Devotion | |
---|---|
Directed by | Robert Milton |
Screenplay by | Horace Jackson Graham John |
Based on | A Little Flat in the Temple 1930 novel by Pamela Wynne |
Produced by | Charles R. Rogers |
Starring | Ann Harding Leslie Howard |
Cinematography | Hal Mohr |
Edited by | Daniel Mandell |
Music by | Arthur Lange |
Production company | |
Distributed by | RKO Studios |
Release date |
|
Running time | 80-84 minutes |
Country | United States |
Language | English |
Budget | $394,000 [1] |
Box office | $542,000 [1] |
Devotion is a 1931 American pre-Code romantic drama film starring Ann Harding and Leslie Howard based on the 1930 Pamela Wynne novel A Little Flat in the Temple. Its plot involves a woman who disguises herself and gains employment in the home of the man she loves.
Shirley Mortimer is one of three adult daughters of a wealthy Bloomsbury family, who view her as plain and boring and treat her as little more than a servant. When her father's friend barrister David Trent comes for tea, she is instantly smitten. David asks the Mortimers if they can recommend a nursery governess for his son, Derek. Because she will have to live in his flat, she must be middle-aged and therefore above reproach.
With the help of her friend, Marjory, Shirley uses a dark wig and old fashioned clothing to disguise herself as Mrs. Halifax, a middle-aged Cockney widow with four children. Mrs. Halifax passes muster with Mrs. Coggins, the housekeeper who rules the roost (and her husband and 8 children) at David's Temple flat. When Derek likes Mrs. Halifax, that is enough for David.
David is exhausting himself while defending painter Norman Harrington on the charge of murdering his wife. As Mrs. Halifax, Shirley wins the love of David's son and dotes on David, making sure he takes care of himself. One night, after saying his bedtime prayers, Derek reveals that his mother is “in Heaven already.’
In a conversation with Arthur about their defense of Harrington, David points out that Harrington's wife was a dipsomaniac, a manipulative alcoholic who might have killed him—or more probably herself. [2] He knows the type too well from his own wife,
Harrington is acquitted, and upon meeting Mrs. Halifax, notices a blonde curl peeking out from under her wig. Although she fixes it, it is too late. He sketches a supposedly random picture of a girl and gives it to David. It is unmistakably Shirley. Harrington asks to paint Mrs. Halifax. Later, David smiles as he looks at the sketch and eagerly accepts a dinner invitation from Shirley's father, at the Plaza.
At his studio, Harrington tells Mrs. Halifax that she is a bad make-up artist. He thinks she and Trent have been lovers: She denies it, emphatically. He promises to keep her secret.
Mortimer brings Shirley with him to the Plaza. While she and David are dancing after dinner, a woman glares at them, unseen. She tells the man with her that she is staring at her husband, whom she has not seen for 4 years. David, now smitten himself, keeps dancing after the music stops.
Shirley rushes home without taking time to change, throwing Mrs. Halifax's hat and cloak over her evening dress. David is waiting. He tells Shirley that he has fallen deeply in love with her. and reluctantly adds that she must go home.
The next evening, in his apartment, they have dinner, punctuated by loving looks and kisses. He starts to tell her about his wife—who walks in on them. She has come for more money, and is delighted to see that she will be able to get more than she expected. Assuming the worst, Shirley leaves.
Shirley becomes a highly paid model for Harrington, who paints her in a beautiful period gown. She denies loving Trent—or Harrington—and only wants to get far away.
David drops in on Harrington, who tells him that Shirley and he are to marry. However, rather than asking her to marry him, Harrington proposes that they travel the world together, with Shirley as his mistress. Laughing, Shirley returns to her family home and her servitude there.
A month later, Harrington turns up at the Mortimer home at teatime. This time, he refers to their marriage in front of witnesses. David arrives and soon reveals to everyone that he had not seen his wife for four years and that he expects the divorce to go through quickly. Shirley steps aside, whispering to Marjory. Her mother demands to know what they are saying.... David steps into the foreground. “You need a lawyer, don't you, Mrs. Halifax?” “Oh, Give over Mr. Trent,” she replies. Fadeout as they lean into a kiss.
