Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the word 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
The Sinhala script, also known as Sinhalese script, is a writing system used by the Sinhalese people and most Sri Lankans in Sri Lanka and elsewhere to write the Sinhala language as well as the liturgical languages Pali and Sanskrit. The Sinhalese Akṣara Mālāva, one of the Brahmic scripts, is a descendant of the Ancient Indian Brahmi script. It is also related to the Grantha script.
Calligraphy is a visual art related to writing and is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Sinhala, sometimes called Sinhalese, is an Indo-Aryan language primarily spoken by the Sinhalese people of Sri Lanka, who make up the largest ethnic group on the island, numbering about 16 million. Sinhala is also spoken as the first language by other ethnic groups in Sri Lanka, totalling about 2 million people as of 2001. It is written using the Sinhala script, which is a Brahmic script closely related to the Grantha script of South India.
Wang Xizhi was a Chinese calligrapher, politician, general and writer during the Jin dynasty. He was best known for his mastery of Chinese calligraphy. Wang is sometimes regarded as the greatest Chinese calligrapher in Chinese history, and was a master of all forms of Chinese calligraphy, especially the running script. He is known as one of the Four Talented Calligraphers (四賢) in Chinese calligraphy. Emperor Taizong of Tang admired his works so much that Wang's work, the Preface to the Poems Composed at the Orchid Pavilion was said to be buried with the emperor in his mausoleum.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including seal carving, ornate paperweights, and inkstones.
Japanese calligraphy, also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Kufic script is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. The artistic styling of Kufic led to its use in a non-Arabic context in Europe, as decoration on architecture, known as pseudo-Kufic.
Cursive script, often mistranslated as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script.
Dhives Akuru, later called Dhivehi Akuru is a script formerly used for the Maldivian language. The name can be alternatively spelled Dives Akuru or Divehi Akuru using the ISO 15919 Romanization scheme, as the "d" is unaspirated.
A vignette, in graphic design, is a French loanword meaning a unique form for a frame to an image, either illustration or photograph. Rather than the image's edges being rectilinear, it is overlaid with decorative artwork featuring a unique outline. This is similar to the use of the word in photography, where the edges of an image that has been vignetted are non-linear or sometimes softened with a mask – often a darkroom process of introducing a screen. An oval vignette is probably the most common example.
Sini is a calligraphic style used in China for the Arabic script. It can refer to any type of Chinese Arabic calligraphy, but is commonly used to refer to one with thick and tapered effects such as seen in Chinese calligraphy. It is used extensively in mosques in Eastern China and to a lesser extent in Gansu, Ningxia and Shaanxi.
Tibetan calligraphy refers to the calligraphic traditions used to write the Tibetan language. As in other parts of East Asia, nobles, high lamas, and persons of high rank were expected to have high abilities in calligraphy. However, unlike other East Asian calligraphic traditions, calligraphy was done using a reed pen as opposed to a brush. Tibetan calligraphy is at times more free-flowing than calligraphy involving the descendants of other Brahmi scripts. Given the overriding religious nature of Tibetan culture, many of the traditions in calligraphy come from religious texts, and most Tibetan scribes have a monastic background.
Radical 12 or radical eight (八部), meaning eight or all, is one of 23 of the 214 Kangxi radicals that are composed of two strokes. "八" is two bent lines that signal divide. Eight is the single-digit number that can be divided by two the greatest number of times.
Radical 194 or radical ghost (鬼部) meaning "ghost" or "demon" is one of the 8 Kangxi radicals composed of 10 strokes.
Radical 133 or radical arrive (至部) meaning "arrive" or "most" is one of the 29 Kangxi radicals composed of 6 strokes.
Radical 137 or radical boat (舟部) meaning "boat" is one of the 29 Kangxi radicals composed of 6 strokes.
Radical 147, also known as radical see (見部), represents the meaning "see" and is one of the 20 Kangxi radicals composed of 7 strokes.
Radical 152 or radical pig (豕部) meaning "pig" is one of the 20 Kangxi radicals composed of 7 strokes.
