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Zinda Lash is a 1932 Indian costume drama directed by Premankur Atorthy. The film was produced by New Theatres Ltd. Calcutta. The cast of the film included K. L. Saigal, Rattan Bai, Pahari Sanyal, Mahajabin, Nawab, Kumar and Radharani. The music direction was by R. C. Boral. B. N. Sircar started New Theatres Ltd. Calcutta in 1930 and produced his first film in Bengali, Dena Paona in 1931. In 1932 he produced films in Hindi where he introduced K. L. Saigal to Indian Cinema. The first was Mohabbat Ke Ansu and the second was Zinda Lash both directed by Premankur Atorthy. K. L. Saigal changed his name for his first three films and was billed as Saigal Kashmiri to prevent his family from finding out his profession. This film like his earlier Mohabbat Ke Ansu was not successful at the box office.
Subah Ka Sitara is a 1932 Urdu/Hindi romantic costume film from India. It was directed by Premankur Atorthy for New Theatres Ltd. Calcutta. Subah Ka Sitara was the third of the three films with which K. L. Saigal started his acting career in 1932. The first was Mohabbat Ke Ansu and the second was Zinda Lash. Like the first two films, Saigal used the name Saigal Kashmiri in the credit roll of the film. The film starred K. L. Saigal, Rattanbai, Mazhar Khan, Ali Mir Kumar, Radhabai, and Siddiqui. The music was by R. C. Boral. This was also actor Kumar’s second film, the first being Zinda Lash with Saigal in the lead role. Kumar’s name appeared in the credit roll as Ali Mir and it was from his third film Puran Bhagat that he changed his screen name to "Kumar".
Karwan-E-Hayat is a 1935 Urdu/Hindi costume action-adventure film. The film is directed by Premankur Atorthy, with assistance by Hemchandra, for New Theatres Ltd. Calcutta; and it was produced by Lahore branch of New Theatres. The cast included K. L. Saigal, Rattan Bai, Pahari Sanyal, Rajkumari, Shyama Zutshi, Gul Hamid, Rajkumari, Molina, Shyama Zutshi, Siddiqi, Kapoor and Rana. The cinematographer was Krishna Gopal, with music composed by Mihir Kiran Bhattacharya and his brother Timir Baran Bhattacharya, with lyrics by Hakim Ahmad Shuja Pasha. The film, a costume drama, involved the Prince Pervez on the run from an arranged marriage to a princess, only to fall in love with her when they meet in unusual circumstances.
Bharat Ki Beti is a 1935 Hindi social film directed by Premankur Atorthy. The cast included Rattan Bai, Gul Hamid, Yasmin, Amirbai Karnataki, Gope, Dadabhai Sarkari and Hari Shivdasani. The music direction was credited to Jhande Khan and Anil Biswas. This was actor Hari Shivdasani's second film, having begun his career with Dharma Ki Devi (1935) the same year. Produced by Eastern Arts, Bharat Ki Beti focused on the nationalistic viewpoint while India was still under British rule.
Bhikharan (Beggar-Maid) also called Song of Life, is a 1935 Hindi melodrama film directed by Premankur Atorthy. The film was produced by Kolhapur Cinetone and starred Rattan Bai, Master Vinayak, Hafisji, Pramila, and Gundopant Walawalkar. The camera work was by V. B. Joshi. The music for the film was composed by H. C. Bali.
Sarla is a 1936 Indian Hindi-language drama film directed by Premankur Atorthy. The film was produced by Imperial Film Company. The director of photography was Rustam Irani with music by H. C. Bali. It starred Rattan Bai, Kumar, Hafisji, Pramila, Anant Marathe and Ahindra Choudhury.
Hind Mahila also called Woman's Challenge is a 1936 Hindi social film directed by Premankur Atorthy. It was produced by Kolhapur Cinetone. Premankur Atorthy Moved from New Theatres and worked for Kohlapur Cinetone making Bhikharan and Hind Mahila for them before going to Imperial Film Company. The music direction was by H. C. Bali. The cast included Rattan Bai, Shahu Modak, Master Vithal, and Hafisji.
Dulhan is a 1938 social Hindi film directed by Premankur Atorthy. It was produced by the Imperial Film Company. The music direction was by Ram Gopal Pande. The film starred Rattan Bai, W. M. Khan, Ghulam Mohammed and Jilloobai.
Kalyani is a 1940 Hindi social film directed by Premankur Atorthy. It was produced by Mansukh Pictures. The music direction was by H. C. Bali. The cast of the film included Rattan Bai, W. M. Khan, Ghulam Mohammed, Jamshedji and Mukhtar.
Watan (transl. Homeland) is a 1938 Hindustani costume drama film directed by Mehboob Khan. Produced by Sagar Films, the film had story by Mehboob Khan and Wajahat Mirza. The cinematographer, as for most Sagar films, was Faredoon Irani. Following the successful music of Manmohan (1936), Sagar Movietone retained Anil Biswas as the in-house music director, scoring music for Watan along with other releases of the time from the studio. The cast of the film included Kumar, Bibbo, Maya Banerjee, Yakub Lala, Sitara Devi and Kayam Ali.
