Design Museum Dedel

Last updated
Design Museum Dedel
Den Haag - Prinsegracht 15.JPG
Museum at the Prinsegracht 15
P08-ZH-positiekaart2-gemlabels.png
Red pog.svg
Location in South Holland in the Netherlands
Established2017
Location Den Haag, Zuid-Holland
Coordinates 52°4′30.59″N4°18′27.61″E / 52.0751639°N 4.3076694°E / 52.0751639; 4.3076694
Type Art museum
Architect Pieter Post
Public transit accessHTM Tram 2,3,4 and 6. Stop Grote Markt [1]
Website www.designmuseumdedel.nl

Design Museum Dedel is a museum located in The Hague.

Contents

The museum hosts thematic exhibitions of two-dimensional design, including graphic design, posters, wallpaper - and has included posters from the collection of the former Poster Museum in Hoorn and objects (including posters) from the collection of the ReclameArsenaal.

The museum was opened on July 1, 2019 by Mrs. Hedy d'Ancona with an exhibition dedicated to the work of two designers, Milton Glaser and Wim Crouwel, both of whom were 90 years old at the time. In the fall of 2019, the exhibition 'KLM, the First Century' with accompanying publication about KLM followed [2]

Following the COVID-19 pandemic, the museum reopened in 2022. The museum is privately funded and works with a staff of volunteers. [3]

Dedel House

Dedel House was built in 1642, likely by the architect Pieter Post, and was commissioned by Willem Willemszn Dedel. In the 17th and 18th centuries it belonged to the family Dedel. In 2018, with the support of the Province of South Holland, an extensive restoration of the building was started. The restoration of the outside of the building was completed in 2020. [4] The house is a Dutch grade A listed building.

The interior includes 19th-century wallpaper, including imitation Japanese gold leather wallpaper, the so-called kinkarakawakami. [5] The rococo-style staircase dates from 1735 and has a cupola and stucco. The plaster was likely designed by the Italian Joseph Bollina, who employed an inventive play of light. [6]

Interior decoration incorporates the story of Magdalena Dedel (born Muijssart), who died in 1733. On the day of her death (September 3), the sun shines exactly on her image at 4:10 p.m. On the longest day (June 21) at 4:10 p.m., the face of a man appears, probably the mayor Jan Hudde Dedel  [ nl ], Magdalena's grieving husband.[ citation needed ]

The interior consists of seven ceiling paintings by Jacob de Wit, at least five upper door pieces and fourteen grisailles by the same artist. There are also tapestries by the firm Leyniers  [ nl ] from Brussels, panelling, gold leather wall covering, a mirror with decoration by Jacob de Wit representing an allegory of inheritance, fireplaces, crystal chandeliers, most with representations of Ovid's Metamorphoses. These interior decorations were sold shortly after 1871 by the then owner, the noble family Melort, to the Viennese branch of the Rothschild family, for ƒl 25,200.00 (with The Hague antiques dealer Léon Sarluis probably acting as an intermediary). [7] [8] [9]

After the Anschluss in 1938 by the Nazi's, the interior was destined for the Führermuseum in Linz (not realized) and stored in salt mines in Altaussee (Austria). After the war, most of it was restituted to the family and then spread over the world. A reconstruction of the interior is being worked on in collaboration with the Rothschild family. The Dedel House Foundation, owner of the building, already acquired some tapestries. A ceiling painting by Jacob de Wit, twice enlarged, from the Dedel House is located in Waddesdon Manor and chandeliers are hanging in the Neue Burg in Vienna. [10] [11]

Museum Collection

Design Museum Dedel does not have a collection, but uses loans from the collection of the ReclameArsenaal foundation, and various public and private collections, including a collection of more than 40,000 wallpaper samples from the period of 1880-2000. The collection of the ReclameArsenaal consists of more than 70,000 posters from the period 1880-1980. [12] [13]

As the Dedel House retains the original wallpaper from the 19th century on many of these walls, the Design Museum has started collecting historical wallpaper. The collections are archived in a separate storage.

The wallpaper library can be accessed primarily at the International Institute of Social History in Amsterdam and partly in Dedel House. The collection can also be accessed through the sister institution, the International Advertising & Design Database (IADDB), which contains literature on art and design, including various art magazines, such as De Stijl, Wendingen, das Plakat, die Form, Merz, der Gebrauchsgraphik, Cercle et Carré, Bauhausbücher, Vendre and others. [14]

Related Research Articles

<span class="mw-page-title-main">Rijksmuseum</span> National museum in Amsterdam, Netherlands

The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.

