Des Imagistes: An Anthology, edited by Ezra Pound and published in 1914, was the first anthology of the Imagism movement. It was published in The Glebe in February 1914, and later that year as a book by Charles and Albert Boni in New York, and Harold Monro's Poetry Bookshop in London.[1]
Aldington later wrote regarding the title: "What Ezra thought that meant remains a mystery, unless the word "Anthologie" was assumed to precede it. Amy Lowell's anthologies were called Some Imagist Poets, so she may have supposed that Ezra thought Des Imagistes meant 'Quelques Imagistes.' But why a French title for a collection of poems by a bunch of young American and English authors? Search me. Ezra liked foreign titles."[2]
Free verse is an open form of poetry, which in its modern form arose through the French vers libre form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Ezra Weston Loomis Pound was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos.
Richard Aldington was an English writer and poet. He was an early associate of the Imagist movement. His 50-year writing career covered poetry, novels, criticism and biography. He edited The Egoist, a literary journal, and wrote for The Times Literary Supplement, Vogue, The Criterion, and Poetry. His biography, Wellington (1946), won him the James Tait Black Memorial Prize.
Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Hilda Doolittle was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Reflecting the trauma she experienced in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.
Amy Lawrence Lowell was an American poet of the imagist school, which promoted a return to classical values. She posthumously won the Pulitzer Prize for Poetry in 1926.
The Poetry Bookshop operated at 35 Devonshire Street in the Bloomsbury district of central London, from 1913 to 1926. It was the brainchild of Harold Monro, and was supported by his moderate income.
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. Like other modernists, Imagist poets wrote in reaction to the perceived excesses of Victorian poetry, and its emphasis on traditional formalism and ornate diction.
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 in the literary magazine Poetry. In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation". Because of the treatment of the subject's appearance by way of the poem's own visuality, it is considered a quintessential Imagist text.
John Gould Fletcher was an Imagist poet, author and authority on modern painting. He was born in Little Rock, Arkansas, to a socially prominent family. After attending Phillips Academy, Andover, Fletcher went on to Harvard University from 1903 to 1907, but dropped out shortly after his father's death.
The Objectivist poets were a loose-knit group of second-generation Modernists who emerged in the 1930s. They were mainly American and were influenced by, among others, Ezra Pound and William Carlos Williams. The basic tenets of objectivist poetics as defined by Louis Zukofsky were to treat the poem as an object, and to emphasize sincerity, intelligence, and the poet's ability to look clearly at the world. While the name of the group is similar to Ayn Rand's school of philosophy, the two movements are not affiliated.
Frank Stuart Flint was an English poet and translator who was a prominent member of the Imagist group. Ford Madox Ford called him "one of the greatest men and one of the beautiful spirits of the country".
Skipwith Cannell (1887–1957) was an American poet associated with the Imagist group. His surname is pronounced with the accent on the second syllable. He was a friend of William Carlos Williams, and like Ezra Pound he came from Philadelphia. Cannell studied at the University of Virginia and was enthusiastic about the work of Edgar Allan Poe and the free verse of The King James Version of The Bible. He was briefly married to Kathleen Eaton Cannell, who was generally known as 'Kitty'.
George Allen Upward was a British poet, lawyer, politician and teacher. His work was included in the first anthology of Imagist poetry, Des Imagistes, which was edited by Ezra Pound and published in 1914. He was a first cousin once removed of Edward Upward. His parents were George and Mary Upward, and he was survived by an elder sister (Mary) Edith Upward.
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."
Alfred Francis Kreymborg was an American poet, novelist, playwright, literary editor and anthologist.
The Glebe was a literary magazine edited by Alfred Kreymborg and Man Ray from 1913 to 1914. The first issue was published from Grantwood, New Jersey while the rest of the run was published in New York by Albert & Charles Boni. Ten issues were produced, with a circulation of 300. Issue number 5 comprised the first anthology of Imagism: Des Imagistes.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
"Oread" is a poem by Hilda Doolittle, originally published under the name H. D. Imagiste. It is one of her earliest and best-known poems, and was first published in the founding issue of BLAST on 20 June 1914. The title Oread was added after the poem was first written, to suggest that a nymph was ordering up the sea.
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