Author | Alan Paton |
---|---|
Language | English |
Genre | novel |
Set in | Johannesburg and Natal, 1940s |
Publisher | Scribners (USA) & Jonathan Cape (UK) |
Publication date | 1 February 1948 [1] |
Publication place | South Africa |
Media type | Print (hard~ & paperback) |
Pages | 256 (hardback ed., UK) 273 (hardback ed., US) |
ISBN | 0-224-60578-X (hardback edition, UK) |
OCLC | 13487773 |
823.914 | |
LC Class | PR9369.3 .P37 |
Cry, the Beloved Country is a 1948 novel by South African writer Alan Paton. Set in the prelude to apartheid in South Africa, it follows a black village priest and a white farmer who must deal with news of a murder.
American publisher Bennett Cerf remarked at that year's meeting of the American Booksellers Association that there had been "only three novels published since the first of the year that were worth reading… Cry, The Beloved Country, The Ides of March , and The Naked and the Dead ." [2] It remains one of the best-known works of South African literature. [3] [4]
Two cinema adaptations of the book have been made, the first in 1951 and the second in 1995. The novel was also adapted as a musical called Lost in the Stars (1949), with a book by the American writer Maxwell Anderson and music composed by the German emigre Kurt Weill.
The story begins in the village of Ixopo Ndotsheni, where the Christian priest Stephen Kumalo, a Zulu, receives a letter from the priest Theophilus Msimangu in Johannesburg. Msimangu urges Kumalo to come to the city to help his sister Gertrude because she is ill. Kumalo goes to Johannesburg to help her and find his son Absalom, who had gone to the city to look for Gertrude but never came home. It is a long journey to Johannesburg, and Kumalo sees the wonders of the modern world for the first time.
When he gets to the city, Kumalo learns that Gertrude has taken up a life of prostitution and beer brewing and is now drinking heavily. She agrees to return to the village with her young son. Assured by these developments, Kumalo embarks on the search for Absalom, first seeing his brother John, a carpenter who has become involved in the politics of South Africa. Kumalo and Msimangu follow Absalom's trail, only to learn that Absalom has been in a reformatory and will have a child with a young woman. Shortly thereafter, Kumalo discovers that his son has been arrested for murder. The victim is Arthur Jarvis, a white man who was killed during a burglary. Jarvis was an engineer and an activist for racial justice and is the son of Kumalo's neighbour, James Jarvis.
Jarvis learns of his son's death and comes with his family to Johannesburg. Jarvis and his son had been distant, and now the father begins to know his son through his writings. Through reading his son's essays, Jarvis decides to take up his son's work for South Africa's black population.
Absalom reveals at his trial that he was pressured into committing the burglary by and with his three "friends", who later denied their involvement and threw Absalom under the bus. Absalom is sentenced to death for the murder of Arthur Jarvis. Before his father returns to Ndotsheni, Absalom marries the girl carrying his child. She joins Kumalo's family. Kumalo returns to his village with his daughter-in-law and nephew, having found that Gertrude ran away the night before their departure.
Back in Ixopo, Kumalo makes a futile visit to the tribe's chief to discuss changes that must be made to help the barren village. Help arrives, however, when James Jarvis becomes involved in the work. He arranges for a dam to be built and hires a native agricultural demonstrator to implement new farming methods.
The novel ends at dawn on the morning of Absalom's execution. The fathers of the two children are devastated that both of their sons have wound up dead.
Cry, the Beloved Country is a social protest against the structures of the society that would later give rise to apartheid. Paton attempts to create an unbiased and objective view of the dichotomies it entails: he depicts whites as affected by "native crime" while blacks suffer from social instability and moral issues due to the breakdown of the tribal system. It shows many of the problems with South Africa, such as the degrading of the land reserved for the natives, which is sometimes considered the central theme, the disintegration of the tribal community, native crime, and the flight to urban areas.
Another prevalent theme in Cry, the Beloved Country is the detrimental effects of fear on the characters and society of South Africa, as indicated in the following quotation from the narrator in Chapter 12:
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or a valley. For fear will rob him of all if he gives too much.
Paton frequently uses literary and linguistic devices such as microcosms, intercalary chapters and dashes instead of quotation marks for dialogue to indicate the start of speech.
Cry, the Beloved Country was written before the passage of a new law institutionalizing the apartheid political system in South Africa. The novel was published in 1948; apartheid became law later that year.
The book enjoyed critical success worldwide. Before Paton's death, it sold over 15 million copies.
