland, including an Olive Orchard, almond and fruit trees, and wheat fields. It is also the site of Joya, an artists’ residency program focused on art that engages with issues of ecological sustainability.

Contents

History

Los Gazquez is the project of Simon and Donna Beckmann, who chose the location and began working on developing the property into an ecologically and socially responsible retreat in 2006. The five original farmhouses represented a traditional Spanish set-up, of simple vernacular structures that economically accommodated farmers as they cared for the surrounding land. The Beckmanns combined the houses to create a space that could meet the ecological goals of their project, while also maintaining the essential architectural style of the original houses.

La Cortijada’s design is rooted in an effort to respect the traditional Spanish architecture while also allowing for attention to design. Construction of the building includes traditional whitewashed stone and adobe. Inside, reformed Andalucian ceilings have been created, using pine and poplar beams covered in yeso. The exterior rooftop is a traditional techa arabe, or a composition of curved tiles.

In the renovation of the five old farmhouses, the style of the vernacular, understood as the “unconscious work of craftsmen based on knowledge” was preserved. By combining vernacular elements with a more modern pared down minimalism, the structure and design of La Cortijada Los Gazquez is an example of New Vernacular architecture, that which “considers the synthesis of modernity and tradition”. [1]

Energy and Sustainability

Los Gazquez is located Off-the-grid, or independent of the electric, water, and waste networks that connect most modern homes and buildings. The house itself is designed to focus on sustainable living, using both passive and active systems of off-grid energy systems. The passive systems incorporated into the house include a gray water reclamation system, rainwater harvest channels, wood fuel collected from the surrounding land, and a reedbed waste cleaning system.

The gray water system collects all the water from basins, showers, and the dishwasher and with the aid of eco-friendly detergents, transports the water through a series of channels to terraces for the irrigation of an orchard.

The rainwater harvesting system collects water from the roof during summer weather events or winter snow and transports it via acequias, or canals, to the aljibe, an underground deposit. During one summer rainfall weather event, the system can collect up to 50,000 litres of water.

The reedbed cleaning system consists of two alternating aerobic vertical flow reedbeds and one anaerobic horizontal flow bed. Bacteria is digested in the vertical flow reedbeds by Phragmites australis. In the horizontal bed, amoebas and other protozoans digest bacteria. At the end of the process, the water is 98% clean and can be used for irrigation.

Heating, of both water and the house, is also achieved ecologically, via 24 vacuum tube hot water solar collectors as well as bio-mass wood boilers for underfloor central heating and the kitchen range.

Los Gazquez is powered by a 48v system that employs both a 6 x 160 watt photo voltaic panel with a tracking system to follow the sun as well as a 3000 watt wind turbine at 12 meters high. The tandem active systems were chosen because of the specific weather conditions of the region. High winds and more than 3100 hours of sunlight/year allow the panel and turbine to power the entire building without any additional energy.

Joya, a Residency for Artists Working Within Transition Culture

Cortijada Los Gazquez Creative Retreat is host to Joya, a residency for artists working within transition culture.

The term ‘transition culture’ is used to identify rising groups of individuals who are adopting strategies to meet the environmental and energy challenges that lay ahead. As the world rapidly approaches ‘peak oil,’ the point in time when the maximum rate of global petroleum extraction is reached, it also faces a terminal decline in production. As a consequence strategies to maintain human culture and modern technological society without a reliance on fossil fuel based energy sources are being sought by a number of related individuals and movements.

The term ‘Transition Design’ was coined by Louise Rooney at the Kinsale Energy Descent Action Plan as part of the transition town movement started in Ireland. Rob Hopkins has spread these ideas internationally via the internet, lectures, and his book ‘The Transition Handbook’ which sees the combination of peak oil and climate change as an opportunity to restructure society with local resilience and ecological stewardship.

In addition, permaculture, particularly as expressed in the writings of David Holmgren, also sees peak oil as holding enormous opportunities for positive change as long as countries respond with foresight. Rebuilding local food networks, energy production, and the general implementation of ‘energy descent culture’ are examples of responses to the acknowledgment of finite fossil fuel resources.

The term ‘transition culture’ is used to identify this rising group of individuals who are already adopting strategies to meet the challenges that lay ahead. Rob Hopkins describes ‘... a sense of quickening and exhilaration in talking and listening to each other, a vision of what we want and rolling up our sleeves and starting to create it’. The Joya residency is intended to provide a creative platform for artists to respond to changing ecological events. ‘Joya’s’ role is to bring awareness to, and acknowledgement of art's contribution to the interpretation and understanding of the ‘transition’ away from fossil fuel to a sustainable future.

