Critical reception
Arani Bhattacharya of Sangbad Pratidin reviewed the film and wrote "The story is of two lines but its impact is long lasting. Emotional dialogues, effective screenplay and editing, and a lyrical cinematography elevates this film." She applauded the effective use of "rain" throughout, the greyish characters, the Bengali-ness of the film, the performance of the lead cast - specially Abir, and the music but criticized the over-repetition of the scene in which coffee is being given to Tatai, and the lack of any surprise element, which makes the end predictable. [27]
Agnivo Niyogi of The Telegraph reviewed the film and wrote "The film draws you in with its simplicity and holds you there because every moment feels lived-in." He praised the well written characters, the emotional difference represented between the two characters in each of the three sections of the film, the performances of Abir and Tanusree, their conveyance of emotions through their eyes without speaking every time, the blue-green visual tone used throughout the film, the dim lighting and the metaphorical usage of the fridge. He especially applauded the fact that the director didn't settle for a happy ending and mentioned that the film makes a mark at the end, as the characters "walk into separate futures, with just fewer knots in their mind." [28]
Shashwat Sisodiya of High On Films rated the film 3.5/5 stars and highlighted "Deep Fridge is a grim, hopeful, and simultaneously arresting look at marital infidelity." He praised the simple writing of the film, the vibrant yet cold cinematography, the comforting music, Abir and Tanusree's performance as Swarnava and Mili respectively, the simple characters but bemoaned the writing of the other two man and woman. [29]
Poorna Banerjee of The Times of India rated the film 3.5/5 stars and noted "Deep Fridge is more than a film — it’s a quiet excavation of the heart, an emotional drama that lingers long after the screen fades. Structured like a three-act tragedy, it’s a thoughtful piece that shows how silence can carry heavier truths than words." She praised the usage of the dying fridge as a metaphor for supressed emotions, the cinematography with the blue-green colour palette used to display the inner coldness, Tanusree's apt display of her inner turmoil with restless restraint, Abir's controlled and silent emotional conveyance through his eyes and the music. She particularly applauded the film for its reluctance to give easy answers and maintain an ambiguity throughout. [30]
Subhash K Jha of News24 rated the film 3/5 stars and wrote "Deep Fridge explores the fragile dynamics of marriage with emotional depth. Despite its flaws, the film leaves a lasting impression on the audience." He criticised the lack of backstory between Swarnava and Ronja, the dispatched mingling of past and present, unexplored characters in the supporting cast and Tanusree's below par performance but praised Abir's articulate acting skills. [31]
Devesh Sharma of Filmfare rated the film 4/5 stars and wrote "Deep Fridge is one of those rare films that handles heartbreak not with spectacle but with a gentleness that feels earned. It examines what remains after a relationship dissolves, and what quietly grows in its aftermath - the ache of a love that didn’t survive but didn’t die either." He praised the poetical use of a malfunctioning refrigerator, the film's division into three segments which have been metaphorically aligned with the fridge, the realism maintained throughout, Swarnava's relationship with Ronja, Mili's relationship with Asif, Ronja's affectionate rapport with Tatai, the emotional dilemma "brilliantly" portrayed by Abir and Tanusree, the cinematography and the emotionally nuanced but sensitive ending. [32]
