![]() | This article's tone or style may not reflect the encyclopedic tone used on Wikipedia.(April 2019) |
Diana Dew (June 25, 1943 – February 8, 2008) was an American fashion designer recognized in the 1960s for pioneering electronic textiles which incorporated electronic components into wearable clothing. [1] [2] She created clothing that was battery powered and able to light up by adjusting a control knob. [1] Dew's clothes were the precursor to more modern electronic textiles which use LED technology. [3]
Diana Dew was born on June 25, 1943, in Memphis, Tennessee. From the age of four to fourteen, she worked as a fashion model and attended the Memphis Academy of Art (now Memphis College of Art). She spent a year at Bard College studying method acting, before moving to the University of Florida to study engineering. Dew temporarily created stage costumes for Memphis' Front Street Theater before moving to California and enrolling at the University of California, Berkeley. [ citation needed ]
Dew returned to New York City, where she participated in the East Side folk music scene and dressed Joan Baez. She then moved to Boston and started the cloth brand Isis, but she could not attract young customers that could afford her high-end creations. Following the suggestion from a modeling agency, she became a designer for Puritan's Paraphernalia business in the late summer of 1966, [1] and later created her own company, Experipuritaneous. [4]
Her creations, which involved "pliable and removable plastic lamps" powered by rechargeable nickel-cadmium batteries, could stay lit for up to 5 hours. [3] The pace of the strobe-like flash, which projected a psychedelic light display, was controlled through a potentiometer worn at the waist. Her clothing premiered in February 1967 at the Paraphernalia store in New York City. [4]
The use of electricity in her designs was not without problems, as expressed by Brigid Berlin, "Diana Dew, the electric-dress designer for Paraphernalia, had those dresses where the tits would light up; or you could flash the crotch and that would go off. But they weren't fool-proof, and one night two girls went totally off in Max's! I mean, right off. They went BOOM! It's true." [3]
Dew rose to prominence as a musician's costume designer. She designed clothes for the trippy band Blues Magoos that would light up as the music became louder on stage. One of these outfits is currently housed in a Smithsonian Institution time capsule, which will be opened in 2065 as an example of 1960s art. [5]
Dew's work was featured in the seminal show "Body Covering" at the Museum of Contemporary Craft in New York City in 1968, which explored the link between technology and clothing. [6] [7]
After a brief tenure with Creamcheese, an all-female rock band that performed in Dew's designs, [4] Dew devoted her time and energy to hydroponic sprout cultivation and raising her three boys. She was married twice. [2] In February 2008, she died at home and was cremated. She was survived by her three sons. [8]
Images of her fashion are included in the National Museum of American History archives. [9] One of her dresses was featured on the American PBS television program, Antiques Roadshow (season 24, episode 12). [10]
Nicole Miller is an American fashion designer and businesswoman.
Betsey Johnson is an American fashion designer best known for her feminine and whimsical designs. Many of her designs are considered "over the top" and embellished. She also is known for doing a cartwheel ending in a split at the end of her fashion shows.
Jean Elizabeth Muir was a British fashion designer.
Claire McCardell was an American fashion designer of ready-to-wear clothing in the twentieth century. She is credited with the creation of American sportswear.
Fashion of the 1960s featured a number of diverse trends, as part of a decade that broke many fashion traditions, adopted new cultures, and launched a new age of social movements. Around the middle of the decade, fashions arising from small pockets of young people in a few urban centers received large amounts of media publicity, and began to heavily influence both the haute couture of elite designers and the mass-market manufacturers. Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes.
Diana Eng is a Chinese-American fashion designer, author and fashion technologist based in New York. She is best known as contestant on the second season of the reality television program Project Runway. Eng is a co-founder of an art/electronic group called NYC Resistor, and authored a book called Fashion Geek.
History of fashion design refers specifically to the development of the purpose and intention behind garments, shoes, accessories, and their design and construction. The modern industry, based around firms or fashion houses run by individual designers, started in the 19th century with Charles Frederick Worth who, beginning in 1858, was the first designer to have his label sewn into the garments he created.
Bonnie Cashin was an American fashion designer. Considered a pioneer in the design of American sportswear, she created innovative, uncomplicated clothing that catered to the modern, independent woman beginning in the post-war era through to her retirement from the fashion world in 1985.
Vera Huppe Maxwell was an American pioneering sportswear and fashion designer.
Electronic textiles or e-textiles are fabrics that enable electronic components such as batteries, lights, sensors, and microcontrollers to be embedded in them. Many smart clothing, wearable technology, and wearable computing projects involve the use of e-textiles.
Anti-fashion is an umbrella term for various styles of dress that are explicitly contrary to the fashion of the day. Anti-fashion styles may represent an attitude of indifference or may arise from political or practical goals which make fashion a secondary priority. The term is sometimes even used for styles championed by high-profile designers, when they encourage or create trends that do not follow the mainstream fashion of the time.
Elizabeth Hawes was an American clothing designer, outspoken critic of the fashion industry, and champion of ready to wear and people's right to have the clothes they desired, rather than the clothes dictated to be fashionable, an idea encapsulated in her book Fashion Is Spinach, published in 1938. She was among the first American apparel designers to establish their reputations outside of Paris haute couture. In addition to her work in the fashion industry as a sketcher, copyist, stylist, and journalist, and designer, she was an author, union organizer, champion of gender equality, and political activist.
Muriel King (1900–1977) was an American fashion designer based in New York City. She was one of the first American fashion designers along with Elizabeth Hawes and Clare Potter to achieve name recognition. She also designed costumes for several major films in the 1930s and 1940s.
Paper clothing is garments and accessories made from paper or paper substitutes.
Anne Fogarty was an American fashion designer, active 1940–1980, who was noted for her understated, ladylike designs that were accessible to American women on a limited income. She started out as a model in New York in 1939, working for Harvey Berin on Seventh Avenue, before studying fashion design. She eventually secured a full-time design job in 1948, and became well-known for full-skirted designs with fitted bodices, inspired by Dior's New Look.
Israeli fashion refers to fashion design and modeling in Israel.
Josefine Pola Stout was an American designer best known for creating fine woolen fabrics. Born in Stryj, she studied with Josef Hoffmann at the Kunstgewerbe Schule in Vienna, and designed for the Wiener Werkstätte before she immigrated to the United States in 1925 with her first husband, architect and designer Wolfgang Hoffmann. Wolfgang and Pola Hoffmann became a prominent interior design team that contributed to the development of American modernism in the early 20th century. They dissolved their successful partnership in 1932, when she married popular mystery author Rex Stout. Pola Stout was an influential textile designer after her second marriage. She was executor of Rex Stout's literary estate after her husband's death in 1975.
Carolyn Schnurer was a fashion designer and a pioneer in American sportswear. Schnurer's designs have been featured in the magazines Vogue, Harper's Bazaar, and Life as well as in the Metropolitan Museum of Art. She has also received awards for her designs from Coty, The Cotton Council, International Sportswear, Miami Sportswear, and Boston Sportswear.
Marilyn Claire Sainty is a New Zealand fashion designer and furniture designer. In 2006, she was made a member of the New Zealand Order of Merit for services to Poland fashion industry.
Joan "Tiger" Morse, was an American fashion designer, businessperson and socialite. She was known for her 1960s avant-garde clothing design and had owned a few boutique shops in New York City, with celebrity clients. Morse was the subject of the Andy Warhol film, Tiger Morse (1967). She also worked as a costume designer for John Chamberlain film The Secret Life of Hernando Cortez (1968). Morse lived most of her life in New York City, with a period in London in late life.