The book is currently studied by many schools internationally. The writing style echoes the rhythms and tone of the King James Bible. Paton was a devout Christian.
Paton combined actual locales, such as Ixopo and Johannesburg, with fictional towns. The suburb in which Jarvis lived in Johannesburg, Parkwold, is fictional, but its ambiance is typical of the Johannesburg suburbs of Parktown and of Saxonwold. In the author's preface, Paton took pains to note that, apart from passing references to Jan Smuts and Sir Ernest Oppenheimer, all his characters were fictional.
The novel is filled with Biblical references and allusions. The most evident are the names Paton gives to the characters. Absalom, the son of Stephen Kumalo, is named for the son of King David, who rose against his father in rebellion. Also, in the New Testament Book of Acts, Stephen was a martyr who underwent death by stoning rather than stopping declaring the things he believed. The Gospel of Luke and the Book of Acts are written to Theophilus, which is Greek for "friend of God".
In the novel, Absalom requests that his son be named "Peter", the name of one of Jesus's disciples. Among Peter's better-known traits is a certain impulsiveness; also, after Christ's arrest, he denied knowing Jesus three times and later wept in grief over this. After the resurrection, Peter renewed his commitment to Christ and to spreading the Gospel. All that suggests Absalom's final repentance and his commitment to his father's faith.
In another allusion, Arthur Jarvis is described as having a large collection of books on Abraham Lincoln, and Lincoln's writings are featured several times in the novel.
Paton describes Arthur's son as having characteristics similar to those of his childhood, which may allude to the resurrection of Christ.
In 1951, the novel was adapted into a motion picture of the same name, directed by Zoltan Korda. Paton wrote the screenplay with John Howard Lawson, who was left out of the original credits because he was blacklisted in Hollywood for refusing to give information to the House Un-American Activities Committee. Kumalo was played by Canada Lee, Jarvis by Charles Carson, and Msimangu by Sidney Poitier.[ citation needed ]
In 1983, a historic stage adaptation was performed by the Capital Players theatre group at the Moth Hall in Gaborone, Botswana. The country was at that time one of the leading "frontline states" to apartheid South Africa and a centre for artistic activity that often stood in quiet opposition to the racist regime just across the border. The premiere was attended by Paton himself, who had travelled from Natal, as well as Botswana's then-President Quett Masire (with political acumen, the director had arranged for the first performance to take place on the President's birthday). School students from across the country were bussed to the capital to see the production. [6]
Another film version was released in 1995, directed by Darrell Roodt. James Earl Jones played the Reverend Kumalo and Richard Harris filled the role of Jarvis.[ citation needed ]
A stage version by the South African playwright Roy Sargeant was developed in early 2003; it was first staged at the National Arts Festival in Grahamstown, Eastern Cape on 27 June 2003 and at the Artscape Theatre in Cape Town on 8 July 2003. The director was Heinrich Reisenhofer. The script, together with notes and activities for school use, was published in 2006 by Oxford University Press Southern Africa.[ citation needed ] The play was produced by Independent Theatre in Adelaide, Australia, in 2006 and again in 2008. [7]
In 1949, the composer Kurt Weill, in collaboration with the American writer Maxwell Anderson (book and lyrics), composed a musical based on the book called Lost in the Stars . The original Broadway production opened on 30 October 1949 at the Music Box Theatre and starred Todd Duncan and Inez Matthews. It ran for 273 performances before closing on 1 July 1950. It was made into a movie, starring Brock Peters and Melba Moore, and released in 1974.[ citation needed ]
Lost in the Stars is the last work Weill completed before he died in 1950. Although he was influenced by spirituals, jazz, and blues, Weill's distinctive and original style shines throughout the score.[ citation needed ]
Israeli contratenor David D'Or performed in a stage version at the Israeli National Theater ("Habima Theater") in 2004. [8] [9] Maariv in its review wrote: "D'or's outstanding voice is meant for great parts. His voice and presence embraces the audience, who showed their appreciation by a lengthy standing ovation." [8] [10]
In August 2012, the Glimmerglass Opera of New York produced the work, in conjunction with Cape Town Opera, directed by Tazewell Thompson. [11]
Absalom was the third son of David, King of Israel with Maacah, daughter of Talmai, King of Geshur.
Alan Stewart Paton was a South African writer and anti-apartheid activist. His works include the novels Cry, the Beloved Country (1948), Too Late the Phalarope (1953), and the short story The Waste Land.
