Diggers | |
---|---|
Directed by | F. W. Thring |
Written by | Pat Hanna Eric Donaldson C. J. Dennis (dedication verses) |
Based on | stage show by Pat Hanna & Eric Donaldson |
Produced by | F. W. Thring |
Starring | Pat Hanna Joe Valli |
Cinematography | Arthur Higgins |
Production company | |
Distributed by | Fox (Australia) Universal (UK) |
Release date |
|
Running time | 61 minutes (Australia) |
Country | Australia |
Language | English |
Budget | £9,000 [2] or £7,000 [3] |
Box office | £20,000-£30,000 [3] |
Diggers is a 1931 Australian comedy film produced and directed by F. W. Thring starring popular stage comedian Pat Hanna. [4] It was the first feature film from both men.
The movie is based on Hanna's stage show, and is concerned with the adventures of Australian soldiers during World War I.
Two Australian 'cobbers', Chic and Joe, [5] attend a reunion 12 years after World War I and reminisce about their exploits together in France. They recall three incidents in particular. Firstly, the time they were in hospital and ingeniously feigned an illness to stay away from active service and the front line. Secondly, when the 'cobbers' attempt to steal rum from the British Army store. And finally, they recall relaxing in a French cafe while a fellow Digger romances the waitress (Eugenie Prescott). [6] [7]
NB: The George Moon above is George Moon Snr. Although well known in Australia during the 1920s for his dance partnership with Dan Morris (as Moon and Morris), he is now often confused with his son, British actor George Moon Jnr (father of actress Georgina Moon). For further details on George Moon Snr and Moon and Morris see Moon and Morris at Australian Variety Theatre Archive
The movie was part of Efftee Film Productions' initial group of pictures, including A Co-respondent's Course and The Haunted Barn . The cost of making these and establishing the studio came to £80,000. [8]
The script was adapted from Hanna's popular stage show. Eric Donaldson was the writer primarily responsible for adapting it to screen. [9]
The film was shot in Thring's studio in His Majesty's Theatre, Melbourne. A cast of over 200 people was used. [10]
According to Bert Nicholas, Arthur Higgins' assistant, Hanna and Thring often argued throughout the shoot. Hanna insisted that he was in nearly every shot of the film and insisted on the scenic model shots that Thring thought were unnecessary but which Hanna thought needed to tie everything together. [11]
However Thring prevailed in a disagreement about the structure of the movie. The original stage show consisted of the same reunion dinner and three flashback episodes, but in a different structure – it started with the attempt to steal rum, then dealt with the waitress romance, and finished with the hospital sketch. The film was shot in the same order but Thring restructured it during editing. These changes annoyed Hanna, who decided to form his own production company to make his follow up films, Diggers in Blighty (1933) and Waltzing Matilda (1933). [2]
Diggers was released in Melbourne on a double bill with the short A Co-respondent's Course . [12] Public response was at first poor but the film performed well in country areas. It was re-released in Melbourne on a double-bill with The Haunted Barn and was a success at the box office. [4] [13] Thring says that the movie earned £2,000 in one Melbourne theatre alone. [14] In 1938 Hanna estimated the film had earned between £20,000 and £30,000., [3]
The movie was also released in England where it achieved 400 bookings, less successful than Thring's later His Royal Highness. [15]
Thring's biographer Peter Fitzpatrick later wrote that:
Diggers is driven... by three things that made Hanna's concert parties a hit: the rapport between Chic, long and lean as the proverbial pull-through, and Joe, his little mate, as they battle authority in all its forms; George Moon's genius for physical comedy; and, above all, a delight in verbal gags built on the intrinsic slipperiness of language, especially as used by Chic and Joe. [16]
Francis William Thring IV was an Australian character actor in radio, stage, television and film; as well as a theatre director. His early career started in London in theatre productions, before he starred in Hollywood film, where he became best known for roles in Ben-Hur in 1959 and King of Kings in 1961. He was known for always wearing black and styling his home in black decor.
