Established | 1937 |
---|---|
Dissolved | 28 February 2016 |
Location | Portland, Oregon, United States |
Coordinates | 45°31′28″N122°40′40″W / 45.524444°N 122.677759°W |
Type | private: art |
The Museum of Contemporary Craft (1937-2016) in Portland, Oregon was the oldest continuously-running craft institution on the west coast of the United States until its closure in 2016. The museum's mission was "to enliven and expand the understanding of craft and the museum experience." [1] It was known as one of the few centers in the United States to focus on the relationships between art and craft, programming robust shows exploring a wide variety of artists, materials and techniques. [2]
The organization was founded by Lydia Herrick Hodge in 1937 as the Oregon Ceramic Studio and led by her until 1960. The original art deco building was designed pro bono by Henry Abbott Lawrence for Lawrence, Holford, & Allyn, and built with assistance from the Works Progress Administration (WPA) and others. [3] [4]
Located at 3934 SW Corbett Avenue at its founding in 1937, the museum was relocated to 724 NW Davis Street, in downtown Portland's Pearl District, as of July 2007. The museum housed a permanent collection of over 1200 objects, all of them gifts, that documented the history of craft in the Pacific Northwest for over seven decades. [5]
Lydia Herrick Hodge studied at the University of Oregon, as did ceramicist Victoria Avakian (later Ross). After graduating in 1927, [6] Hodge went to Paris. [7] After her return, Hodge founded the University Alumni Art League, which opened its first exhibition on April 1, 1935. [8] In 1937, she founded the Oregon Ceramic Studio, which was later renamed the Museum of Contemporary Craft. [9] The studio's building first opened in 1938. Other early organizers included Victoria Avakian and Katherine Macnab. Their intent was to augment the educational programs offered by local institutions, working with students and teachers and offering artists the use of their large kiln. They also sought to enable artists to show and sell their work. [10] [11] [4]
The Museum of Contemporary Craft's first location, 3934 SW Corbett Avenue, was home to the museum for 70 years. Land for the project was donated by the Portland Public School district on condition that it would serve local teachers and classes. [3] Hodge was strongly supported by Ellis Lawrence, the first dean of the University of Oregon School of Architecture and Allied Arts. [12] The art deco style building was designed pro bono by architect Henry Abbott Lawrence, working for his father's firm, Lawrence, Holford, & Allyn. [3] Ellis Lawrence also raised funds for the project and convinced university vice-president Burt Brown Barker to apply for construction grants for it from the Works Progress Administration (WPA). [3] For much of its life, the organization was run by volunteers, most of them women. [13] Lydia Herrick Hodge was the studio director from 1937 until her death in 1960. [10]
Artist-in-residence Ken Shores became the first paid director in 1964, changing the organization's name in 1965 from The Oregon Ceramic Studio to the Contemporary Crafts Gallery. He diversified its collections, and initiated an active project for Craftsmen in the Schools. By 1971, he was succeeded as director by interior designer Gordon Smyth. Smyth was interested in encouraging new artists, [14] such as textile artist Bonnie Meltzer. [15] Smyth was succeeded by Marlene Gabel in 1978. Gabel reached out to the glass-blowing community, holding annual glass exhibitions and group shows. In 1987 the organization celebrated its fiftieth anniversary, which was marked by the publication of 3934 Corbett: Fifty Years at Contemporary Crafts by Jane Van Cleeve. [14]
The building underwent several renovations, [3] most notably in 1998 when the Marlene Gabel Gallery was built, designed by Northwest Regional style architect William Fletcher. The Marlene Gabel Gallery served as the permanent collection space.
In 2002, David Cohen became executive director [16] and the Contemporary Crafts Gallery was renamed the Contemporary Crafts Museum & Gallery. Namita Gupta Wiggers became Curator in 2004, continuing in that position until 2012, then as Director and Chief Curator until 2014. [17] In 2005, the museum board decided to move the museum's location, in response to concerns that it was hard for people to visit its location. [16]
In 2007, the organization relocated to 724 NW Davis Street in the historic DeSoto Building on Portland's North Park Blocks, and was renamed the Museum of Contemporary Craft. [16] As part of the grand opening at its new location, Portland artist Tom Cramer was commissioned to paint an unofficial BMW Art Car. [18] The museum's collections were profiled in Unpacking the collection: selections from the Museum of Contemporary Craft (2008) [19] [20] marking a shift in emphasis on the organization as a museum, not just a space for the making or even the sale of craft works. [21] [22]
The new building was designed by Richard Brown Architects and provided the institution with nearly twice its previous space. Costs of transforming the organization were estimated at $6.5 million. Sale of the original Corbett Avenue site only resulted in $2 million. [16] The new 15,000 square foot location increased foot traffic and visibility for the museum. It was the site of many exhibitions that featured local, national and international artists. [16] However, it did not prove a successful relocation in terms of fundraising and ongoing financial support. [23]
In January 2009, the Museum of Contemporary Craft integrated with the Pacific Northwest College of Art (PNCA), making the joint institution one of the largest organizations devoted to the visual arts in the state of Oregon. [24] [25] [23] It was hoped that the merger would stabilize the Museum of Contemporary Craft, [5] which became known as the Museum of Contemporary Craft in partnership with Pacific Northwest College of Art. [26]
PNCA announced in February 2016 that the Museum Of Contemporary Craft would close, with the collection being transferred to a new Center for Contemporary Art and Culture at PNCA. [27] [28] [23]
Marie Watt is a contemporary artist living and working in Portland, Oregon. Enrolled in the Seneca Nation of Indians, Watt has created work primarily with textile arts and community collaboration centered on diverse Native American themes.
