Efftee Studios was an early Australian film and theatre production studio, established by F.W. Thring in 1930. It existed until Thring's death in 1935. Initially Efftee Films was based in Melbourne and used optical sound equipment imported from the US.
Uncivilised is a 1936 Australian film directed by Charles Chauvel. It was an attempt by Chauvel to make a more obviously commercial film, and was clearly influenced by Tarzan.
His Royal Highness is a 1932 Australian musical film directed by F. W. Thring, also known as His Loyal Highness, starring George Wallace in his feature film debut. It was the first Australian film musical.
Francis William Thring III, better known as F. W. Thring, was an Australian film director, producer, and exhibitor. He has been credited with the invention of the clapperboard.
Fellers is a 1930 Australian comedy about three friends in the Australian Light Horse during the Palestine Campaign of World War I starring Arthur Tauchert, who was the lead in The Sentimental Bloke (1919). The film is mostly silent with a recorded music score as an accompaniment, but the last reel was synchronised with a few minutes of dialogue and a song.
The Hayseeds is a 1933 Australian musical comedy from Beaumont Smith. It centres on the rural family, the Hayseeds, about whom Smith had previously made six silent films, starting with Our Friends, the Hayseeds (1917). He retired from directing in 1925 but decided to revive the series in the wake of the box office success of On Our Selection (1932). It was the first starring role in a movie for stage actor Cecil Kellaway.
Joseph George McParlane, known as Joe Valli, was a Scottish-Australian actor who worked in vaudeville and films. He had a long-running vaudeville partnership with Pat Hanna as "Chic and Joe".
Sheepmates was a proposed Australian film from director F. W. Thring based on a 1931 novel by William Hatfield. It commenced filming in 1933 but was abandoned.
Fisher's Ghost is a 1924 Australian silent film directed by Raymond Longford based on the legend of Fisher's Ghost. It is considered a lost film.
The Bushwhackers is a 1925 Australian silent film directed by Raymond Longford loosely based on Alfred Tennyson's 1864 poem Enoch Arden. It is considered a lost film.
Sunrise is a 1927 Australian silent film co-directed by Raymond Longford, who took over during filming.
A Rough Passage is a 1922 Australian silent film directed by Franklyn Barrett based on the novel by Arthur Wright. It was Barrett's final feature and is considered a lost film.
The Sealed Room is a 1926 Australian silent film directed by and starring Arthur Shirley. It is considered a lost film.
The Tenth Straw is a 1926 Australian silent film heavily inspired by the novel For the Term of His Natural Life. Little is known of the director and cast, but most of the film survives today.
The Price is a 1924 Australian silent film made with a largely amateur cast under the direction of Dunstan Webb. It is considered a lost film.
Dope is a 1924 Australian silent film about a respected citizen who is blackmailed by someone from his past. It is considered a lost film.
The Life Story of John Lee, or the Man They Could Not Hang is a 1921 Australian silent film based on the true life story of John Babbacombe Lee. It is a remake of a 1912 film with some extra scenes of Lee's childhood.
John P. McLeod was an Australian writer and broadcaster. For a time he was an in-house screenwriter for F.W. Thring at Efftee Studios.
A Co-respondent's Course is a short 1931 Australian film. The screenplay was written by Montague Grover (1870–1943), an experienced journalist. The film was the first film made by Efftee Studios, a production company owned by F.W. Thring, the first Australian narrative film to be completed with an optical soundtrack and part of the first all-Australian full-length unit programme to be screened in Australia.
The Australian Film Syndicate was a short lived Australian film production company based in North Sydney. According to novelist Arthur Wright, "A local draper put a lot of money into it, and lost it; though all the films produced were not 'duds.' One which paid its way well was an adaptation of my novel, Gamblers Gold."