The working titles for this film were A Little Flat in the Temple and Alias Mrs. Halifax. [4]
Between this film and the success of Platinum Blonde , released later the same year, Robert Williams' star was in the ascendant, but he died of peritonitis after surgery for acute appendicitis only three days after the release of Platinum Blonde. [5]
Writing for the October 3, 1931 edition of The New York Times , Mordaunt Hall calls the film “quite a pleasing entertainment,” although he finds the title of the book, A Little Flat in the Temple, ” far more suitable”. He praises the “excellent cast, headed by the radiant and talented Ann Harding,…Mr. Howard rivals Miss Harding in acting, the portrayals of both being gratifyingly restrained and agreeably sympathetic.” He gives supporting players high but somewhat redundant praise, citing both Dudley Digges and young Douglas Scott for their “capital” performances. Although the film does not reveal the truth about the Harrington case, Hall assumes that he did kill his wife, and baulks at the way that is handled. “One would imagine he had done nothing more than box his wife's ears.” [6]
According to RKO records the film lost $40,000 at the box office. [1]
Anne of Green Gables is a 1934 American comedy drama film directed by George Nicholls, Jr., based upon the 1908 novel Anne of Green Gables by Canadian author Lucy Maud Montgomery. Dawn O'Day, who portrayed the title character in the film, changed her stage name to Anne Shirley, which she was billed as for this and all subsequent roles. The film was a surprise hit, becoming one of four top-grossing films RKO made that year as noted in The R.K.O. Story, published by Arlington House.
Platinum Blonde is a 1931 American pre-Code romantic comedy motion picture directed by Frank Capra, written by Jo Swerling and starring Loretta Young, Robert Williams and Jean Harlow. Platinum Blonde was Robert Williams' last screen appearance; he died of peritonitis three days after the film's October 31 release.
Snowed Under is a 1936 American romantic comedy film directed by Ray Enright and starring George Brent as a playwright who is working under a tight deadline. He becomes snowed in in his remote cabin with two ex-wives and a girlfriend, played by Genevieve Tobin, Glenda Farrell and Patricia Ellis.
Rebecca of Sunnybrook Farm is a 1938 American musical comedy film directed by Allan Dwan, and written by Don Ettlinger, Karl Tunberg, Ben Markson and William M. Conselman, the third adaptation of Kate Douglas Wiggin's 1903 novel of the same name.
I'll Be Seeing You is a 1944 American drama film made by Selznick International Pictures, Dore Schary Productions, and Vanguard Pictures, and distributed by United Artists. It stars Joseph Cotten, Ginger Rogers, and Shirley Temple, with Spring Byington, Tom Tully, and John Derek. It was produced by Dore Schary, with David O. Selznick as executive producer. The screenplay was by Marion Parsonnet, based on a radio play by Charles Martin (1910-1983).
The Littlest Rebel is a 1935 American musical drama film directed by David Butler. The screenplay by Edwin J. Burke was adapted from a play of the same name by Edward Peple.
Street Scene is a 1931 American pre-Code drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play of the same name, Street Scene takes place on a New York City street from one evening until the following afternoon. Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.
Small Town Girl is a 1936 American romantic comedy film directed by William A. Wellman and starring Janet Gaynor, Robert Taylor, and James Stewart. The supporting cast features Binnie Barnes, Andy Devine, Lewis Stone and Edgar Kennedy.
The Bachelor Father is a 1931 American pre-Code MGM comedy drama film directed by Robert Z. Leonard and starring Marion Davies and featuring Ralph Forbes, C. Aubrey Smith, Ray Milland and Guinn "Big Boy" Williams. It was based on a same-titled play by Edward Childs Carpenter, with Smith re-creating his role from the Broadway production. The plot centers around a stuffy British nobleman whose three grown children suddenly arrive at his estate and decide to move in with him.
