Country Favorites-Willie Nelson Style | ||||
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Studio album by | ||||
Released | 1966 | |||
Studio | RCA Victor Studios, Nashville, Tennessee | |||
Genre | Country, Western Swing | |||
Label | RCA Victor | |||
Producer | Chet Atkins | |||
Willie Nelson chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Country Favorites-Willie Nelson Style is the fourth studio album by country singer Willie Nelson. He recorded it with Ernest Tubb's band, the Texas Troubadours and Western Swing fiddler-vocalist Wade Ray with studio musicians Jimmy Wilkerson and Hargus "Pig" Robbins. At the time of the recording, Nelson was a regular on a syndicated TV show hosted by Tubb.
From 1965 to 1971, Nelson would make some 150 appearances on Ernest Tubb’s syndicated television show, serving as the face of modern country in contrast to Tubb’s traditional honky-tonk appeal. A lifelong fan of Tubb, Nelson later stated, "I could compare Ernest Tubb to Frank Sinatra, in that they both had distinctive styles that you wouldn't confuse with anybody else." [3] Nelson, who had already recorded one album with Chet Atkins for RCA after moving there from Liberty, later recalled, “The Ernest Tubb Show was something else entirely, different from the sparkled-and spangled look of the Opry...My usual outfit was a plain turtleneck and black slacks. Nothing fancy. But it was more casual clothes that made me comfortable.” [4] It was due to his association with the show that Tubb’s band the Texas Troubadours wound up backing him on his second RCA LP.
Unlike his previous three albums, Country Favorites: Willie Nelson Style contains no original songs but rather cover tunes by fellow songwriters and singers such as Hank Cochran, Harlan Howard, Leon Payne, and George Jones. Like his second Liberty album, the recording made in mid-December 1965 had a strong western swing flavour, and the paring with the Troubadours made musical and commercial sense, since they knew Nelson's work from the television show and tours and were regarded as an ensemble with enough appeal to make their own records for Decca without Ernest. [5]
Country Favorites was arguably Nelson's finest artistic achievement up to that point, with Lang Thompson of AllMusic observing, "Nelson had already learned how to handle his unconventional voice effectively, giving these songs the honest freshness and sharp sense of rhythm that would characterize his later work." Nelson first started playing "Columbus Stockade Blues" as a "jazzy up-tempo number too fast for the dancers" while touring with wife Shirley Collie and steel guitarist Jimmy Day as The Offenders. [6] Nelson biographer Joe Nick Patoski notes that the reprisal of the song on this album "would have been better left off compared with the fiery earlier versions he'd recorded with Shirley Collie for Liberty Records..." [7] Although Nelson respected Atkins, he later admitted to being unhappy with the producer's formulaic approach:
In 1970, RCA issued an abridged version of this album as "Columbus Stockade Blues" on the budget RCA Camden label (CAS-2444).
Country Favorites was released in early 1966 and stayed on the country charts for seventeen weeks, peaking at number 9. AllMusic: “Perhaps because the album is a collection of familiar songs, Nelson's idiosyncratic vocals went over better - or maybe his time had just come - but in any case, it's certainly a small treasure.”
Willie Hugh Nelson is an American country musician. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.
Red Headed Stranger is the 18th studio album by American outlaw country singer Willie Nelson, released in 1975. Following the success of his recordings with Atlantic Records, coupled with the negotiating skills of his manager, Neil Reshen, Nelson signed a contract with Columbia Records, the label that gave him total creative control over his works. The concept for the album was inspired by the "Tale of the Red Headed Stranger", a song that Nelson used to play as a disc jockey on his program in Fort Worth, Texas. After signing with Columbia, he decided to record the song, and arranged the details during his return to Austin, Texas, from a trip to Colorado. It was recorded at low cost at Autumn Sound Studios in Garland, Texas. The songs featured sparse arrangements, largely limited to Nelson's guitar, piano, and drums. Nelson presented the finished material to Columbia executives, who were dubious about releasing an album that they at first thought was a demo. However, Nelson had creative control, so no further production was added.
