| "Count Magnus" | |
|---|---|
| Short story by M.R. James | |
 | |
| Country | England |
| Language | English |
| Genre(s) | Horror |
| Publication | |
| Publication date | 1904 |
"Count Magnus" is a ghost story by British writer M. R. James, first published in 1904. It was included in his first collection Ghost Stories of an Antiquary .
A traveller in Sweden stumbles upon the history of a mysterious and ominous figure, Count Magnus. [1]
Mr. Wraxall is an author of several travelogues, having previously published one about Brittany. During his travels in Sweden, he comes across an ancient manor house (herrgård) in Vestergothland and decides to do some research there. He is offered to lodge there, but declines and stays at the local village inn. The local church has a mausoleum nearby, built by Count Magnus for himself and his family, de la Gardie. He inquires of his landlord about local traditions surrounding Count Magnus.
The Count is known locally for being a harsh landowner, who severely punished his tenants if they were late with their rent. Houses built too near his lands often burned down. He had also been on the Black Pilgrimage and brought something "otherworldy" back. Later, in doing research among the family papers, Wraxall discovers an explanation for the Pilgrimage in a book of alchemical tracts, entitled Liber nigræ peregrinationis. The pilgrimage is to Chorazin and involves a salute to the Prince of the Air. Walking home, Wraxall finds himself at the mausoleum and expresses a desire to see Count Magnus. Later on, he meets with the Deacon and queries him about Chorazin. However, he is evasive towards Wraxall's subject. He presses the landlord of the inn about what Count Magnus brought back from Chorazin and is told a tale about two men who went poaching one night on the Count's lands. One of the men is found catatonic, while the other was dead; his face having been pulled off his skull.
The next day, along with the Deacon, he visits the mausoleum. The Count's copper sarcophagus is ornate and contains scenes from his life, as well as a depiction of the Count on its top. One of the scenes shows a man being pursued by a cloaked and hooded figure with tentacles, while the Count watches from a hill. The lid is secured with three padlocks, one of which is already unlocked. Later, on his way back to the mausoleum, Wraxall's mind wanders and he finds himself chanting. Soon, he realizes that the two remaining padlocks are now unfastened.
The following day, he makes preparation to finish his researches and return to England. He stops at the mausoleum to bid farewell to Count Magnus and again expresses a desire to see him. As he does so, the third padlock detaches and the lid begins to rise. Quickly, he leaves, but is unable to lock the mausoleum behind him.
He returns to England safely by canal-boat, but feels that among his fellow passengers are two strange figures who fail to appear at mealtimes. He arrives at Harwich and takes a carriage to Belchamp St. Paul. Along the way, he sees the two strange figures. He finds lodgings there and spends the next day awaiting the two strange figures.
The next day, he is found dead in a terrible condition and a jury rules it to be a visitation by God. The house where he died is abandoned and eventually acquired by the narrator, who has it torn down since nobody will stay there.
The story was not included in the original 1970s run of A Ghost Story for Christmas for budgetary reasons. Director Lawrence Gordon Clark wanted to make the story in 1978, later acknowledging; “I wanted to make Count Magnus by M.R. James but they wouldn’t put up the money for it, which I felt was pretty shortsighted considering the success we’d had with the series.” [2]
The story was eventually adapted over forty years later in 2022 for the same strand as Count Magnus . It was written and directed by Clark's successor Mark Gatiss. [3]
Horror podcast The Magnus Archives derived its name from James' "Count Magnus". [4]
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The full text of Count Magnus at Wikisource
Count Magnus public domain audiobook at LibriVox