Stowaway is a 1936 American musical drama film directed by William A. Seiter. The screenplay by William M. Conselman, Nat Perrin, and Arthur Sheekman is based on a story by Samuel G. Engel. The film is about a young orphan called "Ching Ching" who meets wealthy playboy Tommy Randall in Shanghai and then accidentally stows away on the ocean liner he is travelling on. The film was hugely successful, and is available on videocassette and DVD.
Baby Take a Bow is a 1934 American comedy-drama film directed by Harry Lachman and is one of the earliest Hays code Hollywood films. The screenplay by Philip Klein and Edward E. Paramore Jr. is based on the 1926 play Square Crooks by James P. Judge. Shirley Temple plays the child of an ex-convict trying to make a better life for himself and his family. The film was a commercial success and is critically regarded as pleasant and sentimental. A musical number features Dunn and Temple.
What's the Matter With Helen? is a 1971 American horror film directed by Curtis Harrington and starring Debbie Reynolds and Shelley Winters.
Now and Forever is a 1934 American drama film directed by Henry Hathaway. The screenplay by Vincent Lawrence and Sylvia Thalberg was based on the story "Honor Bright" by Jack Kirkland and Melville Baker. The film stars Gary Cooper, Carole Lombard, and Shirley Temple in a story about a small-time swindler going straight for his child's sake. Temple sang "The World Owes Me a Living". The film was critically well received. Temple adored Cooper, who nicknamed her 'Wigglebritches'. This is the only film in which Lombard and Temple appeared together.
Mandalay is a 1934 American pre Code drama film directed by Michael Curtiz and written by Austin Parker and Charles Kenyon based on a story by Paul Hervey Fox. The film stars Kay Francis, Ricardo Cortez, Warner Oland and Lyle Talbot, and features Ruth Donnelly and Reginald Owen.
Little Big Shot is a 1935 American film directed by Michael Curtiz, and starring Sybil Jason and Glenda Farrell. The film was released by Warner Bros. on September 7, 1935. The plot concerns a young girl who endears herself to her caretakers after her father is murdered by mobsters.
Poor Little Rich Girl, advertised as The Poor Little Rich Girl, is a 1936 American musical film directed by Irving Cummings and starring Shirley Temple, Alice Faye and Jack Haley. The screenplay by Sam Hellman, Gladys Lehman, and Harry Tugend was based on stories by Eleanor Gates and Ralph Spence, and the 1917 Mary Pickford vehicle of the same name. The film focuses on a child (Temple) neglected by her rich and busy father. She meets two vaudeville performers and becomes a radio singing star. The film received a lukewarm critical reception from The New York Times.
Trent's Last Case is a 1952 British detective film directed by Herbert Wilcox and starring Michael Wilding, Margaret Lockwood, Orson Welles and John McCallum. It was produced by Wilcox as part of a distribution agreement with Republic Pictures. It was based on the 1913 novel Trent's Last Case by E. C. Bentley, and had been filmed previously in the UK with Clive Brook in 1920, and in a 1929 US version.
A Kiss for Corliss is a 1949 American comedy film directed by Richard Wallace, written by Howard Dimsdale, and starring David Niven and Shirley Temple. The film, which was the last for both Wallace and Temple, was released on November 25, 1949, by United Artists. It is a sequel to the 1945 film Kiss and Tell, also directed by Wallace and starring Temple.
Kathleen is a 1941 American comedy drama film directed by Harold S. Bucquet starring Shirley Temple, Herbert Marshall, Laraine Day and Gail Patrick. It was Temple's first comeback role since "retiring" from the screen a year earlier. It was the only movie she made for Metro-Goldwyn-Mayer.
The Adventurous Blonde is a 1937 American comedy mystery film directed by Frank McDonald and starring Glenda Farrell, Barton MacLane and Anne Nagel. It was written by Robertson White and David Diamond. It was released on November 13, 1937.