Diane Ward

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Diane Ward (born November 9, 1956) is a U.S. poet initially associated with the first wave of Language poetry in the 1970s and has actively published into the 21st century, maintaining a presence in various artistic communities for many decades. Born in Washington, DC where she attended the Corcoran School of Art, Ward currently lives in Santa Monica, California [1] where she taught poetry in public schools to 1st through 5th graders for many years. [2]

Santa Monica, California City in California

Santa Monica is a beachfront city in western Los Angeles County, California, United States. Situated on Santa Monica Bay, it is bordered on three sides by the city of Los Angeles – Pacific Palisades to the north, Brentwood on the northeast, West Los Angeles on the east, Mar Vista on the southeast, and Venice on the south. The Census Bureau population for Santa Monica in 2010 was 89,736.

Contents

Ward has published more than a dozen works of poetry and has been included in numerous anthologies, among them: Moving Borders and Out of Everywhere [1] along with selections published in The Norton Anthology of Postmodern American Poetry and From the Other Side of the Century. [3] She has read widely in the United States, including the District of Columbia Arts Center, Small Press Traffic at New College (San Francisco), The Bowery Poetry Club and The Poetry Project of St. Mark’s Church. Ward's work has appeared in dozens of small press publications, including: Crayon, Conjunctions , The Paris Review, Sulfur, and Raddle Moon. [1]

Poetry Form of literature

Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.

Postmodern American Poetry is a poetry anthology edited by Paul Hoover and published by W. W. Norton & Company in 1994. A substantially revised second edition in 2012 removed some poets and added many others, incorporating additional American poetry movements which came to prominence in the 21st century.

From the Other Side of the Century: "A New American Poetry, 1960-1990" is a poetry anthology published in 1994. It was edited by American poet and publisher Douglas Messerli – under his own imprint Sun and Moon Press ISBN 978-1-55713-131-7 – and includes poets from both the U.S. and Canada.

Ward has received considerable recognition for her work including the California Arts Council Artists Fellowship in Literature, a National Endowment for the Arts Creative Writing Fellowship, and the San Francisco State University Poetry Center’s Book of the Year Award. Several of her poems (including “Fade on Family”) have been set to music by the Los Angeles composer Michael Webster and she has collaborated with the avant-garde sound performer and musician, Emily Hay. [1]

National Endowment for the Arts

The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created by an act of the U.S. Congress in 1965 as an independent agency of the federal government. The NEA has its offices in Washington, D.C. It was awarded Tony Honors for Excellence in Theatre in 1995, as well as the Special Tony Award in 2016.

Selected bibliography

Michael C. McMillen is a sculptor, installation artist, and short filmmaker from Los Angeles, California.

Further Reading

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The National Poetry Foundation (NPF) is a book publisher founded in 1971 by Carroll F. Terrell who built its reputation with Burton Hatlen at the University of Maine in Orono. Today it publishes poetry by individual authors as well as both journals and scholarship devoted to Ezra Pound and poets in the Imagist and "Objectivist" traditions. It has also positioned itself as a center and host for international conferences on modern poetry.

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E-book Book-length publication in digital form

An electronic book, also known as an e-book or eBook, is a book publication made available in digital form, consisting of text, images, or both, readable on the flat-panel display of computers or other electronic devices. Although sometimes defined as "an electronic version of a printed book", some e-books exist without a printed equivalent. E-books can be read on dedicated e-reader devices, but also on any computer device that features a controllable viewing screen, including desktop computers, laptops, tablets and smartphones.

Related Research Articles

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References

  1. 1 2 3 4 "LA-Lit 8: Diane Ward". LA-Lit. 2006-02-05. Retrieved 2011-06-18.
  2. Silliman, Ron (2002). In The American Tree (revised ed.). Orono, Maine: The National Poetry Foundation. p. 606. ISBN   0-943373-51-4.
  3. "Doug Lang and Diane Ward at the "In Your Ear" reading series @ District of Columbia Arts Center". Dcpoetry.com. Retrieved 2011-06-18.
  4. this is a collaboration with installation artist Michael McMillen and contains Ward's poems in the original English as well as in Italian translation by Manuela Bruschini. McMillen's artwork is also featured
  5. This work is a collaboration in two parts: "In Conversation" (the text of a dialogue between Jane Sprague, Tina Darragh, and Diane Ward) followed by hybrid (ie., mixed genre/poetry/prose) texts. The second collaborative section begins with an untitled poem ("how you'll know me") followed by "WHAT IS THE MATTER?", and "s[oa]pitting dignity". This volume concludes with "Notes for 's[oa]pitting dignity'" and a bibliography. It also contains two photographs by Ward, including the jacket cover, of the Los Angeles River