The Great Divide | ||||
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Studio album by | ||||
Released | January 2002 | |||
Genre | Country | |||
Length | 53:34 | |||
Label | Lost Highway | |||
Producer | Matt Serletic | |||
Willie Nelson chronology | ||||
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Singles from The Great Divide | ||||
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The Great Divide is the 50th studio album released in 2002 by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as Rob Thomas of Matchbox Twenty, Lee Ann Womack, Kid Rock, Sheryl Crow, Brian McKnight, and Bonnie Raitt. The album produced two chart singles in "Mendocino County Line" and "Maria (Shut Up and Kiss Me)", which respectively reached #22 and #41 on the Hot Country Songs charts. Also included is a cover of "Just Dropped In (To See What Condition My Condition Was In)", previously a hit for Kenny Rogers and the First Edition. The songs "Mendocino County Line," "Last Stand in Open Country," and "This Face" were co-written by Bernie Taupin, the lyricist best known for his collaborations with Elton John.
No. | Title | Writer(s) | Length |
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1. | "Maria (Shut Up and Kiss Me)" | Rob Thomas | 4:20 |
2. | "Mendocino County Line" (duet with Lee Ann Womack) | Matt Serletic, Bernie Taupin | 4:32 |
3. | "Last Stand in Open Country" (duet with Kid Rock) | Taupin, Jim Cregan, Robin LeMesurier, Dennis Tufano | 4:45 |
4. | "Won't Catch Me Cryin'" | Thomas | 4:07 |
5. | "Be There for You" (duet with Sheryl Crow) | Serletic, Kevin Kadish | 4:34 |
6. | "The Great Divide" | Willie Nelson, Jackie King | 4:06 |
7. | "Just Dropped In (To See What Condition My Condition Was In)" | Mickey Newbury | 3:32 |
8. | "This Face" | Taupin, Cregan, LeMesurier, Tufano | 4:29 |
9. | "Don't Fade Away" (duet with Brian McKnight) | Serletic, Kadish | 4:18 |
10. | "Time After Time" | Cyndi Lauper, Hyman | 4:04 |
11. | "Recollection Phoenix" | Thomas | 4:53 |
12. | "You Remain" (duet with Bonnie Raitt) | Leslie Satcher, Don Poythress | 5:54 |
Review scores | |
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Source | Rating |
Allmusic | [1] |
Rolling Stone | [2] |
The album was panned for the excessively adult contemporary production. Pat Blashill of Rolling Stone said "Nelson is a performer who uses plain, powerful lyrics and a handsome but unvarnished voice to great effect. Much of that gets lost in the adult-contemporary production goop and heavenly choirs" of this release. Stephen Thomas Erlewine of Allmusic said it is "an accomplished, classy album, but it sure as hell isn't a Willie Nelson album." [3] Both agreed "the best moments here are the ones in which Nelson just does his thing all by his bad self." [4]
Weekly charts
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