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Josef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence.
Mitridate, re di Ponto, K. 87 (74a), is an opera seria in three acts by the young Wolfgang Amadeus Mozart. The libretto is by Vittorio Amedeo Cigna-Santi, after Giuseppe Parini's Italian translation of Jean Racine's play Mithridate.
Semiramide is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first set to music in 1729. For a performance in the 1760s, it would only be expected that a libretto by Metastasio would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1766 performance of Mysliveček's opera are not attributable.
Il gran Tamerlano is an opera in three acts by the Czech composer Josef Mysliveček. Its libretto is a rework of Giovanni de Gamerra after Agostino Piovene. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Generally this style favored high vocal ranges, both for male and female singers, but for the character of Bajazette, emperor of the Turks, the composer created the only substantial role for a bass singer that appears in any of his operas.
Demofoonte is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's first setting of this popular libretto by Metastasio first produced in 1733. This setting stays remarkably close to the original drama for its day, but the role of Timante was augmented in order to highlight the talents of its interpreter, the distinguished male soprano Gaetano Guadagni. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria.
L'Olimpiade is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1733. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste; some of the original aria texts would be omitted or substituted, and the remaining aria texts would be set more expansively. In this case, only 14 of the original 18 aria texts of Metastasio were newly set to music. The cuts and changes in the text made for the 1778 performance of Mysliveček's opera are not attributable.
Caterina Galli was an Italian operatic mezzo-soprano. She first rose to fame in England in the 1740s and early 1750s where she was particularly admired for her performances in the works of George Frideric Handel. She then enjoyed success in her native country in the 1750s and 1760s, before returning to England, where she remained active as a performer up through 1797.
La Nitteti is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1756, one of the newer of the Metastasian librettos in Mysliveček's day. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. This opera contains more substitutions of original aria texts than any other Mysliveček setting of a Metastasian libretto. The cuts and changes in the text made for the 1770 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Il trionfo di Clelia is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio. It was common in the 1760s for composers to set Metastasian texts written decades before. Exceptionally, the text for Il trionfo di Clelia, first produced in Vienna in 1762, was almost new when Mysliveček was commissioned to compose his setting for Turin, and all of the aria texts used for his setting derive from the original libretto. This opera belong to the serious type in Italian language referred to as opera seria.
Antigona is an Italian opera in three acts by the Czech composer Josef Mysliveček set to a libretto by Gaetano Roccaforte. All of Mysliveček's are of the serious type in Italian language referred to as opera seria.
L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to the libretto Ipermestra by the Italian poet Metastasio first set by Hasse in 1744. This opera belong to the serious type in Italian language referred to as opera seria.
Motezuma is an opera in three acts by Josef Mysliveček set to a libretto by Vittorio Amedeo Cigna-Santi that is based on Spanish histories and chronicles about the Aztec ruler Moctezuma II. This opera belong to the serious type in Italian language referred to as opera seria.
Demetrio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's first setting of a libretto by the Italian poet Metastasio that was first performed in 1731, one of the most popular of the Metastasian librettos in Mysliveček's day. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1773 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Demetrio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1731, one of the most popular of the Metastasian librettos in Mysliveček's day. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1779 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's first setting of a libretto by the Italian poet Metastasio that was first performed with music by Pietro Auletta in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1775 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day. The story is based on incidents from the lives of the 5th-century Roman emperor Valentinian III and his general Aetius. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1777 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Collegium 1704 is a Czech early music orchestra and choir founded in 2005 by the Czech conductor, harpsichordist, and horn player Václav Luks. The Collegium Vocale 1704 is the affiliated vocal ensemble. Since 2007, the ensemble has been making regular guest appearances at festivals and concert halls all over Europe: the Salzburger Festspiele, the Berliner Philharmonie, London’s Wigmore Hall, Vienna’s Theater an der Wien and Konzerthaus, the Lucerne Festival, BOZAR in Brussels, the Chopin Festival in Warsaw, Wratislavia Cantans, and the Elbphilharmonie, and it is an ensemble-in-residence at the festival Oude Muziek in Utrecht and at the Leipzig Bachfest. In 2008, Music Bridge Prague — Dresden began, bringing together the two cities’ wealth of cultural traditions. In 2012 Collegium 1704 started a concert series at the Rudolfinum in Prague. Since autumn 2015, the two cycles have been merged into a single concert season that continues to take place in parallel in Prague and Dresden. In 2019 Collegium Vocale 1704 launched a series of chamber choir concerts in Prague.
Václav Luks is a Czech harpsichordist, horn player, conductor, musicologist and pedagogue, founder and artistic director of the Prague baroque orchestra Collegium 1704 and of the vocal ensemble Collegium Vocale 1704. He specialises in Baroque music, especially in the works of Jan Dismas Zelenka, Johann Sebastian Bach, George Frideric Handel, and others. His activities have played an important role in reviving interest in the works of Czech composers including Zelenka and Josef Mysliveček. In 2022, Luks was awarded the title of Knight of the French Ministry of Culture, Arts and Letters.
Il Boemo is a 2022 period biographical drama film about the life and career of the Czech composer Josef Mysliveček (1737–1781), written and directed by Petr Václav. Mysliveček was one of the most acclaimed and prolific composers of opera seria in Italy in the second half of the eighteenth century, and mentor and friend to Wolfgang Amadeus Mozart. The film stars Vojtěch Dyk, Elena Radonicich, Barbara Ronchi, and Lana Vlady. The music for the film has been recorded by the Czech ensemble Collegium 1704 led by Václav Luks, featuring international soloists such as Philippe Jaroussky, Emöke Baráth, Raffaella Milanesi, and Simona Šaturová. It was selected as the Czech entry for the Best International Feature Film at the 95th Academy Awards. It premiered at 70th San Sebastián International Film Festival on 19 September 2022.
References
- ↑ Biographical information concerning Daniel E. Freeman is collected on the website Alliance Publications, Inc. - F - Freeman, Daniel Archived 2013-09-28 at the Wayback Machine .
- ↑ The research for Josef Mysliveček was featured in an article in the New York Times of 4 March 2007: see Interview with Daniel E. Freeman.
- ↑ See NEH Awards Archived 2017-05-04 at the Wayback Machine .
- ↑ See Newsletter of the Faculty of Arts of Charles University.