<span class="mw-page-title-main">Wallpaper</span> Material used to cover and decorate interior walls of buildings

Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets.

<span class="mw-page-title-main">Waddesdon Manor</span> Country house in Buckinghamshire, England

Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. Owned by the National Trust and managed by the Rothschild Foundation, it is one of the National Trust's most visited properties, with over 463,000 visitors in 2019.

<span class="mw-page-title-main">Mentmore Towers</span> English country house in Buckinghamshire

Mentmore Towers, historically known simply as "Mentmore", is a 19th-century English country house built between 1852 and 1854 for the Rothschild family in the village of Mentmore in Buckinghamshire. Sir Joseph Paxton and his son-in-law, George Henry Stokes, designed the building in the 19th-century revival of late 16th and early 17th-century Elizabethan and Jacobean styles called Jacobethan. The house was designed for the banker and collector of fine art Baron Mayer de Rothschild as a country home, and as a display case for his collection of fine art. The mansion has been described as one of the greatest houses of the Victorian era. Mentmore was inherited by Hannah Primrose, Countess of Rosebery, née Rothschild, and owned by her descendants, the Earls of Rosebery.

<span class="mw-page-title-main">Jacob Rothschild, 4th Baron Rothschild</span> English peer, investment banker and philanthropist (1936–2024)

Nathaniel Charles Jacob Rothschild, 4th Baron Rothschild,, was a British peer, investment banker and member of the Rothschild banking family. Rothschild held important roles in business and British public life, and was active in charitable and philanthropic areas.

<span class="mw-page-title-main">Ferdinand de Rothschild</span> British banker (1839–1898)

Baron Ferdinand de Rothschild, also known as Ferdinand James Anselm Freiherr von Rothschild, was a British banker, art collector and politician who was a member of the Rothschild family of bankers. He identified as a Liberal, later Liberal Unionist, and sat as a Member of Parliament in the House of Commons from 1885 to 1898. Ferdinand had a younger sister, Alice, who like her brother was a keen horticulturalist and collector. She inherited Ferdinand's property, Waddesdon Manor, in 1898 after he died and likewise continued the tradition of using the house as a place to keep his collections.

<span class="mw-page-title-main">Morris & Co.</span> Decorative arts firm founded by William Morris

Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.

<span class="mw-page-title-main">Hippolyte Destailleur</span> French Architect (1822-1893)

Hippolyte Destailleur was a French architect, interior designer, and collector. He is noted for his designs and restoration work for great châteaux in France and in England, as well as his collection of books, prints, and drawings, covering French artists of the 18th and 19th centuries, much of which is now in the Cabinet des Estampes of the Bibliothèque Nationale, Paris.

<span class="mw-page-title-main">Brussels Town Hall</span> Historic building and UNESCO World Heritage Site in Brussels, Belgium

The Town Hall of the City of Brussels is a landmark building and the seat of the City of Brussels municipality of Brussels, Belgium. It is located on the south side of the famous Grand-Place/Grote Markt, opposite the neo-Gothic King's House or Bread House building, housing the Brussels City Museum.

<span class="mw-page-title-main">Museum Geelvinck-Hinlopen</span> Art museum in Amsterdam, Netherlands

Museum Geelvinck Hinlopen Huis was situated from its opening 1991 till the end of 2015 in a canal-side mansion, the Geelvinck Hinlopen Huis in Amsterdam, the Netherlands. This patrician mansion, close to the Rembrandtplein, was built for Albert Geelvinck (1647-1693) and Sara Hinlopen (1660-1749), then in an attractive and new laid-out section of the city towards the Amstel. In the year 1687 the couple moved into this double wide house, with storage rooms in the cellar, under the attic and in the warehouse on Keizersgracht 633, now the entrance.

<span class="mw-page-title-main">Louis XVI style</span> Neoclassical style within architecture and design

Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.

<span class="mw-page-title-main">De Haar Castle</span> Castle in Utrecht, Netherlands

De Haar Castle is located outside Utrecht, Netherlands. It is the largest castle in The Netherlands.

<span class="mw-page-title-main">National Museum of Decorative Arts, Buenos Aires</span> Art museum in Buenos Aires, Argentina

The National Museum of Decorative Arts is an art museum in Recoleta, Buenos Aires, Argentina.