[2]

The first artist in residency, Rebecca Fortnum [3] of the University of Art, London, said of the location:

“As it is wind and solar powered, the whole Los Gazquez energises itself through the environment and this provides a metaphor for the creative endeavour of the studio.”

Future participants who have been accepted to the Joya residency include:

La Cortijada also offers a Joya Residency program for writers.

See also

Related Research Articles

<span class="mw-page-title-main">Ecovillage</span> Community with the goal of becoming more sustainable

An ecovillage is a traditional or intentional community with the goal of becoming more socially, culturally, economically, and/or ecologically sustainable. An ecovillage strives to produce the least possible negative impact on the natural environment through intentional physical design and resident behavior choices. It is consciously designed through locally owned, participatory processes to regenerate and restore its social and natural environments. Most range from a population of 50 to 250 individuals, although some are smaller, and traditional ecovillages are often much larger. Larger ecovillages often exist as networks of smaller sub-communities. Some ecovillages have grown through like-minded individuals, families, or other small groups—who are not members, at least at the outset—settling on the ecovillage's periphery and participating de facto in the community. There are currently more than 10,000 ecovillages around the world.

<span class="mw-page-title-main">Permaculture</span> Approach to agriculture and land management

Permaculture is an approach to land management and settlement design that adopts arrangements observed in flourishing natural ecosystems. It includes a set of design principles derived using whole-systems thinking. It applies these principles in fields such as regenerative agriculture, town planning, rewilding, and community resilience. The term was coined in 1978 by Bill Mollison and David Holmgren, who formulated the concept in opposition to modern industrialized methods, instead adopting a more traditional or "natural" approach to agriculture.

David Holmgren is an Australian environmental designer, ecological educator and writer. He is best known as one of the co-originators of the permaculture concept with Bill Mollison.

<span class="mw-page-title-main">Vernacular architecture</span> Architecture based on local needs, materials, traditions

Vernacular architecture is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around the world, both historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers.

Marjetica Potrč is an artist and architect based in Ljubljana, Slovenia. Potrč's interdisciplinary practice includes on-site projects, research, architectural case studies, and drawings. Her work documents and interprets contemporary architectural practices and the ways people live together. She is especially interested in social architecture and how communities and governments can work together to make stronger, more resilient cities. In later projects, she has also focused on the relationship between human society and nature, and advocated for the rights of nature.

The Centre for Alternative Technology (CAT) is an eco-centre in Montgomeryshire, Powys, Wales dedicated to demonstrating and teaching sustainable development. CAT, despite its name, no longer concentrates its efforts exclusively on alternative technology, but provides information on all aspects of sustainable living. It is open to visitors, offers postgraduate degrees as well as shorter residential and one day courses; and publishes information on renewable energy, sustainable architecture, organic farming, gardening, and sustainable living. CAT also runs education programmes for schools and sells environmentally friendly items through its on site shop, restaurant and mail order department.

<span class="mw-page-title-main">Environmental art</span> Genre of art engaging nature and ecology

Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.

<i>Mashrabiya</i> Islamic architectural element

A mashrabiya or mashrabiyya is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass. It was traditionally used to catch wind and for passive cooling. Jars and basins of water could be placed in it to cause evaporative cooling. It is most commonly used on the street side of the building; however, it may also be used internally on the sahn (courtyard) side. The term mashrabiya is sometimes used of similar lattices elsewhere, for instance in a takhtabush. It is similar to Indian jali.

Grizedale Arts is a contemporary arts residency and commissioning agency sited in Grizedale Forest in the central Lake District in rural Northern England. It conducts cultural projects locally, nationally and internationally from its bases at Lawson Park farm and the Coniston Institute. Its focus is on developing emerging artists and producing experimental yet accessible projects that demonstrate the purpose and function of art as an everyday aspect of a worthwhile and productive life. The organisation is financially supported by Arts Council England. Adam Sutherland, the director, guest-curated 'The Land We Live In, The Land We Left Behind' for Hauser & Wirth Somerset in 2018, a major historic and contemporary survey of rural cultures that attracted over 40,000 visitors to the galleries in Bruton.

Ramses Wissa Wassef (1911–1974) was an Egyptian Coptic architect and professor of art and architecture at the College of Fine Arts in Cairo and founder of the Ramses Wissa Wassef Art Centre.

<span class="mw-page-title-main">Regenerative design</span> Process-oriented whole systems approach to design

Regenerative design is an approach to designing systems or solutions that aims to work with or mimic natural ecosystem processes for returning energy from less usable to more usable forms. Regenerative design uses whole systems thinking to create resilient and equitable systems that integrate the needs of society with the integrity of nature. Regenerative design is an active topic of discussion in engineering, landscape design, food systems, and community development.

