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Derek and Clive (Live) | ||||
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Live album (comedy)by | ||||
Released | 1976 | |||
Recorded | Electric Lady Studios, New York City and the Bottom Line (Live) Late 1973 | |||
Genre | Comedy | |||
Label | Island Records | |||
Producer | Peter Cook and Dudley Moore | |||
Derek and Clive chronology | ||||
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Derek and Clive (Live) is the debut comedy record recorded by Derek and Clive, drunken alter-egos created by comedy duo Peter Cook and Dudley Moore. The double act began as a private joke between the two of them at the Electric Lady Studios, as a way of easing the tension of their 1973 Broadway show Good Evening. Originally, the record was never intended for release, but when bootleg copies of the recordings proved popular, Cook decided there was money to be made and, padding the record out with live material recorded at the Bottom Line in New York City, the album was released in 1976. The record was very nearly called Derek and Clive (Dead).
The sleeve notes give a flavour of the production of the record:
"Peter Cook and Dudley Moore were appearing on Broadway in the show "Good Evening" when they first happened upon two brilliant new talents. Derek and Clive were working at the time in the toilets of the British Trade Centre. Cook and Moore were quick to see that they had made a major discovery and after much persuasion, including a packet of Craven A and a bottle of Tizer, Derek and Clive agreed to perform at the Electric Lady Studios. With growing assurance they appeared in front of a small, invited audience (Dudley Moore). The record you have bought is a mixture of the two evenings. Once they had mastered which end of the microphone to talk into, Derek and Clive gained enormously in confidence. Their method is basically a stream of unconsciousness, a mixture of Dylan Thomas and Mae West, with overtones of Goethe. At a time when British influence is declining throughout the world, Derek and Clive represent welcome evidence of what this great country could be. They are a ray of hope on a darkening horizon. Their philosophy is both an inspiration to youth and hope for the senile. On this record they discuss fully and frankly the major problems confronting a confused world. Not since Isaac Newton sat in a bath and discovered that apples could stun Archimedes, has such a fully fledged Weltanschauung emerged. Since the recording, Derek and Clive have been besieged by offers, Vegas, The London Palladium, Fiji but they prefer the simple, natural life of the toilets. "There's a certain rhythm there", says Derek. "You know where you stand", states Clive. One cannot but sympathise with them. The seemingly glittering world of 'Show business' with its broken marriages, drugs and enormous rewards leaves them uninterested. We can only admire their straightforward point of view. Poets? satirists? philosophers? comedians? social commentators? Derek and Clive sum it up more succinctly. "Just a couple of cunts" is their frank self-appraisal."
Chart (1981) | Peak position |
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Australian (Kent Music Report) | 74 [1] |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [2] | Silver | 60,000^ |
United Kingdom (BPI) [3] 1993 release | Silver | 60,000* |
* Sales figures based on certification alone. |
Peter Edward Cook was an English comedian, actor, satirist, playwright and screenwriter. He was the leading figure of the British satire boom of the 1960s, and he was associated with the anti-establishment comedic movement that emerged in the United Kingdom in the late 1950s.
Dudley Stuart John Moore CBE was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore’s buffoonery contrasted with Cook’s deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
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Derek and Clive was a double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). Upon release, more than 100,000 copies of Derek and Clive (Live) were sold in the United Kingdom.
Derek and Clive Come Again, subtitled on the CD reissue as "Further Ejaculations From......" is the second record released by Derek and Clive, a pair of characters created by comedy duo Peter Cook and Dudley Moore. Although the first album, Derek and Clive (Live), was reasonably good-natured in its blasphemous subversiveness, Come Again was released at the height of the punk rock phenomenon and Cook, in particular, seems keen to elevate the excess to new heights of jaw-dropping offensiveness. To that end, he improvises routines about raping the victims of road traffic accidents and cross-dressing members of the aristocracy masturbating rent boys in taxi cabs, not to mention several extended routines on cancer in all its variations. Moore, on the other hand, improvises a smutty rhyme about his mother sucking his penis, oral sex performed in lavatory cubicles and how he masturbates with the aid of a greased toilet roll connected to his electric train-set.
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Versions of "Live" at discogs.com