<span class="mw-page-title-main">Fotomuseum aan het Vrijthof</span>

The Fotomuseum aan het Vrijthof is a museum of photography in Maastricht, Netherlands.

<span class="mw-page-title-main">Goût Rothschild</span> Style of interior decorating

Le goût Rothschild describes a detailed, elaborate style of interior decoration and living which had its origin in France, Britain, Austria, and Germany during the nineteenth century, when the rich, famous, and powerful Rothschild family was at its height. The Rothschild aesthetic and life-style later influenced other rich and powerful families, including the Astors, Vanderbilts and Rockefellers, and became hallmarks of the American Gilded Age. Aspects of le goût Rothschild continued into the twentieth century, affecting such designers as Yves Saint Laurent and Robert Denning.

<span class="mw-page-title-main">Sèvres pot-pourri vase in the shape of a ship</span> Sèvres pot-pourri vase shape

Pot pourri à vaisseau or pot pourri en navire is the shape used for a number of pot-pourri vases in the form of masted ships, first produced between the late 1750s to the early 1760s by the Sèvres manufactory near Paris. The colours and details of the painted decoration vary between examples, as is typical of Sèvres porcelain, and one example is on a later gilt wood stand. The openwork lid lifts off to allow refilling of the pot-pourri. The shape was eventually produced in two or three versions, at slightly different sizes. It was first designed in 1757, probably by Jean-Claude Duplessis, the artistic director of the factory. The first surviving finished example dates to 1759. Another name for them is vaisseau à mat.

<span class="mw-page-title-main">Leather wallpaper</span> Type of wallpaper

Leather wallpaper is a type of wallpaper used in various styles for wall covering. It is often referred to as wrought leather. It is often gilded, painted and decorated. Leather was used to cover and decorate sections of walls in the houses of the rich, and some public buildings. Leather is pliable and could be decorated in various ways.

<span class="mw-page-title-main">Suermondt-Ludwig-Museum</span> Art museum in Aachen, Germany

The Suermondt-Ludwig-Museum is an art museum in Aachen, Germany. Founded in 1877, its collection includes works by Aelbrecht Bouts, Joos van Cleve, Anthony van Dyck, Otto Dix and Max Beckmann.

<span class="mw-page-title-main">Pierre Kleykamp</span>

Pierre Armand Kleykamp was a Modern furniture, interior, graphic, textile, product designer and teacher. Born in Belgium of Dutch nationality, he became a U.S. citizen in 1954. His clients included KLM, Holland-American Lines, Aetna Life Insurance, the United Nations. He supplied furniture to the Goed Wonen Groep and crafted several pieces for the interior of Schiphol Airport's International Departure Hall.

ReclameArsenaal is a charitable foundation with the goal to manage the heritage of Dutch adveristing. The collection of ReclameArsenaal has been in existence since 1975, brought together by various members of the advertising community and individual collections. It includes around 30,000 advertisements from 1850 onwards, mainly posters and printwork.

References

  1. "Address and route".
  2. "Eerste expositie in nieuw Design Museum Dedel: 100 jaar KLM in affiches". 10 December 2019.
  3. https://designmuseumdedel.nl/online/wp-content/uploads/2020/12/design-museum-dedel-jaarverslag-2019.pdf Annual report (in Dutch)
  4. "Restoration huis Dedel". Design Museum Huis Dedel. Retrieved 2024-06-22.
  5. https://www.monumentenzorgdenhaag.nl/sites/default/files/monument/media/Gravenhaagse%20Bos%2010%20%20J.%20van%20Campen%20het%20klassieke%20ideaal%20in%20de%20gouden%20eeuw.pdf Wallpaper in House Dedel
  6. Koldewey, Eloy (January 1, 2010). Stuc, Kunst en Techniek[Stucco, Art and Technique] (in Dutch). Waanders. ISBN   978-90-400-8650-2.
  7. "Hercules Received into Olympus | Art UK".
  8. Staring, Adolph (1958). Jacob de Wit 1695-1754[Jacob de Wit 1695-1754] (in Dutch). P.N. van Kampen & Zn.
  9. "The Rothschilds at Waddesdon – Waddesdon Manor".
  10. "Hercules Received into Olympus | Art UK".
  11. "The Neue Burg wing of the Hofburg". www.visitingvienna.com.
  12. "The ReclameArsenaal collection". www.reclamearsenaal.nl.
  13. "Website, which shows the digital version of the objects of the collection". www.iaddb.org.
  14. "IADDB Collection - powered by CollectionConnection".