Costumes Are Mandatory | ||||
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Studio album by | ||||
Released | July 23, 2013 | |||
Recorded | August 2012 | |||
Studio | Brooklyn Recording, Brooklyn, NY | |||
Genre | Jazz | |||
Length | 56:02 | |||
Label | HighNote HCD 7249 | |||
Producer | Ethan Iverson | |||
Ethan Iverson chronology | ||||
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Lee Konitz chronology | ||||
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Costumes Are Mandatory is a studio album by American jazz pianist Ethan Iverson recorded with saxophonist Lee Konitz, bassist Larry Grenadier, and drummer Jorge Rossy. The album was recorded in 2012 and released by the HighNote label the following year, on July 23, 2013. [1] [2]
Review scores | |
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Source | Rating |
All About Jazz | [3] |
AllMusic | [4] |
The Irish Times | [5] |
Winnipeg Free Press | [6] |
The All About Jazz review by Greg Simmons said, "while the music may indeed be collaborative, even multi-improvisational at times, it's Iverson's date and he's very clearly the leader ... The record is envisioned as an homage to—"a dialogue with," according to the liner notes—the late blind pianist Lennie Tristano, who in addition to generally being credited as a founder of the 'cool school' (an oversimplification, to be sure), and an early avant-garde pioneer, was also a primary teacher and influence on Konitz ... Strangely, given its stated intent, there isn't a single composition credited to Tristano on the record ... Costumes Are Mandatory might work best because the music and the musicians have either approached Tristano with completely different competing musical influences, or in the case of Konitz, having completely absorbed then transcended his former mentor. They're not trying to imitate Tristano, but they forge just enough of a connection to make a truly interesting record that's worth seeking out". [3]
The Irish Times's Cormac Larkin noted, "this is one of those rare records that will satisfy fogey and futurist alike". [5] Peter Margasak of Chicago Reader noted, "I don't know that I've enjoyed a straight-ahead jazz record more this year." [7] Thom Jurek of AllMusic added, "Costumes Are Mandatory is anything but a conventional recording: these players communicate, inquire, and argue with one another as much as they do Tristano and seem to delight in the process, which is a reward for any jazz listener." [4]
In his review for JazzTimes , Lloyd Sachs stated, "Far from your classic session combining a young cutting-edge stalwart and revered master, Costumes Are Mandatory is a quirky assemblage of odds and ends. Framed as an homage to Lennie Tristano, it sometimes teams pianist and project instigator Ethan Iverson and alto great (and former Tristanian) Lee Konitz and sometimes features piano pieces that possibly were recorded to fill out the album. It sometimes plays things straight and sometimes features overdubs and echoey or prepared piano effects. And then there's the scat vocal Konitz sings, a bit uneasily". [8]
Writing for HuffPost contributor Ralph A. Miriello observed, "Costumes Are Mandatory is a wonderful body of music that more than makes up for some of its rough spots by offering moments of unvarnished beauty from a marvelously supple group of musicians and magical playing by Mr. Konitz, a living legend of his craft" [9] Chris Smith of Winnipeg Free Press commented, "Grenadier's full-bodied bass and Konitz's wandering alto are a superb combination." [6]
All compositions by Ethan Iverson except where noted
Leon "Lee" Konitz was an American jazz alto saxophonist and composer.
Leonard Joseph Tristano was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.
Mark Turner is an American jazz saxophonist.
Ethan Iverson is a pianist, composer, and critic best known for his work in the avant-garde jazz trio The Bad Plus with bassist Reid Anderson and drummer Dave King.
Subconscious-Lee is a jazz album by Lee Konitz although a few tracks were issued on 78rpm under Lennie Tristano's name. It was recorded in 1949 and 1950, and released on the Prestige label.
Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks.
Jorge "Jordi" Rossy is a spanish jazz drummer, pianist and vibraphonist.
Crosscurrents is an album by jazz pianist Lennie Tristano. The sides were recorded in 1949 and the album released by Capitol in 1972. The album was inducted into the Grammy Hall of Fame in 2013.
Lines is an album by jazz pianist Pandelis Karayorgis and alto saxophonist Eric Pakula, which was recorded in 1995 and released on Accurate. They are joined by bassists Nate McBride and Jonathan Robinson and drummers John McLellan and Eric Rosenthal in various combinations, playing compositions by Lennie Tristano, Lee Konitz, Warne Marsh and Ted Brown, along with some originals.
Tranquility is an album by American jazz saxophonist Lee Konitz's Quartet recorded in 1957 and released on the Verve label.
Spirits is an album by American jazz saxophonist Lee Konitz recorded in 1971 and released on the Milestone label.
The Lee Konitz Quintet is an album by American jazz saxophonist Lee Konitz recorded in 1977 and released on the Chiaroscuro label.
Live at the Berlin Jazz Days 1980 is a live album featuring a memorial concert for Lennie Tristano by saxophonist Lee Konitz and pianist Martial Solal which was recorded at the Berliner Philharmonie by Sender Freies Berlin as part of the Berliner Jazztage in 1980 and released on the MPS label in 1982. The album was also released in the US on Pausa Records.
Star Eyes, Hamburg 1983 is a live album by saxophonist Lee Konitz and pianist Martial Solal which was recorded in Germany in 1983 by Norddeutscher Rundfunk and released on the HatOLOGY label in 1998.
Lunasea is an album by saxophonist Lee Konitz and pianist Peggy Stern which was recorded in 1992 and released on the Italian Soul Note label.
Warne Marsh Quintet: Jazz Exchange Vol. 1, is a live album by saxophonist Warne Marsh's Quintet featuring Lee Konitz and Niels-Henning Ørsted Pedersen which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Quintet: Jazz Exchange Vol. 2, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Lee Konitz: Jazz Exchange Vol. 3, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label in 1985.
Dig-It is an album by saxophonists Lee Konitz and Ted Brown recorded in 1999 and released on the Danish SteepleChase label.
This is the discography for American jazz musician Lee Konitz.