David Hillman began his career in graphic design at the age of 19, shortly after completing his education at the LSP. His first professional role was with the newly established The Sunday Times Colour Magazine under editor Mark Boxer. Alongside the daily work at the magazine, Mark and David also worked together with David Bailey to produce David Bailey’s box of pin-ups.[5]. In 1965 he left to join the editorial team at London Life as art editor.[6] He later returned to The Sunday Times, where he contributed to the design direction of both the newspaper as well as its magazine supplement.[4]
Hillman moved onto Nova magazine in 1968, overseeing art direction while also serving as deputy editor.[4][7] Following the closure of Nova in 1975, he launched an independent studio, where one of his notable commissions was an overhaul of the French daily Le Matin de Paris, the first computerised daily newspaper.[4][3][8]
During this period Hillman was elected to the Alliance Graphique Internationale (1977). An organisation of which he would later take on two leadership roles – serving as its UK President from 1996 to 2000 and as International President between 2000 and 2003.[9]
Covers of The Guardian following Hillman's 1988 redesign. The masthead appears in Helvetica Bold, with supporting typography in Garamond Italic.
Hillman became a partner at Pentagram Design in 1978 and remained with the firm until 2006.[4] As a Pentagram partner – along jobs including the Phaidon identity [7][4][6], Tate Identity[10] and Il Sole 24 Ore redesign[11] – he undertook "one of the most influential redesigns of a national newspaper in the modern era" – The Guardian.[3][7][4]
During his time at Pentagram Design, Hillman also authored several books on visual puzzles, starting with Puzzlegrams in 1989.[7][12][3]
David Hillman photographed with several of his D&AD awards, 2025.
Hillman established his own studio, Studio David Hillman, after leaving the design consultancy. Over the course of his career, he has received several honours: in 1997, he was appointed a Royal Designer for Industry[6], and in 2004, he was named a Senior Fellow of the Royal College of Art.[13] In 2012, he was recognised by D&AD as it’s Most Awarded Designer.[14]
Work
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