Tour by Lali | |
Start date | June 23, 2022 |
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End date | April 8, 2023 |
Legs | 4 |
No. of shows |
|
Attendance | 0.5 million (27 shows) [1] |
Lali concert chronology |
The Disciplina Tour was the fifth concert tour by Argentine singer Lali. The tour saw multiple songs performed for the first time live, including those from her fourth studio album, Libra (2020) and songs belonging to her fifth studio album, Lali (2023), such as "Disciplina", "Diva" and "N5". It began on 23 June 2022 and it travelled across Latin America, Europe and Asia, concluding on 8 April 2023.
In March 2023, Lali became the first Argentine woman to ever sold out the fifty-thousand-seat José Amalfitani Stadium with the Disciplina Tour. The show was broadcast live on the TV special Disciplina Tour Live from Buenos Aires on Star+ and Disney+. [2]
The Disciplina Tour marks Lali's comeback to performing live after closing her Brava Tour in Washington, D.C. back in November 2019. In 2020, Lali released her fourth studio album, Libra . Although intentions for touring were expressed, a proper tour could not be planned due to COVID-19 restrictions. In early 2022, after over a year without releasing new music, Lali released three singles consecutively: "Disciplina", "Diva" and "Como Tú", and confirmed that she would tour sometime that year, adding to an increasing anticipation for her new tour. On 4 April 2022, Lali finally announced the first date of the Disciplina Tour, which would take place on 23 June 2022 at the Luna Park Arena in Buenos Aires. [3] The show sold out in less than three hours, forcing a new date to be added for the following day. [4] When that show also sold out within hours, Lali announced a new date in the city, though this time the show would take place in a bigger venue, the Buenos Aires's Movistar Arena, which also sold out immediately. [5] On 22 May 2022, the singer announced the first Argentine dates for the tour, which included stops in Mendoza, Mar del Plata, La Plata, Córdoba, and Rosario, among others. [6]
From the beginning, the tour has received favorable reviews from the critic. In a positive review for Clarín , Marcelo Fernández Bitar described Lali as "a complete and talented show-woman, a hurricane capable of delivering a show of international nature, similar to those by Britney [Spears] or Madonna." [7] Another positive opinion came from Juana Giaimo of Rolling Stone , who mentioned that during the show's development, "[Lali's] professionalism was clear in every step she took and it was clear in her voice that she has talent but also the ability to keep on singing with the same energy even while she danced." [8] Martín Pérez of Diario Show highlighted Lali's maturity on stage and the repertoire selection as well as the choreographies and the live band. [9] Similar thoughts were published by Mercedes Paz of Filo News, who pointed out that the most mesmerizing aspect of the concert were the choreographies, the multiple costume changes, the new versions of her songs, and the staging. [10] Rocío Pascual of Red Boing gave out a similar response, saying that the show had been "a combination of millimetrically planned elements that gave life to something that up until then had not existed in Argentina." [11] Similarly, Sofía Olivera of Gente ended her review saying that "once again, Lali showed that the charismatic and brave girl [...] is one of the biggest stars of new pop in Argentina." [12] Diario Uno's Gabriel Soto wrote a review on the show in Mendoza and praised the show and its scenography and dancers, but admitted that it was not enough as regards vocals. [13] On the other hand, Antonella Ramírez of Los Andes named Lali the "queen of Argentine pop" and highlighted the performances of "Ego" and "No Estoy Sola", referring to them as two of the most emotional moments of the night. [14] Moreover, it was written in Mar del Plata's newspaper La Capital the show as "powerful and avant-garde." [15] Reviewing the show for Aire Digital, Florencia Rosa defined the concert of Santa Fe as "a show of international quality, with musicians of excellence and dancers that showed talent in every genre" and said that Lali "did not stop smiling to the concert goers." [16] Juan Manuel Pairone from Córdoba's newspaper La Voz del Interior described the concert as "an astonishing visual setting [with] multiple costume and setting changes" and complemented the review singling out "Disciplina" as "the most electronic part of the show", comparing the performance to those by Beyoncé or Lady Gaga. [17] Daniela Barreiro of El Ciudadano reviewed the show of Rosario and remarked the concert and Lali's interaction with the attendants. She also praised the visibility and support from Lali to the trans-non-binary collective from Santa Fe. [18] Nicolás Sánchez Picón also wrote a review for La Gaceta and praised the show and its set list, especially during "Diva", affirming that "what Lali does reminds [people] of the greatest pop icons." [19]
Belén Fourment of Uruguayan newspaper El País reviewed the show of Montevideo. She described Lali as "a pop monster of extraordinary dimensions" and commented that "being the best pop artist of the region has its cost and [Lali] pays it with an absolute delivery that displays her as an indisputable international figure." [20] On her review for Soho Kulture, Carolina Rodríguez highlighted the show's production, choreographies and outfit changes, and held that "Lali has a small physical complexion, but on stage she is a giant." [21]
