The Ottoman Empire, historically and colloquially known as the Turkish Empire, was an imperial realm centred in Anatolia that controlled much of Southeast Europe, West Asia, and North Africa from the 14th to early 20th centuries; it also controlled parts of southeastern Central Europe between the early 16th and early 18th centuries.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (adhan) from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
Abdülmecid II or Abdulmejid II was the last Ottoman caliph, the only caliph of the Republic of Turkey, and head of the Osmanoğlu family from 1926 to 1944. As opposed to previous caliphs, he used the title Halîfe-i Müslimîn, instead of Emîrü'l-Mü'minîn.
A hammam, called a Moorish bath and a Turkish bath by Westerners, is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model of the Roman thermae. Muslim bathhouses or hammams were historically found across the Middle East, North Africa, al-Andalus, Central Asia, the Indian subcontinent, and in Southeastern Europe under Ottoman rule.
A caravanserai was a roadside inn where travelers (caravaners) could rest and recover from the day's journey. Caravanserais supported the flow of commerce, information and people across the network of trade routes covering Asia, North Africa and Southeast Europe, most notably the Silk Road. Often located along rural roads in the countryside, urban versions of caravanserais were also historically common in cities throughout the Islamic world, and were often called other names such as khan, wikala, or funduq.
Ahmad al-Mansur was the Saadi Sultan of Morocco from 1578 to his death in 1603, the sixth and most famous of all rulers of the Saadis. Ahmad al-Mansur was an important figure in both Europe and Africa in the sixteenth century. His powerful army and strategic location made him an important power player in the late Renaissance period. He has been described as "a man of profound Islamic learning, a lover of books, calligraphy and mathematics, as well as a connoisseur of mystical texts and a lover of scholarly discussions."
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
The Istanbul Archaeology Museums are a group of three archaeological museums located in the Eminönü quarter of Istanbul, Turkey, near Gülhane Park and Topkapı Palace. These museums house over one million objects from nearly all periods and civilizations in world history.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
Moorish architecture is a style within Islamic architecture which developed in the western Islamic world, including al-Andalus and what is now Morocco, Algeria, and Tunisia. Scholarly references on Islamic architecture often refer to this architectural tradition in terms such as architecture of the Islamic West or architecture of the Western Islamic lands. The use of the term "Moorish" comes from the historical Western European designation of the Muslim inhabitants of these regions as "Moors". Some references on Islamic art and architecture consider this term to be outdated or contested.
There have been many architectural styles used in Egyptian buildings over the centuries, including Ancient Egyptian architecture, Greco-Roman architecture, Islamic architecture, and modern architecture.
The Turkish and Islamic Arts Museum is a museum located in Sultanahmet Square in Fatih district of Istanbul, Turkey. Constructed in 1524, the building was formerly the palace of Pargalı Ibrahim Pasha, who was the second grand vizier to Suleiman the Magnificent, and was once thought to have been the husband of the Sultan's sister, Hatice Sultan.
Abdullah Cevdet was an Ottoman Kurdish intellectual and physician. He was one of the founders of the Committee of Union and Progress (CUP) and wrote articles with pen name of "Bir Kürd" for the publications such as Meşveret, Kurdistan and Roji Kurd about Kurdish awakening and nationalism. In 1908, he joined the Democratic Party which merged with the Freedom and Accord Party in 1911. He was also a translator, radical free-thinker, and an ideologist of the CUP until 1908.
Moralı Damat Hasan Pasha was a Grand Vizier of the Ottoman Empire of Greek origin. He was also a two-time governor of Egypt.
Ferhadija Mosque, also known as Ferhat Pasha Mosque, is a central building in the city of Sarajevo built by Bosnian Sanjak-bey (governor) Ferhad-beg Vuković, a descendant of the famous mediaeval Vuković family. This mosque has one dome above the prayer area and three small domes at the cloister and is one of the greatest achievements of Bosnia and Herzegovina’s 16th century Ottoman and Islamic architecture.
Anatolian Seljuk architecture, or simply Seljuk architecture, refers to building activity that took place under the Sultanate of Rum, ruled by an offshoot of the Seljuk dynasty that emerged from the Great Seljuk Empire alongside various other local dynasties. The Anatolian Seljuks patronized their own tradition of architecture whose surviving examples are generally found in present-day Turkey. Anatolian Seljuk architecture was eclectic and influenced by multiple traditions including Armenian, Byzantine, Iranian, and Syrian architecture. Unlike earlier Great Seljuk architecture to the east, their buildings were generally constructed in stone and featured significant stone-carved decoration as well as tile decoration. While the Seljuk Sultanate declined and ended in the late 13th century, architecture continued to flourish and diversify under the smaller Beylik states in Anatolia, which included the early Ottomans.
The architecture of Algeria encompasses a diverse history influenced by a number of internal and external forces, including the Roman Empire, Muslim conquest of the Maghreb, French colonization, and movements for Algerian independence.
The architecture of Tunisia began with the ancient civilizations such as the Carthaginians, Numidians, and Romans. After the 7th century, Islamic architecture developed in the region under a succession of dynasties and empires. In the late 19th century French colonial rule introduced European architecture, and modern architecture became common in the second half of the 20th century. The southern regions of the country are also home to diverse examples of local vernacular architecture used by the Berber (Amazigh) population.
Africaportal