Dan Mindel | |
---|---|
Born | Ivor Daniel Mindel May 27, 1958 |
Occupation | Cinematographer |
Years active | 1983 – present |
Ivor Daniel Mindel, ASC , BSC, SASC (born 27 May 1958) is a South African-American cinematographer [1] best known for his work on blockbuster action films like Enemy of the State , Mission: Impossible III , Star Trek , Star Trek Into Darkness , Star Wars: The Force Awakens , and Star Wars: The Rise of Skywalker , working with directors like Tony Scott and J. J. Abrams. [2]
Mindel was born in Johannesburg [3] and received education in Australia and in Britain.
He began his career as a camera loader before becoming a clapper loader and assistant cameraman on John Boorman's 1985 film, The Emerald Forest , under French cinematographer Philippe Rousselot. He soon after moved to the United States and began working on commercials for Ridley and Tony Scott, among several other directors. [4]
Throughout the 1990s, Mindel worked as a camera operator or photographer on feature films directed by either Tony Scott or Ridley Scott, including Thelma & Louise and Crimson Tide . In 1997, Mindel was assigned as second unit director of photography on Ridley Scott's G.I. Jane . This opened the door for Mindel to become director of photography on Tony Scott's 1998 action-thriller, Enemy of the State .
Mindel went on to serve as director of photography for films such as Shanghai Noon , Stuck on You , The Skeleton Key , John Carter , and Tony Scott's Spy Game and Domino . He has also done additional photography for the films The Bourne Identity and Lions for Lambs .
Director J. J. Abrams selected Mindel to be director of photography on 2006's Mission: Impossible III . Mindel worked with Abrams again as the cinematographer of 2009's Star Trek and its follow-up, Star Trek Into Darkness . [5]
Mindel was the director of photography on Star Wars: The Force Awakens , which was released on December 18, 2015. [6] [7] He was later announced to return to the franchise with Star Wars: The Rise of Skywalker, [8] also directed by Abrams, which commenced filming on August 1, 2018 at Pinewood Studios. [9]
Three years after the release of The Rise of Skywalker, Mindel worked on additional photography for the Marvel Studios films Doctor Strange in the Multiverse of Madness and Ant-Man and the Wasp: Quantumania .
His work tends to feature very stylized camera movements with the use of a roll-axis camera, as well as shooting in the Panavision anamorphic format and virtual cinematography.
Mindel is married to Lisa Fallon Mindel and has four children, Samuel, Eden, Molly and Lily.
Television
Year | Title | Director | Notes |
---|---|---|---|
1992 | Red Shoe Diaries | Zalman King Michael Kalbernikoff | 3 episodes |
1996 | Dangerous Minds | James Hayman | Episode "Pilot" |
Short film
Year | Title | Director |
---|---|---|
1996 | Recon | Breck Eisner |
Snakeland | Joëlle Bentolila | |
2000 | Killer Pink | Patrick Cadell |
2004 | Tooth Fairy | Jake Scott |
2007 | Cutlass | Kate Hudson |
Feature film
Year | Title | Director | Notes |
---|---|---|---|
1998 | Enemy of the State | Tony Scott | |
2000 | Shanghai Noon | Tom Dey | |
Sand | Matt Palmieri | With John Skotchdopole | |
2001 | Spy Game | Tony Scott | |
2003 | Stuck on You | The Farrelly brothers | |
2005 | Domino | Tony Scott | |
The Skeleton Key | Iain Softley | ||
2006 | Mission: Impossible III | J. J. Abrams | Also made a cameo as "Doctor" (Uncredited) |
2009 | Star Trek | ||
2012 | John Carter | Andrew Stanton | |
Savages | Oliver Stone | ||
2013 | Star Trek Into Darkness | J. J. Abrams | |
2014 | The Amazing Spider-Man 2 | Marc Webb | |
2015 | Star Wars: The Force Awakens | J. J. Abrams | |
2016 | Zoolander No. 2 | Ben Stiller | |
2018 | The Cloverfield Paradox | Julius Onah | |
Pacific Rim: Uprising | Steven S. DeKnight | ||
2019 | Star Wars: The Rise of Skywalker | J. J. Abrams | |
2024 | Twisters | Lee Isaac Chung | |
Red One | Jake Kasdan |
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The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson.
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