Following the show in Santiago, Scarleth Nuñez of Agenda Pop praised Vesta Lugg's opening act and stated that "Lali shows that she can sing as good as she sings," although she singled out that "the only problem with the show is the space between songs, in which she simply disappears and nothing happens on stage." [22]
In his review of the Madrid concert, Mario Caridad Sánchez of Los 40 described it as "an authentic electro-pop party that exceeded every expectation" and said that "from the very first moments, [her fans] showed devotion and emotion that would follow the singer throughout the rest of the night." [23] Borja Arana of La Casa de Música wrote that the "Disciplina Tour invites you to total devotion; it is pure energy". He added that "the sensuality of the music on this show is one of its greatest pillars; it does not seek sexualization but energy." [24]
As for the first Tel Aviv concert, Nofar Rotem of the Israeli website Frogi wrote that "Lali delivered an inverted and energetic performance." [25]
Year | Dates | Venue | Country | Description | Ref. |
---|---|---|---|---|---|
2023 | March 4 | José Amalfitani Stadium | Argentina | First female Argentine act to sell out a show on its full capacity. | [2] |
This set list is representative of the show on 23 June 2022 in Buenos Aires. It is not representative of all concerts for the duration of the tour. [26]
|
Date | City | Country | Venue | |||
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Latin America [30] | ||||||
23 June 2022 | Buenos Aires | Argentina | Luna Park | |||
24 June 2022 | ||||||
9 July 2022 | Mendoza | Arena Maipú | ||||
10 July 2022 | Villa Mercedes | Anfiteatro La Pedrera | ||||
15 July 2022 | Bahía Blanca | Estadio Osvaldo Casanova | ||||
16 July 2022 | Mar del Plata | Estadio Once Unidos | ||||
17 July 2022 | La Plata | Estadio Atenas | ||||
22 July 2022 | Santa Fe | Estación Belgrano | ||||
30 July 2022 | Córdoba | Plaza de la Música | ||||
31 July 2022 | Rosario | Metropolitano | ||||
4 August 2022 | Salta | Teatro Provincial | ||||
5 August 2022 | ||||||
6 August 2022 | Tucumán | Estadio Central Córdoba | ||||
13 August 2022 | Montevideo | Uruguay | Antel Arena | |||
18 August 2022 | Santiago | Chile | Teatro Caupolicán | |||
20 August 2022 | Río Cuarto | Argentina | Costanera Opus | |||
27 August 2022 | Buenos Aires | Movistar Arena | ||||
9 September 2022 [lower-alpha 1] | Laguna Blanca | Polideportivo Municipal Evita | ||||
Europe and Asia [32] | ||||||
22 September 2022 | Madrid | Spain | La Riviera | |||
24 September 2022 | Málaga | Sala París 15 | ||||
25 September 2022 | Barcelona | Sala Razzmatazz | ||||
28 September 2022 | Tel Aviv | Israel | Kav Rakia | |||
29 September 2022 | ||||||
South America [32] | ||||||
6 November 2022 [upper-alpha 1] | Neuquén | Argentina | Estadio Ruca Che | |||
8 November 2022 [upper-alpha 2] | Trelew | Gimnasio Municipal | ||||
12 November 2022 [lower-alpha 2] | Lomas de Zamora | Parque Eva Perón | ||||
19 November 2022 | Corrientes | Estadio Boca Unidos | ||||
3 December 2022 | Buenos Aires | Movistar Arena | ||||
4 December 2022 | ||||||
Latin America | ||||||
9 February 2023 [lower-alpha 3] | La Rioja | Argentina | Autódromo de La Rioja | |||
12 February 2023 [lower-alpha 4] | Villa María | Anfiteatro Villa María | ||||
15 February 2023 [lower-alpha 5] | Neuquén | Parque Natural Isla 132 | ||||
18 February 2023 [lower-alpha 6] | El Calafate | Anfiteatro del Lago | ||||
24 February 2023 [lower-alpha 7] | San Juan | Costanera Complejo Ferial | ||||
4 March 2023 | Buenos Aires | José Amalfitani Stadium | ||||
6 March 2023 [lower-alpha 8] | Mendoza | Teatro Griego | ||||
19 March 2023 [lower-alpha 9] | Montevideo | Uruguay | Rambla Presidente Wilson | |||
8 April 2023 [lower-alpha 10] | San José | Guatemala | Puerto San José |
Date | City | Country | Venue | Reason |
---|---|---|---|---|
28 October 2022 | Caleta Olivia | Argentina | Complejo Ingeniero Knudsen | Unknown |
5 April 2023 [upper-alpha 3] | Lima | Peru | Arena Perú | Venue was closed down [44] |
Disciplina Tour Live from Buenos Aires | |
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Directed by | Demian Saiegh Cortizas |
Produced by |
|
Starring | Lali |
Edited by | Rodrigo Zanchez Armentano |
Production company | El Bajo Producciones |
Distributed by | |
Release date |
|
Running time | 180 minutes |
Country | Argentina |
Language | Spanish |
Disciplina Tour Live from Buenos Aires [45] is a concert film that was broadcast live exclusively on Star+ and Disney+ on March 4, 2023. The film follows Argentine singer Lali's performance at José Amalfitani Stadium in Buenos Aires, Argentina on her record-breaking headlining concert tour, the Disciplina Tour. [2] [46]
After giving a complete overview of the show, Milagros Amondaray of La Nación labelled it as "monumental". At the end of her rexiew, Amondaray wrote: "Amidst fireworks, colleagues hugging out, ecstatic choreographies [and] changing outfits, it could have been possible that the 50,000 people that where present got easily distracted with everything that surrounded the star of the night. However, it is difficult to gt distracted when Lali performs, dances, feels and demonstrates that it is not necessary to buy her any sparkle[;] she was born with extra ones," [28] in reference to her single "Cómprame un Brishito" (Spanish for "buy me a little sparkle").
