David Mickenberg

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David Mickenberg
Born (1954-04-24) April 24, 1954 (age 68)
NationalityAmerican
OccupationMuseum director and author
TitleDirector of the Allentown Art Museum

David Mickenherg (born April 24, 1954, in Brooklyn, New York) is an American author, art professor and former museum director.

Mickenberg received his B.A. from Colgate University in Hamilton, New York, and his M.A. in art history from the University of Wisconsin-Milwaukee. [1] Subsequently, he took courses towards a doctorate in 12th century French architecture at Indiana University in Bloomington, Indiana, and went on to become a program coordinator, lecturer and the acting director of the National Endowment for the Humanities Learning Museum Program at the Indianapolis Museum of Art.

Mickenberg was appointed to the post in Allentown in 2013. [2] Previously, he had tenures as the director of the Oklahoma City Museum of Art, the Mary and Leigh Block Museum of Art at Northwestern University in Evanston, Illinois, [3] the Davis Museum at Wellesley College in Wellesley, Massachusetts, where he was also a professor of art at the college, and the Taubman Museum of Art in Roanoke, Virginia. [4]

His spans as the head of various art institutions have not been without major accomplishments and/or controversies. While at the Oklahoma City Museum of Art, there were rumblings about his being hard to work under and a rash of staff resignations. [5] At the Block Museum, he spearheaded a successful $25 million expansion [6] and at the Taubman he worked against the tide of the local public's apathy towards contemporary art by bringing in folk art in the form of giant styrofoam sculptures by a Roanoke favorite, Mark Cline. [7] During his time at the Davis, a Fernand Léger painting, "Woman and Child" (1921), was at first on loan for an exhibit at the Oklahoma City Museum of Art while the Davis was closed for renovations but was returned and then stored in a crate at Wellesley and disappeared. The work has not been seen since. [8]

Mickenberg is the author of Songs of Glory: Medieval Art from 900-1500 (Oklahoma Museum of Fine Arts 1985) [9] and Printmaking in America (co-authored with Trudy V. Hansen, Joanne Moser and Barry Walker - Harry N. Abrams 1995) [10] He co-edited The Last Expression: Art and Auschwitz which accompanied an exhibition held at the Block Museum at Northwestern University and later traveled to the Brooklyn Museum (Block Museum 2002 - co-edited with Corrine Granof and Peter Hayes). [11] [12] [13] He also wrote the introduction for The Graven Image: The Rise of Professional Printmakers in Antwerp and Haarlem, 1540-1640 (Northwestern University Press 1993). [14] [15]

Allentown Art Museum

Mickenberg arrived at the Allentown Art Museum as the fourth director in some six years, succeeding the late J. Brooks Joyner. [16] One of the more popular policies he instituted to achieve greater public visitation to the museum was to offer free admission for selected periods of time such as the summer season. [17]

It was under his stewardship that the museum acquired from the Lehighton, Pennsylvania, American Legion post "Lehighton" a mural by Franz Kline which the artist created for the aforementioned branch of the U.S Veterans organization. [18]

On February 24, 2020, Mickenberg stepped down after seven years as the director of the museum "to pursue other opportunities". Asked for a quote regarding his "resignation", Mickenberg said, "I'm pretty sure I resigned. I mean, yes, I resigned." [19]

Related Research Articles

Printmaking Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. Historically, many printed images were created as a preparatory study, such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".

Linocut Printmaking technique

Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal of the parts to show printed. The linoleum sheet is inked with a roller, and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.

Hiroshi Yoshida

Hiroshi Yoshida was a 20th-century Japanese painter and woodblock printmaker. He is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States.

Allentown Art Museum

The Allentown Art Museum of the Lehigh Valley is an art museum located in the city of Allentown, Pennsylvania, in the United States. It was founded in 1934 by a group organized by noted Pennsylvania impressionist painter, Walter Emerson Baum. With its collection of over 19,000 works of art, the Allentown Art Museum is a major regional art institution. In addition, its library and archives of more than 16,000 titles and 40 current periodicals make it an important regional cultural resource.

