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Kundan Lal Saigal, often abbreviated as K. L. Saigal, was an Indian singer and actor who is considered the first superstar of the Hindi film industry, which was centred in Calcutta (Kolkata) during Saigal's time, but is currently centred in Bombay (Mumbai). Saigal's unique voice quality which was a mixture of baritone and soft tenor was the benchmark for most of the singers who followed him. In fact it remains the gold standard even today shining through very early and practically primitive recording technology.
Khursheed Bano, often credited as Khursheed or Khurshid, was a singer and actress, and a pioneer of the Indian cinema. Her career ran through the 1930s and 1940s, before she migrated to Pakistan in 1948. Making her debut with Laila Majnu (1931), she acted in over thirty films in India. She is best known for her film Tansen (1943) with actor-singer K. L. Saigal, which featured many of her memorable songs.
Zindagi is a 1940 Indian film, directed by Pramathesh Barua and produced by Birendranath Sircar. Starring K. L. Saigal, Jamuna Barua, Pahari Sanyal, Shyam Laha, Sitara Devi, and Nemo, it revolves around Ratan, an unemployed university graduate, and his relationship with Shrimati, who is on the run from her cruel husband.
Chandidas is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love.
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Mohabbat Ke Ansu is a 1932 Indian Urdu-language social romantic film. It was directed by Premankur Atorthy for New Theatres Ltd. Calcutta. The music for the film was directed by R. C. Boral. The film starred K. L. Saigal in his debut role with Akthari Muradabadi, Mahajabeen, Ansari and Sadiq. According to reports the film was not successful however Nevile claims that the "debut was successful beyond expectations" as it led to Saigal acting in several New Theatres films.
Karwan-E-Hayat is a 1935 Urdu/Hindi costume action-adventure film. The film is directed by Premankur Atorthy, with assistance by Hemchandra, for New Theatres Ltd. Calcutta; and it was produced by Lahore branch of New Theatres. The cast included K. L. Saigal, Rattan Bai, Pahari Sanyal, Rajkumari, Shyama Zutshi, Gul Hamid, Rajkumari, Molina, Shyama Zutshi, Siddiqi, Kapoor and Rana. The cinematographer was Krishna Gopal, with music composed by Mihir Kiran Bhattacharya and his brother Timir Baran Bhattacharya, with lyrics by Hakim Ahmad Shuja Pasha. The film, a costume drama, involved the Prince Pervez on the run from an arranged marriage to a princess, only to fall in love with her when they meet in unusual circumstances.
Bhikharan (Beggar-Maid) also called Song of Life, is a 1935 Hindi melodrama film directed by Premankur Atorthy. The film was produced by Kolhapur Cinetone and starred Rattan Bai, Master Vinayak, Hafisji, Pramila, and Gundopant Walawalkar. The camera work was by V. B. Joshi. The music for the film was composed by H. C. Bali.
Hind Mahila also called Woman's Challenge is a 1936 Hindi social film directed by Premankur Atorthy. It was produced by Kolhapur Cinetone. Premankur Atorthy Moved from New Theatres and worked for Kohlapur Cinetone making Bhikharan and Hind Mahila for them before going to Imperial Film Company. The music direction was by H. C. Bali. The cast included Rattan Bai, Shahu Modak, Master Vithal, and Hafisji.
Daku Mansoor also called Karishma-E-Kudrat is a 1934 Hindi/Urdu costume action drama film directed by Nitin Bose. The film was produced by New Theatres Ltd. Calcutta and the music director was R. C. Boral. The cast of the film included K. L. Saigal, Uma Shashi, Prithviraj Kapoor, Husnbanu, Pahari Sanyal and Nemo. Daku Mansoor was actress Husn Banu’s debut film.
Watan (transl. Homeland) is a 1938 Hindustani costume drama film directed by Mehboob Khan. Produced by Sagar Films, the film had story by Mehboob Khan and Wajahat Mirza. The cinematographer, as for most Sagar films, was Faredoon Irani. Following the successful music of Manmohan (1936), Sagar Movietone retained Anil Biswas as the in-house music director, scoring music for Watan along with other releases of the time from the studio. The cast of the film included Kumar, Bibbo, Maya Banerjee, Yakub Lala, Sitara Devi and Kayam Ali.
