Dear | ||||
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Studio album by | ||||
Released | July 12, 2017 (Japan) July 14, 2017 (International) | |||
Recorded | 2017 | |||
Genre | ||||
Length | 93:06(Daymare 2CD) 69:06 (Southern Lord CD) | |||
Label | Sargent House, Daymare Recordings | |||
Producer | Boris | |||
Boris chronology | ||||
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Dear is the twenty-fourth studio album by Japanese experimental band Boris. Released on 14 July 2017 through Sargent House record label, it marks the band's 25th anniversary. The music video for the track "Absolutego", which shares its title with the band's 1996 debut, was also released in May 2017. [1]
Dear was originally planned as a farewell album. Nevertheless, its sessions produced three albums' worth of material: ten tracks were cut for the record and the rest were reserved for future releases. [2]
With Dear, Boris craft "straight-down-the-line" doom / stoner rock and "protracted" drone metal. [3] [4] Their sludge heritage also returns. [5]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 78/100 [6] |
Review scores | |
Source | Rating |
AllMusic | [2] |
The A.V. Club | B− [7] |
Exclaim! | 8/10 [8] |
Loud and Quiet | 6/10 [3] |
Paste | 6.9/10 [4] |
PopMatters | 7/10 [5] |
Upon its release, Dear received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 78, which indicates "generally positive reviews", based on 14 reviews. [6] AllMusic critic Thom Jurek wrote: "On Dear, Boris again prove their mettle as rock leviathans." Jurek further described the record as a "proof positive that this trio are far from running on empty." [2] The A.V. Club's A.A. Dowd stated: "Even doom fanatics may yearn for a more consistent track list; one drawback to churning out new records at this frequency is that the output can be uneven, mixing the transcendent with the forgettable." [7] Matthew Ritchie of Exclaim! commented: "If you dig deep enough, it's an album filled with surprises from a band that continue to impress." [8]
No. | Title | Length |
---|---|---|
1. | "D.O.W.N. -Domination of Waiting Noise-" | 6:05 |
2. | "詩" ("DEADSONG") | 6:42 |
3. | "絶対自我" ("Absolutego") | 4:55 |
4. | "かのひと" ("Beyond") | 6:39 |
5. | "蜉蝣" ("Kagero") | 5:34 |
6. | "ビオトープ" ("Biotope") | 5:32 |
7. | "The Power" | 7:40 |
8. | "Memento Mori" | 4:48 |
9. | "何処へ" ("Dystopia -Vanishing Point-") | 11:51 |
10. | "Dear" | 9:23 |
Total length: | 69:06 |
No. | Title | Length |
---|---|---|
1. | "More" | 7:17 |
2. | "Evil Perspective" | 7:01 |
3. | "D.O.W.N -Domination of Waiting Noise-" (Full version) | 9:42 |
Total length: | 24:00 |
No. | Title | Length |
---|---|---|
1. | "D.O.W.N. -Domination of Waiting Noise-" | 6:05 |
2. | "DEADSONG" (詩) | 6:42 |
3. | "Absolutego" (絶対自我) | 4:55 |
4. | "Beyond" (かのひと) | 6:39 |
5. | "Kagero" (蜉蝣) | 5:34 |
6. | "Biotope" (ビオトープ) | 5:32 |
7. | "The Power" | 7:40 |
8. | "Memento Mori" | 4:48 |
9. | "Dystopia -Vanishing Point-" (何処へ) | 11:51 |
10. | "Dear" | 9:23 |
Total length: | 69:06 |
Boris
Boris is a Japanese experimental music band formed in 1992 in Tokyo and composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than twenty studio albums on various labels around the world, as well as a wide variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.
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Primitive and Deadly is the eighth studio album by American musical group Earth. It was released on September 2, 2014, through Southern Lord Records. The album, which features Mark Lanegan and Rabia Shaheen Qazi of Rose Windows as guest vocalists, is the first Earth album since Pentastar: In the Style of Demons (1996) to feature vocals. Other contributors include Brett Netson of Built to Spill and Jodie Cox of Narrows.
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Love & Evol is the twenty-fifth studio album by Japanese experimental band Boris, released 4 October 2019 on Third Man Records. The band describes the release as two distinct but interconnected works, bearing the titles LφVE and EVφL respectively, "encapsulating conflicting connotations that interweave and become intricately entangled with one another, gradually eroding before becoming utterly singular." The release was intended to illustrate the different extremes of the sounds Boris has explored previously in their discography, and as a counterpoint to their darker and more aggressive previous album Dear.
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