Edmond Casarella American painter and sculptor

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Chakaia Booker is a American sculptor known for creating monumental, abstract works for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the United States, Europe, Africa, and Asia. Booker was included in the 2000 Whitney Biennial, received a Guggenheim Fellowship in 2005, and an American Academy of Arts and Letters Award for Art in 2001. Booker has lived and worked in New York City’s East Village since the early 1980s and maintains a production studio in Allentown, Pennsylvania.

California Society of Printmakers

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Norma Bassett Hall (1889–1957) was an American printmaker. She was a woodblock printmaker and often depicted landscapes and outdoor scenes.

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Peter Grippe was an American sculptor, printmaker, and painter. As a sculptor, he worked in bronze, terracotta, wire, plaster, and found objects. His "Monument to Hiroshima" series (1963) used found objects cast in bronze sculptures to evoke the chaotic humanity of the Japanese city after its incineration by atomic bomb. Other Grippe Surrealist sculptural works address less warlike themes, including that of city life. However, his expertise extended beyond sculpture to ink drawings, watercolor painting, and printmaking (intaglio). He joined and later directed Atelier 17, the intaglio studio founded in London and moved to New York at the beginning of World War II by its founder, Stanley William Hayter. Today, Grippe's 21 Etchings and Poems, a part of the permanent collection at the Davis Museum and Cultural Center at Wellesley College in Wellesley, Massachusetts, is available as part of the museum's virtual collection.

Helen C. Frederick American artist

Helen C. Frederick is an American artist, curator, and the founder of Pyramid Atlantic Art Center, an arts organization in Maryland. She is known mainly for printed media and large-scale works created by hand papermaking as a medium of expression that often incorporate the use of language. She has curated exhibitions such as Ten Years After 9/11, which respond to issues about the human condition.

The Outlaws of Printmaking, also known as "The Outlaws" and "Outlaw Printmakers" are a collective of printmaking artists that exists internationally. The idea of "Outlaw Printmakers" formed from a show in New York at Big Cat Gallery in 2000. Tony Fitzpatrick, the owner of the Big Cat Press which is associated with the gallery, decided to call a show there "Outlaw Printmaking" to reflect attitudes of the printmakers involved in a non-academic approach to prints. As pointed out by Sean Starwars, the Southern Graphic Council print conference was happening at the same time as that show in NYC across the water in New Jersey. A handful of artists from the conference attended the show.). At that conference the core group now known as the Outlaw Printmakers formed, adopting the name from the show and continuing their own events, happenings and shows outside of the academic norm. The core members are Bill Fick, Tom Huck, The Hancock Brothers, Sean Star Wars, Dennis McNett and Cannonball Press. Many of the core artists associated with the movement cite the printmaker/artist Richard Mock as a primary influence. Mock's political and social narrative prints appeared in the New York Times op-ed pages for more than a decade in the 1980s and early 1990s. Later the group grew to include Carlos Hernandez, Drive By Press, Ryan O'Malley, Artemio Rodriguez, Kathryn Polk, Erica Walker, Derrick Riley, and Julia Curran.

Udo Sellbach

Udo Sellbach (1927–2006) was a German-Australian visual artist and educator whose work focused primarily around his printmaking practice.

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Deborah Nehmad American artist

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The year 2017 in art involves various significant events.

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  8. Lacayo, Richard (September 11, 2008). "First They Lose a Leger". Time.
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  14. "The Graven Image | Northwestern University Press". Nupress.northwestern.edu. Archived from the original on January 2, 2016.
  15. "The Graven Image: The Rise of Professional Printmakers in Antwerp and Harlem, 1540-1640". Amazon.ca. Retrieved June 8, 2022.
  16. "Arts Around Town: SOTA marks 50 years of service, prepares for Show House fundraiser - WFMZ". Wfmz.com. Archived from the original on December 21, 2016.
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  18. "Picture of the region's past now forever preserved". Wfmz.com.
  19. "Allentown Art Museum president out after seven years, says 'I'm pretty sure I resigned'". Mcall.com.