Efftee Studios was an early Australian film and theatre production studio, established by F.W. Thring in 1930. It existed until Thring's death in 1935. Initially Efftee Films was based in Melbourne and used optical sound equipment imported from the US.
His Royal Highness is a 1932 Australian musical film directed by F. W. Thring, also known as His Loyal Highness, starring George Wallace in his feature film debut. It was the first Australian film musical.
George Patrick "Pat" Hanna was a New Zealand-born film producer, he was a soldier of the First World War who entertained post-war audiences with the stage show Diggers, that was adapted to a film of the same title in 1931.
Harmony Row is a 1933 Australian musical comedy directed by F. W. Thring and starring popular stage comedian George Wallace. It marked the film debut of Bill Kerr.
A Ticket in Tatts is a 1934 musical comedy film starring popular stage comedian George Wallace as an accident-prone stablehand. It was the last of three films Wallace made for F. W. Thring.
Francis William Thring III, better known as F. W. Thring, was an Australian film director, producer, and exhibitor. He has been credited with the invention of the clapperboard.
Waltzing Matilda is a 1933 Australian film directed by and starring Pat Hanna. It features Coral Browne.
Diggers in Blighty is a 1933 Australian film starring and directed by Pat Hanna. Hanna decided to direct this film himself after being unhappy with how F. W. Thring had handled Diggers (1931).
Joseph George McParlane, known as Joe Valli, was a Scottish-Australian actor who worked in vaudeville and films. He had a long-running vaudeville partnership with Pat Hanna as "Chic and Joe".
The Streets of London is a 1934 Australian film directed by F. W. Thring. It was a filmed version of a play by Dion Boucicault which Thring had produced on stage the previous year. It was the last film made by Efftee Film Productions – Thring ceased production afterwards with the aim of resuming it later but died in 1936 before he had the chance.
Clara Gibbings is a 1934 Australian film directed by F.W. Thring about the owner of a London pub who discovers she is the daughter of an earl. It was a vehicle for stage star Dorothy Brunton.
The Sentimental Bloke is a 1932 Australian film directed by F. W. Thring and starring Cecil Scott and Ray Fisher. It is an adaptation of the 1915 novel Songs of a Sentimental Bloke by C. J. Dennis, which had previously been filmed in 1919.
Collits' Inn is an Australian musical play with music by Varney Monk. Its first staging was in December 1932 at the Savoy Theatre in Sydney. The 1933 Melbourne production at the Princess Theatre was the first fully professional production, presented by F. W. Thring and starring Gladys Moncrieff, George Wallace, Claude Flemming and Campbell Copelin. Wallace's role was created especially for him. It is generally considered the first commercially successful Australian musical, and it was praised by the Sydney Morning Herald as "an Australian opera".
Sheepmates was a proposed Australian film from director F. W. Thring based on a 1931 novel by William Hatfield. It commenced filming in 1933 but was abandoned.
When the Kellys Were Out is a 1923 Australian feature-length film directed by Harry Southwell about Ned Kelly. Only part of the film survives today.
The Haunted Barn is a short 1931 Australian comedy film produced by F.W. Thring directed by Gregan McMahon. It was one of the first productions by Thring's Efftee Studios. The film was produced to support of the feature Diggers (1931) and shown on the same bill.
A Co-respondent's Course is a short 1931 Australian film. The screenplay was written by Montague Grover (1870–1943), an experienced journalist. The film was the first film made by Efftee Studios, a production company owned by F.W. Thring, the first Australian narrative film to be completed with an optical soundtrack and part of the first all-Australian full-length unit programme to be screened in Australia.
Out of the Shadows was an unfinished 1931 feature film from A. R. Harwood. He made it after a number of years of working in distribution with the intention of producing Australia's first talking motion picture. The script was by J. Summers, "a Victorian who has had experience in Hollywood".
Lance Fairfax was a singer and actor from New Zealand, classed as a light baritone, who had a substantial career in Australia.