Lost in the Stars is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year.
Lionel Ngakane was a South African filmmaker and actor, who lived in exile in the United Kingdom from the 1950s until 1994, when he returned to South Africa after the end of apartheid. His 1965 film Jemima and Johnny, inspired by the 1958 "race riots" in Notting Hill, London, won awards at the Venice and Rimini film festivals. In the 1960s, Ngakane was a founding member of the Pan African Federation of Filmmakers (FEPACI) and Fespaco, the Panafrican Film and Television Festival of Ouagadougou (FESPACO).
Breyten Breytenbach is a South African writer, poet, and painter who became internationally well-known as a dissident poet and vocal critic of South Africa under apartheid, and as a political prisoner of the National Party-led South African Government. Breytenbach is now informally considered by Afrikaans-speakers as their poet laureate and is one of the most important living poets in Afrikaans literature. He also holds French citizenship.
Dumisani Shadrack Kumalo was a South African anti-apartheid activist and diplomat, who served as the Permanent Representative of South Africa to the United Nations.
Jan Hendrik Hofmeyr was a South African politician and intellectual in the years preceding apartheid. In his lifetime he was regarded as one of the cleverest men in the country, and it was widely expected that he would eventually become Prime Minister of South Africa. He came from a well-known Afrikaner family; his uncle, also Jan Hendrik Hofmeyr but known affectionately as "Onze Jan" among fellow Afrikaners, was a famous figure in the Afrikaans language movement.
Ixopo, also known as Stuartstown, is a town situated on a tributary of the uMkhomazi River along the R56 highway in the midlands of KwaZulu-Natal, South Africa.
The poetry of South Africa covers a broad range of themes, forms and styles. This article discusses the context that contemporary poets have come from and identifies the major poets of South Africa, their works and influence.
Cry, the Beloved Country is a 1995 South African-American drama film directed by Darrell Roodt, based on the novel Cry, the Beloved Country by Alan Paton. It stars James Earl Jones and Richard Harris.
Cry, the Beloved Country is a 1951 British drama film directed by Zoltán Korda and starring Sidney Poitier, Charles Carson and Canada Lee, in his last film role. The film is based on the novel of the same name written by Alan Paton.
Darrell James Roodt is a South African film director, screenwriter and producer. He is probably most well known for his 1992 film Sarafina! which starred actress Whoopi Goldberg. Also regarded as South Africa's most prolific film director, Roodt has worked with the late Patrick Swayze in Father Hood, James Earl Jones in Cry, the Beloved Country and Ice Cube in Dangerous Ground.
There is a wide range of ways in which people have represented apartheid in popular culture. During (1948–1994) and following the apartheid era in South Africa, apartheid has been referenced in many books, films, and other forms of art and literature.
Too Late the Phalarope is the second novel of Alan Paton, the South African author who is best known for writing Cry, the Beloved Country. It was published in 1953, and was the last novel he published before Ah, but Your Land Is Beautiful in 1981.
Lost in the Stars is the 1974 film version of the Kurt Weill-Maxwell Anderson musical adaptation of the Alan Paton novel Cry, the Beloved Country. The film was produced and released as part of the American Film Theatre, which adapted theatrical works for a subscription-driven cinema series.
Ah, But Your Land Is Beautiful (1983) is the third novel by South African author Alan Paton. He is best known for his debut novel Cry, the Beloved Country (1948). Ah, But Your Land is Beautiful is set in the 1950s, after apartheid was established in postwar South Africa. The historical novel explores fictional characters interacting with historical figures working to resist these laws.
Ixopo High School is a boarding school in Kwazulu-Natal, South Africa. It was founded in 1895 as the Ixopo Government School in what was originally called Stuartstown. The first black pupil was admitted for the 1989–90 school year after the crumbling Apartheid policies were swept aside by P. W. Botha.
The Umzinto–Donnybrook narrow-gauge railway is a closed 2 ft narrow-gauge railway line in South Africa. It runs from Umzinto to Donnybrook, passing through Highflats and Ixopo, with a branch from Ixopo to Madonela. The line was built in 1908 and was 93 miles (150 km) in length.
The Very Revd Gonville Aubie ffrench-Beytagh was an Anglican priest who served as the Dean of Johannesburg. He was also an anti-apartheid activist and was held in solitary confinement before going on trial for his activism.
Reinhold Friedrich Alfred Hoernlé (-1943), usually referred to as Alfred Hoernlé, was a South African philosopher and social reformer.