Manmohan is a 1936 Indian Urdu/Hindi-language romantic tragedy film directed by Mehboob Khan. This was Khan's third film for Sagar Movietone after Al Hilal (1935) and Deccan Queen (1936). The cinematographer was Faredoon Irani who, starting from Mehboob Khan's Al Hilal (1935), went on to establish a long working relationship with him lasting till Khan's last film Son of India (1962). The music was composed by Ashok Ghosh assisted by Anil Biswas. The story writer was Zia Sarhadi who also wrote the lyrics, screenplay and dialogue in addition to acting in the film. Though he had started his writing career on Khan's backing for Deccan Queen (1936), it was with Manmohan that he achieved success. The film was inspired by Devdas, (1935), which was a big hit at the box office. Surendra was chosen as the singing star to rival K. L. Saigal from New Theatres Calcutta, whose songs from Devdas had mesmerised the nation. Though Manmohan was referred to as the "poor man's Devdas" the film went on to do well and the songs became very popular. The film starred Bibbo, Surendra, Yakub, Kayam Ali, Bhudo Advani and Mehdi Raza.
Deccan Queen is a 1936 Hindustani action-adventure film directed by Mehboob Khan. It was the first "stunt" film from Sagar Movietone and the first film for actor Surendra, who was credited as "Surendra Nath B.A., L.L.B.". The film helped launch him as a singing star. This was the only action film directed by Mehboob Khan as he later shifted to films with social and political slant. This was Mehboob Khan's second directorial venture after Al Hilal (1935). He asked Zia Sarhadi then an unknown small-time actor, to write the screenplay, dialogue and songs for Deccan Queen. The music direction was by Pransukh Nayak along with Ashok Ghosh. The cinematographer was Faredoon Irani. The film starred Surendra, Aruna Devi, Ramchandra Pal and Kayam Ali.
Jagirdar (Landlord) is a 1937 Hindi romantic melodrama film directed by Mehboob Khan, and starring Bibbo, Motilal, Surendra, Yakub, Pande, Sankatha Prasad, Pesi Patel and Maya Banerjee.
Aurat Ka Pyar is a 1933 Indian film directed by A. R. Kardar. The film was produced by the East India Film Company, in Calcutta. Kardar had moved from Lahore to Calcutta where he directed several films for the company from 1933–36, including Aurat Ka Pyar. The music composer was Mushtaq Ahmed and lyrics were by Agha Hashar Kashmiri, who also scripted the film. It starred Gul Hamid, Mukhtar Begum, Mazhar Khan, Anwari Bai, Bacha, Abdul Sattar and Athar.
Chandragupta is a 1934 Hindi/Urdu historical film directed by A. R. Kardar. Produced by East India Film Company, the music direction was by K. C. Dey. Kardar had shifted to Calcutta where he joined the East India Film Company, and directed "hits" like Chandragupta. The film starred Nazir as Chandragupta. The cast included Gul Hamid, Sabita Devi, Mazhar Khan, Dhiraj Bhattacharya, Vasantrao Pehalwan.
Thokar also called The Kick is 1939 Hindi/Urdu film directed by A. R. Kardar. Produced by Chandulal Shah for his production banner Ranjit Movietone, it had music by Gyan Dutt. The story writer was M. Sadiq, with cinematography by Gordhanbhi Patel. The cast included Kumar, Ishwarlal, Madhuri, Yakub, Noor Mohammed Charlie, Ram Marathe, Waheedan Bai and Dixit.
Sultana is a 1934 Hindi/Urdu film directed by A. R. Kardar. The film was produced under the East India Film Company banner. The music director was Mushtaq Ahmed, who also played a small role in the film. The lyrics were written by Munshi Aziz. The cast included Gul Hamid, Zarina, Mazhar Khan, Nazir, Indubala, Nawab and Athar.
Milap (transl. the union is a 1937 Indian Hindi/Urdu-language social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.
Mandir is a 1937 Indian Hindi devotional film directed by A. R. Kardar. Produced for the Shankar Talkies Corporation, it had music by Professor Ramzan Khan. The lyricist was Manjhar Hashiri.
Savitri is a 1937 mythology legend Hindi film directed by Franz Osten. Adapted from a story in the Mahabharata the writers were Niranjan Pal with dialogues by J. S. Casshyap. The cinematographer was Joseph Wirsching. Saraswati Devi composed the music. According to Garga, Savitri was the "only mythological" produced by Himanshu Rai for Bombay Talkies, who were known for making "rurlist reform dramas". Ashok Kumar and Devika Rani played the lead roles supported by Maya Devi, Saroj Borkar, Mumtaz Ali, and Sunita Devi.
References
- ↑ Jones, Stephen (2009). The essential monster movie guide: a century of creature features on film, tv and video. Billboard Books. p. 108. ISBN 9780823079360 . Retrieved 29 August 2014.
- ↑ CITWF. "Dhanwan 1937". citwf.com. Alan Goble. Retrieved 29 August 2014.
- ↑ Nolan, Nolan, Robert A., Gwendolyn Wright (1989). Cinema Sequels and Remakes. McFarland. ISBN 9780899503141 . Retrieved 29 August 2014.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ "Dhanwan 1937". muvyz.com. Muvyz, Inc. Retrieved 29 August 2014.
