Diana Barrington (born 6 May 1939) is a British actress. She studied drama at the Royal Academy of Dramatic Art. [1] She was married to Canadian actor Ken Pogue until his death in 2015. [2]
Barrington worked at the Birmingham Repertory Theatre in 1957, and was part of the York repertory company from 1961-62. [3] [4] In 1962 she appeared in Alastair Dennett's play Fit to Print, as part of the Peter Haddon Company then resident at the Wimbledon Theatre. [5]
In 1963 Barrington was part of the Alexandra Repertory Company at The Alexandra, Birmingham; she appeared in plays including Fish Out of Water by Derek Benfield, Noël Coward's Hay Fever , Jean Anouilh's Becket and W. Somerset Maugham's The Constant Wife . [6] [7] [8] [9]
In 1964 she appeared at the Royal Court Theatre in Edgar Wallace's On The Spot. [10] [11] Later in the year she appeared in Elmer Blaney Harris's Johnny Belinda at the Theatre Royal, Bath. [12]
In 1965 she was in GC Brown's A Summer Game, with the Repertory Players at the Savoy Theatre. [13]
In 1971 Barrington played Hippolyta / Titania in A Midsummer Night's Dream at the Neptune Theatre, Halifax, Nova Scotia. [14]
In 1978, Barrington appeared as Mary, Queen of Scots in Schiller's Mary Stuart . [15] In the same year, she played Fanny Wilton in Ibsen's John Gabriel Borkman . [16]
In 1981, Barrington played two roles in the Shakespeare Festival at Stratford-upon-Avon. [14]
In 1982 she was in The Elephant Man at Theatre Calgary in Alberta, Canada. [17]
In 1989, Jay Scott raved about her performance in The Top of His Head .[ citation needed ]
Some time before 1996, Barrington notified Equity that she was taking a break from acting, and as of 2005 she had not returned to the profession. [18]
Year | Title | Role | Notes |
---|---|---|---|
1979 | Lost and Found | Ellie | |
1981 | Escape from Iran: The Canadian Caper | Zena Sheardown | TV film |
1989 | The Top of His Head | Yolanda | |
Mob Story | Maria | ||
1993 | Alive | Mrs. Alfonsin | |
Year | Title | Role | Notes |
---|---|---|---|
1959 | Saturday Playhouse | Episode: "The Larford Lad" | |
1961 | Dixon of Dock Green | Sylvie Dowson | Episode: "A Quiet, Ordinary Woman" |
1963 | William | Roxana | Episode: "William and the Three Bears" |
1967 | Festival | Yerma | Episode: "Yerma" |
1969 | Celia | Episode: "Volpone" | |
1973 | The Starlost | Janice | Episode: "The Pisces" |
1974 | The National Dream | Lady Dufferin | Mini-series documentary |
1979 | Matt and Jenny | Mrs. Bellini | Episode: "The Bellinis" |
1984 | The Littlest Hobo | Maid | Episode: "Three Monkeys of Bah Roghar" |
1985 | The Edison Twins | Female Judge | Episode: "Let Them Eat Cake" |
1987 | Check It Out! | Molly Maguire | Episode: "The Son Also Rises" |
Adderly | Juliana Doubleday | Episode: "Headhunter" | |
1988 | Friday the 13th: The Series | Marie Simmons | Episode: "The Baron's Bride" |
Diamonds | Episode: "Ghost Writer" | ||
1993 | Highlander: The Series | Anne Wheeler | Episode: "Eyewitness" |
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Spring awards have been announced by the Royal Academy of Dramatic Art ... Diana Barrington ... [has] been commended
The Cast ... Tilly - Diana Barrington
Diana Barrington has left York for London. She had been a member of the York Repertory Company for about a year, where she did much good work, one of her outstanding parts being that of Johnny Belinda.
Diana Barrington in the part of Veronica, the glamorous 'Picture Girl', who has such a crucial bearing on the story
Marisa: Diana Bennington
Diana Barrington ... fit[s] snugly into this type of comedy
and Diana Barrington see that the women get over best
Marie-Louise Durham (Diana Barrington)
Diana Barrington offered an excellent study as Perell's Chinese wife
Diana Barrington as his Chinese mistress, Minn Lee, is wholly satisfying, dignified, gentle and pathetic
London actress Diana Barrington has been specially engaged to play the female lead.
Diana Barrington, in the thankless part of the South African girl, relied too much on her beauty ... and too little on acting technique
Diana Barrington made an unimpressive beginning ... But as the play progressed, Barrington's impassivity took on depth
The only performance with a measure of coherence, in fact, is Diana Barrington's interpretation of Fanny Wilton