Mohabbat Ki Kasauti also called Rooplekha in Bengali was a 1934 Indian "semi-historical" bilingual film in Hindi and Bengali, directed by P. C. Barua for New Theatres. Though Barua is consistently mentioned as director, according to author J. K. Bajaj, Debaki Bose directed Rooplekha in 1934. It had music by R. C. Boral and the cast included Rattanbai, K. L. Saigal, Pahari Sanyal, Noor Mohammed Charlie and Vishwanath. Jamuna started her career with a small role in the Hindi version.
Aurat Ka Pyar is a 1933 Indian film directed by A. R. Kardar. The film was produced by the East India Film Company, in Calcutta. Kardar had moved from Lahore to Calcutta where he directed several films for the company from 1933–36, including Aurat Ka Pyar. The music composer was Mushtaq Ahmed and lyrics were by Agha Hashar Kashmiri, who also scripted the film. It starred Gul Hamid, Mukhtar Begum, Mazhar Khan, Anwari Bai, Bacha, Abdul Sattar and Athar.
Sultana is a 1934 Hindi/Urdu film directed by A. R. Kardar. The film was produced under the East India Film Company banner. The music director was Mushtaq Ahmed, who also played a small role in the film. The lyrics were written by Munshi Aziz. The cast included Gul Hamid, Zarina, Mazhar Khan, Nazir, Indubala, Nawab and Athar.
Milap (transl. the union is a 1937 Indian Hindi/Urdu-language social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.
Sagar Movietone also Sagar Films, Sagar Film Company and Sagar Productions was an Indian film production company involved in the making of films for Indian cinema. It was launched by Ardeshir Irani with Chimanlal Desai and Dr. Ambalal Patel in 1929 in Bombay, Maharashtra, India. Sagar was initially started as a branch company of Ardeshir's Imperial Film Company. Several key figures from Imperial, such as Mehboob Khan were shifted to Sagar. The studio was in operation from 1930 to 1939. In 1940, it combined with General Pictures to form National Studios. It made "Parsi theatre based films, mythologicals and stunt movies". Sagar fostered the career of many artists who rose to prominence. Early directors such as Prafulla Ghosh, Sarvottam Badami, Ezra Mir and Nanubhai Vakil were promoted by the company. Mehboob Khan got his first break as a director in Al Hilal in 1935. He was referred to as "the most important alumnus" from Sagar, who went on to become one of Indian cinema's "most influential film-makers".
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
Kumar, alternatively known as M. Kumar, was an Indian film producer and actor, who played character roles in Hindi cinema from early 1930s to early 1960s. He migrated to Pakistan in 1963.
References
- ↑ "Subah Ka Sitara 1932". citwf.com. Alan Goble. Retrieved 25 August 2014.
- 1 2 Nevile, Pran (2011). K. L. Saigal A Definitive Biography. India: Penguin Books India Ltd. p. 12. ISBN 9780143414063.
- ↑ "The Music Greats K. L. Saigal". sangeetmahal.com. Sangeet Mahal. Retrieved 25 August 2014.
- ↑ CITWF. "Subah Ka Sitara 1932". citwf.com. Alan Goble. Retrieved 25 August 2014.
- ↑ Farooqui, Dewan Zubair. "New Theatres Calcutta Renowned Music Directors". members.tripod.com. Retrieved 25 August 2014.
- ↑ "Kumar". cineplot.com. Cineplot.com. Retrieved 25 August 2015.
- ↑ 'Hamraaz', Raghuwanshi, Har Mandir Singh, Harish. "Kundan Lal Saigal (1904-1947) – A Profile". members.tripod.com. Retrieved 25 August 2014.
{{cite web}}: CS1 maint: multiple names: authors list (link) - ↑ "Subah Ka Sitara 1932". Muvyz.com. Muvyz, Inc. Retrieved 25 August 2014.