"Crazy" is a song written by Willie Nelson and popularized by country singer Patsy Cline in 1961. Nelson wrote the song while living in Houston, working for Pappy Daily's label D Records. He was also a radio DJ and performed in clubs. Nelson then moved to Nashville, Tennessee, working as a writer for Pamper Music. Through Hank Cochran, the song reached Patsy Cline. After her original recording and release, Cline's version reached number two on Billboard's Hot Country Singles, also crossing to the pop chart as a top 10 single.
Shotgun Willie is the sixteenth studio album by Willie Nelson, released in 1973. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". When Nelson refused to sign an early extension of his contract with RCA Records in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist.
Phases and Stages is the seventeenth studio album by Willie Nelson, which followed the moderate success of his first Atlantic Records release, Shotgun Willie. Nelson met producer Jerry Wexler at a party where Nelson sang songs from an album he planned to record. The single "Phases and Stages" was originally recorded the same year. Nelson recorded the album at Muscle Shoals Sound Studios in two days and Wexler produced it.
Country Willie is a 1975 compilation album by country singer Willie Nelson. It was issued by United Artists Records, the successor label to Liberty Records.
The Words Don't Fit the Picture is the fourteenth studio album by country singer Willie Nelson.
Yesterday's Wine is the thirteenth studio album and a concept album by country singer Willie Nelson. Nelson had been recording for RCA Victor since the early 1960s, and had no significant hits. By 1970, his recordings had reached mid-chart positions. Nelson lost the money from his song-writing royalties by financing unsuccessful concert tours that were generally unprofitable. In addition to problems with his music career, Nelson had problems in his personal life. He had divorced his wife, Shirley Collie, and his Tennessee ranch had been destroyed by a fire.
Both Sides Now is the tenth studio album by country singer Willie Nelson, released in 1970.
Columbus Stockade Blues is a 1970 album by country singer Willie Nelson. It is an abridged reissue of Nelson's 1966 album, Country Favorites-Willie Nelson Style without the songs "Making Believe", "Home In San Antone", and "My Window Faces The South".
My Own Peculiar Way is the ninth studio album by country singer Willie Nelson. It was his last release in the 1960s. Bergen White was the conductor and arranger. This became Willie's first studio album in which he used his new classical acoustic guitar called Martin N-20 that he named "Trigger".
Good Times is the eighth studio album by country singer Willie Nelson, released in 1968. Arrangements were by Anita Kerr, Bill Walker and Ray Stevens.
Texas in My Soul is the seventh studio album by country singer Willie Nelson. It was an early concept album that aimed to pay tribute to the State of Texas. The original album artwork features the Alamo, along with three San Antonio construction projects completed in 1968: the Tower of the Americas, HemisFair Arena and the HemisFair monorail system.
The Party's Over and Other Great Willie Nelson Songs is the sixth studio album by country singer Willie Nelson.
Country Willie: His Own Songs is the third studio album by country singer Willie Nelson. This was Nelson's third album, his first for RCA Victor.
Here's Willie Nelson is the second studio album by country singer Willie Nelson.
...And Then I Wrote is the debut studio album by country singer Willie Nelson, recorded during August and September 1962 and released through Liberty Records.
"Willingly" is a duet by American country music singer Willie Nelson and Shirley Collie, produced by Joe Allison during Nelson's third session for Liberty Records. Released in March 1962, the album reached number ten on Billboard's Hot Country Singles.
"Touch Me" is a song written and recorded by American country music singer Willie Nelson. Leveraged by the success of his songs, Nelson moved to Nashville in 1960. Through songwriter Harlan Howard, Nelson was signed to write for Pamper Music, and to a recording contract with Liberty Records.
"The Party's Over" is a song written and recorded by American country music singer Willie Nelson during the mid-1950s. After arriving in Houston, Texas, Nelson was hired to play for the Esquire Ballroom band, where he would be allowed to close the shows singing the song. Guitar instructor and Nelson's friend Paul Buskirk forwarded the song to singer Claude Gray, who recorded the original version of the song, released as "My Party's Over" in 1959.