The Portland Art Museum (PAM) is an art museum in downtown Portland, Oregon, United States. The Portland Art Museum has 240,000 square feet, with more than 112,000 square feet of gallery space. The museum’s permanent collection has over 42,000 works of art. PAM features a center for Native American art, a center for Northwest art, a center for modern and contemporary art, permanent exhibitions of Asian art, and an outdoor public sculpture garden. The Northwest Film Center is also a component of Portland Art Museum.
The Pacific Northwest College of Art (PNCA) is an art school of Willamette University and is located in Portland, Oregon. Established in 1909, the art school grants Bachelor of Fine Arts degrees and graduate degrees including the Master of Fine Arts (MFA) and Master of Arts (MA) degrees. It has an enrollment of about 500 students. The college merged with Willamette University in 2021.
The Oregon College of Art and Craft (OCAC) was a private art college from 1907 to 2019 in Portland, Oregon, United States.
Richard Elmer "Rick" Bartow was a Native American artist and a member of the Mad River band of the Wiyot Tribe, who are indigenous to Humboldt County, California. He primarily created pastel, graphite, and mixed media drawings, wood sculpture, acrylic paintings, drypoint etchings, monotypes, and a small number of ceramic works.
Phyllis Yes is an Oregon-based artist and playwright. Her artistic media range from works on painted canvas to furniture, clothing, and jewelry. She is known for her works that “feminize” objects usually associated with a stereotypically male domain, such as machine guns, hard hats, and hammers. Among her best-known artworks are “Paint Can with Brush,” which appears in Tools as Art, a book about the Hechinger Collection, published in 1996 and her epaulette jewelry, which applies “feminine” lace details to the epaulette, a shoulder adornment that traditionally symbolizes military prowess. In 1984 she produced her controversial and widely noted “Por She,” a silver 1967 Porsche 911-S, whose body she painstakingly painted in highly tactile pink and flesh-toned lace rosettes. She exhibited it at the Bernice Steinbaum Gallery in New York in 1984 and drove it across the United States as a traveling exhibition in 1985. In 2016, she wrote her first play, Good Morning Miss America, which began its first theatrical run at CoHo Theatre in Portland, Oregon in March 2018.
Arnold J. Kemp is an American artist who works in painting, print, sculpture, and poetry. After graduating from Boston Latin School, Kemp received a BA/BFA from Tufts University and the School of the Museum of Fine Arts Boston, and an MFA from Stanford University.
Pat Boas is an American contemporary artist. She holds a Bachelor of Fine Arts degree from Pacific Northwest College of Art and a Master of Fine Arts degree from Portland State University, where she currently teaches and serves as the Director of the School of Art + Design.
Betty Feves (1918–1985) was an Oregon artist who helped shape the development of clay as an expressive medium in the years following World War II.
Kristan Kennedy is an American artist, curator, educator and arts administrator. Kennedy is co-artistic director and curator of visual art at the Portland Institute for Contemporary Art (PICA). She is based in Portland, Oregon, and has exhibited internationally, working with various media including sculpture and painting.
Fay Chong (1912–1973) was a Chinese-American artist and educator, well known for his printmaking and watercolor painting. He was also known for his activities as an arts organizer, arts educator and WPA-era artist. Chong was active in the Pacific Northwest.
Memory 99 is an outdoor steel sculpture by Lee Kelly, located at the North Park Blocks in downtown Portland, Oregon.
Cynthia Lahti is an American contemporary artist from Portland, Oregon, who works in many mediums: "from collage to ceramics, altered books, and painting".
Eunice Lulu Parsons, also known as Eunice Jensen Parsons, is an American modernist artist known for her collages. Parsons was born in Loma, Colorado, and currently lives in Portland, Oregon. She studied at the School of the Art Institute of Chicago and the Portland Museum Art School, where she also worked as a teacher for over 20 years.
Mack McFarland is a curator and artist living in Portland, Oregon. He is the Director of Center for Contemporary Art & Culture at Pacific Northwest College of Art.
Kurt Weiser is an American ceramicist and professor. His work—explorations of the relationship between man and nature through narratives rendered in vivid color—are described as "Eden-like." His work has often taken the form of teapots, vases, and cups, though he has recently begun crafting globes as well. Weiser is currently the Regents Professor at Arizona State University's School of Art.
Emily Ginsburg is a conceptual artist who lives in Portland, Oregon. She was selected for the Portland2016 Biennial by curator Michelle Grabner. And her work was noted as a highlight of the Oregon Biennial in 2006. Jennifer Gately, the curator of that Biennial, noted that Ginsburg's work, "reveals a deep interest in the signs and symbols of communication, scientific illustration, architectural notation, electronics, and the human nervous system." Ginsburg's "work often functions as a map or code for understanding an aspect of an individual or collective consciousness."
Heidi Schwegler is an American artist in Yucca Valley, California.
Brenda Mallory is a Native American visual/sculpture/mixed media/installation artist and a member of the Cherokee Nation. Her artwork ranges from small decorations to large sculptures and utilizes a variety of materials such as handmade papers, cloth, wax, and recycled objects.
George Johanson was a painter, printmaker, and ceramic tile artist. Johanson studied at the Museum Art School in Portland, Oregon, with further study in New York as well as London. He taught at the Museum Art School for 25 years until his retirement from teaching in 1980.
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