Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul.
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. The album was the first album to include keyboardist and frequent songwriter Walter "Junie" Morrison.
Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
Curtis Lee Mayfield was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. Dubbed the "Gentle Genius", he first achieved success and recognition with the Rock and Roll Hall of Fame-inducted group the Impressions during the civil rights movement of the late 1950s and the 1960s, and later worked as a solo artist.
What's Going On is the eleventh studio album by American soul singer Marvin Gaye. It was released on May 21, 1971, by the Motown Records subsidiary label Tamla. Recorded between 1970 and 1971 in sessions at Hitsville U.S.A., Golden World, and United Sound Studios in Detroit, and at The Sound Factory in West Hollywood, California, it was Gaye's first album to credit him as a producer and to credit Motown's in-house studio band, the session musicians known as the Funk Brothers.
Super Fly is the third studio album by American soul musician Curtis Mayfield, released on July 11, 1972 on Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" and the title track. Super Fly is one of the few soundtracks to out-gross the film it accompanied.
Jerry Butler Jr. is an American soul singer-songwriter, producer, musician, and retired politician. He was the original lead singer of the R&B vocal group the Impressions, inducted into the Rock and Roll Hall of Fame in 1991. After leaving the group in 1960, Butler achieved over 55 Billboard Pop and R&B Chart hits as a solo artist including "He Will Break Your Heart", "Let It Be Me" and "Only the Strong Survive". He was inducted into the National Rhythm & Blues Hall of Fame in 2015.
Psychedelic soul is a music genre that emerged in the late 1960s and saw Black soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units and drug influences. It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco.
Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
Contemporary R&B is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music.
The World Is a Ghetto is the fifth album by American band War, released in late 1972 on United Artists Records. The album attained the number one spot on Billboard, and was Billboard magazine's Album of the Year as the best-selling album of 1973. In addition to being Billboard's #1 album of 1973, the album was ranked number 444 on Rolling Stone magazine's original list of the 500 greatest albums of all time. The title track became a gold record.
"People Get Ready" is a 1965 single by The Impressions, and the title track from the People Get Ready album. The single is the group's best-known hit, reaching number-three on the Billboard R&B chart and number 14 on the Billboard Hot 100. The gospel-influenced track was a Curtis Mayfield composition that displayed the growing sense of social and political awareness in his writing.
Curtis/Live! is Curtis Mayfield’s first live album, after leaving The Impressions. Originally released in May 1971 as a double LP on Mayfield's Curtom label, the album's 16 tracks — along with Mayfield's interstitial raps on the politics of the day — were recorded at Paul Colby's 230 seater Bitter End nightclub in New York City. According to John Abbey, who at the beginning of the 1970s was editor of the UK magazine Blues & Soul, Mayfield and his band's first set at a Bitter End date in January 1971 comprised the bulk of the music presented here. Mixed primarily with Eddie Kramer at Electric Lady Studios, the album features Master Henry Gibson playing percussion, Craig McMullen on rhythm guitar, Joseph "Lucky" Scott on bass, and Tyrone McCullen on drums.
Roots is Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield's best works but also as a classic release of the '70s soul era, with Allmusic critic Bruce Eder stating that "the album soars on some of the sweetest and most eloquent... soul sounds heard up to that time". The album became a commercial success as well, hitting the #6 slot on Billboard's Top R&B Albums chart.
The Anthology 1961-1977 is a compilation album of songs by Curtis Mayfield when he was with the Impressions and when he was solo. Of the 40 tracks, 30 are from Mayfield's time with the Impressions. The album includes liner notes written by Robert Pruter. In 2003, the album was ranked number 178 on Rolling Stone's 500 Greatest Albums of All Time, maintaining the rating in a 2012 revised list.
We're a Winner is an album by the American soul music group the Impressions, released in 1968. It was the group's last album for ABC Records; they moved on to Curtis Mayfield's Curtom Records.
Keep On Pushing is a studio album by the Impressions, released on ABC-Paramount in 1964. This was the group's biggest hit album ever, reaching number 8 on the Billboard 200 chart, the band's highest position on the chart, and number 4 on the Top R&B/Hip-Hop Albums chart. The title track, "Keep On Pushing," reached number 10 on the Billboard Hot 100 chart and number 1 on the Hot R&B/Hip-Hop Songs chart.
Still Bill is the second studio album by American soul singer-songwriter and producer Bill Withers, released in 1972 by Sussex Records. The album was recorded and produced by Withers with musicians from the Watts 103rd Street Rhythm Band. The rhythmic music produced for the record features soul, funk, and blues sounds, backing lyrics that explore themes of human nature, emotion, and sex from a middle-class male perspective. It also features some of Withers' most popular songs, including the hit singles "Lean on Me" and "Use Me". A commercial and critical success at the time of its release, Still Bill has since been regarded by music journalists as a highlight of the singer's recording career and a classic of 1970s R&B.
Progressive soul is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion.