From her very first pop record effort, A Bailar , [Lali] was destined for great things in a genre in which she shines with the charisma that splashed over every aesthetic decision of a monumental show.
On a similar tone, Lucas Terrazas gave the show a positive review after saying that Lali "shone onstage" and labelling the night as "historic" and "unforgettable". [47] Billboard Argentina highlighted Lali's changing and dazzling outfits and singled out the energy and emotion that could be felt in the stadium when she performed some of her most popular ballads on the B-stage. [48] In his review for Página 12 , Martín Olavarría labelled the show as "electrifying" and pointed out that the staging resembled the industrial settings of classical films like Metrópolis and Modern Times . Finally, he called Lali the "true queen of Argetnine pop". [49] Also for Página 12, Camila Caamaño wrote that the show resembled Shakira's MTV Unplugged due to the dancers, live band, leather outfits and red-dyed hair, and chose Lali's dancing skills as the show's highlight. [50] In his positive review for Clarín , Nicolás López wrote that with her freedom and confidence onstage, Lali displayed what she truly is: "Argentine pop's greatest diva". [51] After calling her "funny, energetic and expert", Mercedes Paz of Filo News expressed that Lali performed at one of her most important with an apparent easiness and effectivity with which she makes being the most important contemporary pop artist of her generation seem like an easy task". [52]
Thirty songs were performed in the following order in the broadcast: [28]
Notes for rescheduled shows
Notes for festival appearances
Miranda! is an Argentine electropop band formed in Buenos Aires in 2001. Original band members include Alejandro Sergi, Juliana Gattas, Lolo Fuentes (guitar), Bruno de Vincenti (programming), and Nicolás Grimaldi (bass). It is currently a duo between Sergi and Gattas.
Mariana "Lali" Espósito is an Argentine singer, actress, dancer, and model. She began her career in 2003 in the children's telenovela Rincón de Luz. Espósito continued to build her acting and singing career with subsequent supporting roles in other telenovelas such as Floricienta and Chiquititas. However, it was her main role in the telenovela Casi Ángeles that really propelled her to fame, making her a household name in Latin America, the Middle East, and Europe. From 2007 to 2012, she was a part of the popular teen pop band Teen Angels, which originated from the television series Casi Ángeles. The group was commercially successful and toured throughout Argentina and countries such as Israel, Spain, Italy, and Latin America.
The A Bailar Tour was the first headlining concert tour by Argentine singer Lali in support of her debut studio album, A Bailar (2014). The tour began on April 19, 2014, in Buenos Aires and concluded in on April 25, 2016, Tel Aviv. It was the highest-grossing tour of 2015 in Argentina.
Argentine singer Lali has released five studio albums, two extended plays, two live albums, one soundtrack album, forty-six singles and twelve promotional singles. Lali first appeared on the track "No Digas Nada" for the soundtrack Rincón de Luz in 2003. From 2007 to 2012, the singer was part of the pop-group Teen Angels, derived from the television series Casi Ángeles, which recorded five studio albums, two compilation albums, three live albums and sixteen singles. The albums received gold and platinum certifications in Argentina and Spain. In 2013, one year after the group's disbandment, Lali announced her solo career.
Argentine actress and singer Lali Espósito has featured in forty-two music videos, seven films, eleven television series, six web series and multiple commercials. She has also directed the trailer for a TV series and two of her videoclips. She achieved early fame when she appeared in the Telefe television series Casi Ángeles. From 2007 to 2012, Espósito was part of the teen band Teen Angels, alongside Peter Lanzani, María Eugenia Suárez, Gastón Dalmau, Nicolás Riera and Rocío Igarzábal.
