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Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampradaya and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from dhruva and pada. The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text Natyashastra, and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana, where the theories of music and devotional songs for Krishna are summarized.
Khyal or Khayal is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity.
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.
In Hindustani classical music, the jor is a formal section of composition in the long elaboration (alap) of a raga that forms the beginning of a performance. It comes after alap and precedes jhala, the climax. Jor is the instrumental equivalent of nomtom in the dhrupad vocal style of Indian music. Both have a simple pulse but no well-defined rhythmic cycle.
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi-Urdu, Braj, Avadhi, Punjabi, and Rajasthani,.
Bihar, a state of India, has produced musicians like Bharat Ratna Ustad Bismillah Khan and dhrupad singers like the Malliks and the Mishras along with poets like Pandit Dhareekshan Mishra, Bhikhari Thakur, the shakespeare of Bhojpuri and Vidyapati Thakur who contributed to Maithili Music. The classical music in Bihar is a form of the Hindustani classical music.
In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
The Mewati gharana is a musical apprenticeship tribe of Hindustani classical music. Known for being Pandit Jasraj's musical lineage, the gharana was founded by brothers Ghagge Nazir Khan and Wahid Khan (beenkar) of Indore in the late 19th century at the Holkar Court. Members of this gharana have had an active influence in Indian cinema for over half a century.
Imrat Khan was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.
The Patiala gharana is one of the vocal gharanas of Hindustani classical music, named after the city of Patiala in Punjab, India where it was established. The gharana was founded in the mid to late 19th century by Mian Kallu, a sārangi player of the Jaipur durbar. He received his musical training from the last Mughal king Bahadur Shah Zafar's court musician Qutub Bakhsh 'Tanras' Khan and went on to become the court musician to the Maharaja of Patiala. Eventually, the mantle was passed on to his son, 'General' Ali Baksh Khan and his close friend 'Colonel' Fateh Ali Khan, both of whom became court musicians in the court of Maharaja Rajinder Singh. The titles of 'general' and 'colonel' of music were bestowed upon them by the Victor Alexander Bruce, the 9th Earl of Elgin, after the duo had enthralled him with their performance. Their pairing was popularly referred to as 'Ali-a-Fattu ki Jodi.'
The Maihar Gharana or Maihar-Senia Gharana is a gharana or school of classical music, a style of Indian classical music originating in the northern parts of the Indian subcontinent. The school was formed by Allaudin Khan in the princely state of Maihar, now in the central Indian state of Madhya Pradesh, and hence the name. Allauddin Khan learnt music from Vina player Wazir Khan, an exponent of the Senia gharana. The Maihar gharana is therefore sometimes referred to as the Maihar-Senia gharana.
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi.
The Gwalior Gharana is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605).
Sham Chaurasi Gharana is a vocal gharana in Hindustani classical music known for the singing of vocal duets. It is also known as the cradle of drupad. It is one of the four singing gharanas of Punjab; the other three are: Patiala, Talwandi and Kapurthala. It is most notably represented in modern times by the brothers Nazakat and Salamat Ali Khan.
Mushtaq Ali Khan and was an Indian classical sitar, surbahar player.
The sursingar, sursringar or surshringar, is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically.
The Bishnupur gharana is a form of singing that follows the dhrupad tradition of Hindustani music, one of the two forms of Indian classical music.
Siyaram Tiwari was an Indian classical singer and leading exponent of Dhrupad-genre of Hindustani classical music. He belonged to the Darbhanga gharana and was based in Patna. Though Darbhanga gharana is known for its laykari techniques, he was the first exponent of the gharana to promote fast-paced laykari in Dhrupad, which developed in the second half of 20th-century.
Ram Chatur Mallick (1902–1990) was an Indian classical musician and an exponent and founder to the outside world of the Darbhanga gharana of the Dhrupad tradition, one of the oldest genres of Hindustani vocal music. Known to be the last main court musician at the court of The Darbhanga Royals, following his immediate & direct ancestors from the last 14 generations and one of the closest to the King of the Dharbanga Maharaja Sir Kameshwar Singh, he also was the closest ADC to his highness and responsible for all music related activities on behalf of the King and King's brother, he was a member of the Mallick family of singers. He was honoured by the Government of India in 1970 with Padma Shri, the fourth highest Indian civilian award.
Pandit Falguni Mitra is an Indian Hindustani classical vocalist who is known as a Dhrupad exponent of India. Mitra belongs to the Bettiah gharana.
References
- ↑ "Dhrupad Gharanas". ITC Sangeet Research Academy. Retrieved 14 November 2020.
- 1 2 3 Sahai, Shrinkhla. "Reviving an eclipsed tradition: Darbhanga gharana of Dhrupad". The Hindu. Retrieved 14 November 2020.