Ecological design or ecodesign is an approach to designing products and services that gives special consideration to the environmental impacts of a product over its entire lifecycle. Sim Van der Ryn and Stuart Cowan define it as "any form of design that minimizes environmentally destructive impacts by integrating itself with living processes." Ecological design can also be defined as the process of integrating environmental considerations into design and development with the aim of reducing environmental impacts of products through their life cycle.

<span class="mw-page-title-main">Transition town</span> A community with core principles of self-sufficiency

The terms transition town, transition initiative and transition model refer to grassroot community projects that aim to increase self-sufficiency to reduce the potential effects of peak oil, climate destruction, and economic instability through renewed localization strategies, especially around food production and energy usage. In 2006, the founding of Transition Town Totnes in the United Kingdom became an inspiration for other groups to form. The Transition Network charity was founded in early 2007, to support these projects. A number of the groups are officially registered with the Transition Network. Transition initiatives have been started in locations around the world, with many located in the United Kingdom and others in Europe, North America and Australia. While the aims remain the same, Transition initiatives' solutions are specific depending on the characteristics of the local area.

This page is an index of sustainability articles.

<span class="mw-page-title-main">Roxanne Swentzell</span> American sculptor

Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.

The modern Bahraini art movement emerged in the 1950s, with the establishment of an Arts and Literature club in 1952. The club served as an umbrella group for professional and amateur artists, musicians, and actors in Bahrain. In 1956, the first art exhibition was held in the Bahraini capital, Manama. Expressionism and surrealism, as well as calligraphic art are the popular forms of art in the country. Abstract expressionism has gained popularity in recent decades.

<span class="mw-page-title-main">Rob Hopkins</span> English environmental activist

Rob Hopkins is an activist and writer on environmental issues, based in Totnes, England. He is best known as the founder and figurehead of the Transition movement, which he initiated in 2005. Hopkins has written six books on environmentalism and activism.

Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.

<span class="mw-page-title-main">Shaun Chamberlin</span> English author and activist

Shaun Chamberlin is an author and activist, based in London, England. He is the author of The Transition Timeline, co-author of several other books including What We Are Fighting For, chair of the Ecological Land Co-operative, and was one of the earliest Extinction Rebellion arrestees.

<span class="mw-page-title-main">Vernacular residential architecture of Western Sichuan</span>

The vernacular residential architecture of Western Sichuan is one kind of Sichuan vernacular architecture styles in Sichuan, China. Those vernacular residential areas are located with a densely populated plain with rivers in the west of the Longquan Mountains in Sichuan basin and centered on Chengdu.

References

  1. From Richardson, Vicky. New Vernacular Architecture. London: Laurence King Publishing, 2007.
  2. See Transition Towns and Transition Culture. Rob Hopkins, who popularized the Transition Movement spoke at TED, 2009. Notes on his talk are available here: Rob Hopkins, TED 2009
  3. Rebecca Fortnum is Reader in Fine Art at University of the Arts, London Archived 2011-06-13 at the Wayback Machine and has been a visiting fellow in painting at Plymouth University and at Winchester School of Art, a visiting artist at The School of the Art Institute of Chicago and a senior lecturer at Norwich and Wimbledon Schools of Art. From 2004-9 she was Research Fellow at Lancaster University where she led the Visual Intelligences Research Project, that explored how artists think and make . She has received several awards including from the Pollock-Krasner Foundation, the British Council, the Arts Council of England, the British School in Rome and the Arts and Humanities Research Council. She has exhibited widely including solo shows at the Collective Gallery, Edinburgh, Spacex Gallery, Exeter, Kapil Jariwala Gallery, London, Angel Row Gallery, Nottingham, The Drawing Gallery, London and Shropshire and Gallery 33, Berlin . She was instrumental in founding the artist-run spaces Cubitt Gallery and Gasworks Gallery in London. Her book of interviews, Contemporary British Women Artists, in their own words, was published by IB Tauris in 2007. In 2007 Rebecca was a recipient of the Art House’s Space for 10 award for mid-career artists Archived 2009-03-02 at the Wayback Machine and was also lead international artist for the TRADE project in Roscommon & Leitrim, Ireland "Roscommon County Arts Office - Programmes". Archived from the original on 2011-07-15. Retrieved 2009-09-05.. She is currently taking part in METHOD, a cultural leadership programme for artists Archived 2016-03-04 at the Wayback Machine .