Soy is the second studio album by Argentine singer Lali. It was released on 20 May 2016 by Sony Music Entertainment Argentina. The album is the follow-up to her debut studio album A Bailar (2014). The album's lead single and title track "Soy" was released on 5 May 2016. It received a nomination for Best Female Pop Album at the 2017 Gardel Awards.
The Soy Tour was the second headlining concert tour by Argentine singer Lali, in support of her second studio album, Soy (2016). The tour began on September 8, 2016 in Buenos Aires at the Opera Allianz Theatre and ended on June 17, 2017, in Santiago at Teatro Teletón.
"Una Na" is a song recorded by Argentine singer Lali. She co-wrote the song with Cuban songwriter Andy Clay and its producers Peter Akselrad, Luis Burgio and Nano Novello, from the production company 3musica. It was released on July 28, 2017, through Sony Music Argentina, as the first single from her third studio album, Brava. The song became the Espósito's second No. 1 hit on the Argentina Lista 40
Lali en Vivo was a headlining concert tour by Argentine singer Lali Espósito. It was Espósito's third headlining tour, and the second one in support of her second studio album, Soy (2016). The tour began on November 3, 2017, in Buenos Aires, and concluded on July 28, 2018, in Barcelona.
Brava is the third studio album by Argentine singer Lali. It was released on 10 August 2018, through Sony Music Argentina. The album is the follow-up to her second studio album Soy (2016), and features guest appearances from Reik, Pabllo Vittar, A.CHAL, Abraham Mateo and Mau y Ricky.
The Brava Tour was the fourth headlining concert tour by Argentine singer Lali, in support of her third studio album, Brava (2018). The tour began on August 23, 2018, in Buenos Aires and concluded on November 7, 2019, in Washington, D.C.
"Laligera" is a song by Argentine singer Lali, released as the lead single from her fourth studio album, Libra (2020). The song was released on October 10, 2019, on Lali's 28th birthday. The track was written by Lali, Rec808 and Gino the Ghost, along with its producers Rafael Arcaute, Federico Vindver and Ángel López.
"Ladrón" is a song by Argentine singer Lali and Argentine rapper Cazzu, from Lali's fourth studio album, Libra (2020). It was written by Lali, Cazzu, FMK and its producer Big One. Through Sony Music Argentina, the song was released exactly one hour before Lali surprise-released Libra on November 12, 2020.
"Disciplina" (transl. "discipline") is a song recorded by Argentine singer Lali. The song was released by Sony Music Argentina on January 12, 2022, as the lead single from Lali's fifth studio album, Lali (2023). The song was written by Lali, Martín D'Agosto, Dano, and Mauro De Tommaso, and produced by the latter two.
"Diva" is a song recorded by Argentine singer Lali. The song was released by Sony Music Argentina on January 27, 2022, as the second single from Lali's fifth studio album, Lali (2023). The song was written by Lali, Martín D'Agosto, Dano, and Mauro De Tommaso, and produced by the latter two. It was the second release from Lali's 2022 singles trilogy following "Disciplina" and preceding "Como Tú".
"N5" is a song recorded by Argentine singer Lali. The song was released by Sony Music Argentina on 22 June 2022, as the fourth single from Lali's fifth studio album, Lali (2023). The song was written by Lali, Martín D'Agosto and its producer Mauro De Tommaso. The song's title references the famous perfume Chanel No. 5 by Coco Chanel.
Lali is the fifth studio album by Argentine singer Lali. It was released on 13 April 2023 by Sony Music Argentina. The album was mostly written by Lali, Galán and Mauro De Tommaso, who also produced it. An extended edition of the album including two new tracks was released on 12 December 2023.
The Lali Tour was the sixth concert tour by Argentine singer Lali in support of her 2023 homonymous fifth studio album. It began on June 23, 2023, in Vienne, France at Theatre Antique, and concluded on September 16, 2023, in Buenos Aires, Argentina at Hipódromo de Palermo. The tour travelled across Spain, Italy, Switzerland, Mexico, Israel and Argentina.
"Quiénes Son?" is a song by Argentine singer Lali, taken from her fifth studio album, Lali (2023). The song was written by Lali, Galán and its producer, Mauro De Tommaso. The title references a phrase said by Argentine actress Moria Casán during a 2012 television interview. Lyrically, the song was described as "a sarcastic ode against online hate culture". The track was released digitally on 27 July 2023 as the album's ninth and final single.
"Como Tú" is a song by Argentine singer Lali. It was released on 10 February 2022 by Sony Music Argentina as the third single from the singer's fifth studio album Lali (2023). It was written by Lali, Galán, and its producer Mauro De Tommaso. Lyrically, the song is about an unconditional, unique and strong love.