 | |
| Author | Ezra Pound |
|---|---|
| Country | Britain |
| Language | English |
| Genre | Poetry collection |
| Published | 1908 (Pollock and Co) |
Publication date | December 1908 |
| ISBN | 0879680873 |
A Quinzaine for this Yule (or A Quinzaine for this Yule: Being Selected from a Venetian Sketch-book "San Trovaso.") is a collection of poetry by Ezra Pound.
The title refers to an archaic word for the fifteenth day after a feast day, or a verse with fifteen syllables. Yule is a traditional word for a winter religious festival. The book is 27 pages long and contains 15 poems. It was published in 1908 by Pollock and Co. [1]
When Pound was working on getting his first collection, A Lume Spento , published while in Venice, he kept a notebook commonly known as the San Trovaso notebook that contained drafts of poetry. When he returned to London towards the end of 1908, it was this notebook that he used as the basis of a new poetry collection. The book was, like his first, self-financed, though it was promoted out of the shop of Charles Elkin Mathews. [2]
Robert Stark notes that "he rejects many of the conventionally poetic qualities of his earliest verse" claiming that Pound attempted for a sort of "literary barbarianism". [3] Contemporary reviews, such as in Punch , noted (referring collectively to A Quinzaine, A Lume Spento, Exultations, and Personae) that "[Pound's] verse is the most remarkable thing in poetry since Robert Browning". [4]
Free verse is an open form of poetry, which in its modern form arose through the French vers libre form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Robert Lee Frost was an American poet. His work was initially published in England before it was published in the United States. Known for his realistic depictions of rural life and his command of American colloquial speech, Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Ezra Weston Loomis Pound was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962).
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Hilda Doolittle was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Profoundly affected by her experiences in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.
Donald Alfred Davie, FBA was an English Movement poet, and literary critic. His poems in general are philosophical and abstract, but often evoke various landscapes.
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
The Seafarer is an Old English poem giving a first-person account of a man alone on the sea. The poem consists of 124 lines, followed by the single word "Amen". It is recorded only at folios 81 verso – 83 recto of the tenth-century Exeter Book, one of the four surviving manuscripts of Old English poetry. It has most often, though not always, been categorised as an elegy, a poetic genre commonly assigned to a particular group of Old English poems that reflect on spiritual and earthly melancholy.
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
Frank Stuart Flint was an English poet and translator who was a prominent member of the Imagist group. Ford Madox Ford called him "one of the greatest men and one of the beautiful spirits of the country".
Nationality words link to articles with information on the nation's poetry or literature.
Juan Felipe Herrera is an American poet, performer, writer, cartoonist, teacher, and activist. Herrera was the 21st United States Poet Laureate from 2015 to 2017. He is a major figure in the literary field of Chicano poetry.
ABC of Reading is a book by the 20th-century Imagist poet Ezra Pound published in 1934. In it, Pound sets out an approach by which one may come to appreciate and understand literature . Despite its title the text can be considered as a guide to writing poetry. The work begins with the "Parable of the sunfish", features a collection of English poetry that Pound called Exhibits and several notable quotations.
Ripostes of Ezra Pound is a collection of 25 poems by the American poet Ezra Pound, submitted to Swift and Co. in London in February 1912, and published by them in October that year. It was published in the United States in July 1913 by Small, Maynard and Co of Boston.
A Lume Spento is a 1908 poetry collection by Ezra Pound. Self-published in Venice, it was his first collection.
William Brooke Smith was an American painter and friend of Ezra Pound. His death from tuberculosis greatly affected Pound, who dedicated his first poetry collection, A Lume Spento, to Smith.
The Spirit of Romance is a 1910 book of literary criticism by the poet Ezra Pound. It is based on lectures he delivered at the Regent Street Polytechnic in London between 1908 and 1909 and deals with a variety of European literatures. As with Pound's later, unfinished poem The Cantos, the book follows "a pattern, at once historical and atemporal, of cultural beginnings and rebeginnings".
John Gery is an American poet, critic, collaborative translator, and editor. He has published seven books of poetry, a critical work on the treatment of nuclear annihilation in American poetry, two co-edited volumes of literary criticism and two co-edited anthologies of contemporary poetry, as well as, a co-authored biography and guidebook on Ezra Pound's Venice.
Persona poetry is poetry that is written from the perspective of a 'persona' that a poet creates, who is the speaker of the poem. Dramatic monologues are a type of persona poem, because "as they must create a character, necessarily create a persona".