Dogon A.D. | ||||
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Studio album by | ||||
Released | 1972 | |||
Recorded | February 1972; Archway Studios, St. Louis | |||
Genre | Avant-garde jazz | |||
Label | Freedom | |||
Producer | Julius Hemphill | |||
Julius Hemphill chronology | ||||
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Dogon A.D. is an album by saxophonist Julius Hemphill. It was recorded in February 1972 in St. Louis, Missouri, and was initially released on LP in limited quantities later that year by Hemphill's own Mbari Records, a label he created for the express purpose of issuing his own music. [1] [2] The album was reissued on LP by the Freedom label in 1977, and was reissued on CD in 2011, with extra liner notes and reproductions of the artwork from both the Mbari and Freedom releases, by International Phonograph. [2] [3] A fourth track from the recording session, titled "Hard Blues," and featuring guest saxophonist Hamiet Bluiett, was originally released on Hemphill's 1975 album Coon Bid'ness , [4] and was included as a bonus track on the 2011 reissue of Dogon A.D., bringing together all the music from the session. [5] [6]
The title of the album stems from Hemphill's fascination with the art and culture of the Dogon people of West Africa. "A.D." refers to the Dogon's "adapted dance," in which they modified some of their ceremonies with the goal of presenting them to Western visitors. [7]
According to author Benjamin Looker, several of the musicians who were scheduled to participate in the recording session, fellow members of the Black Artists Group (BAG), failed to show up, leaving Hemphill with a quartet. In addition, some of the recording equipment failed to work properly. Despite these challenges, the group managed to produce what Looker called "an almost accidental classic." He wrote: "that February day in the studio, with the malfunctioning equipment and the truant musicians, stands proxy for the individual creative energy released and replenished by BAG. The Dogon A.D. project turned out to be emblematic of the collective's musical program, embodying both an economic and an aesthetic rejoinder to the era's social and musical challenges." [1]
Review scores | |
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Source | Rating |
AllMusic | [8] |
All About Jazz | [3] |
The Absolute Sound | [9] |
AllMusic awarded the album 5 stars, and Scott Yanow stated: "This historic album features four then-unknowns on three lengthy avant-garde explorations that were quite influential... This important music is better to be heard than described". [8]
Mike Shanley of Jazz Times commented: "Dogon A.D. suffers from sonic shortcomings inherent in the original tapes, with distortion and static popping up in a few places. Grin and bear it though, because this music is worth it." [2]
In a review for All About Jazz , Troy Collins described the album as an "historic masterpiece," stating that it "is widely considered the missing link between the avant-garde and populist forms such as blues, funk and soul," and writing: "Dogon A.D. is a timeless masterwork culled from the crossroads of African-American music traditions." [3]
Writing for The Absolute Sound , Duck Baker remarked: "Abdul Wadud... could make his axe combine the functions of a jazz bass and a Mississippi Delta guitarist. Drummer Philip Wilson and trumpeter Baikida Carroll fit in perfectly, with the horns blowing long but strongly-rooted solos over Wadud's insistent bass figures and Wilson's spare commentary." [9]
In an article for NPR , Kevin Whitehead referred to Dogon A.D. as "one of the startling jazz recordings of the 1970s, a rethinking of possibilities open to the avant-garde," and commented: "Hemphill made other great albums on his own... But none had quite the impact of Dogon A.D. Almost 40 years later, it's still a revelation." [10]
Burning Ambulance's Phil Freeman stated: "Minor sonic flaws aside, this is a must-own for any fan of jazz's rougher edges. Basically, if you're coming to this site on any kind of regular basis, you need to own this album. [6]
Ed Hazell of Point of Departure stated: "Few albums have ever announced so unequivocally the arrival of a major new talent; it's simply one of the most vital and exciting jazz albums ever recorded... Not only is the playing at a very high level of virtuosity, but Hemphill's concept of the small jazz band betrays serious consideration of the sound, balance, and role of the instruments." Regarding the 2011 reissue, he wrote: "Hearing the complete session on one disc only emphasizes what a historically important date this session is. The album is simply a masterpiece." [11]
All compositions by Julius Hemphill
The World Saxophone Quartet is an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music.
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
The Black Artists Group (BAG) was a multidisciplinary arts collective that existed in St. Louis, Missouri, from 1968 to 1972. BAG is known for the convergence of free jazz and experimental theater.
Abdul Wadud was an American cellist known for his work in jazz and classical settings. Jazz musician and fellow composer Tomeka Reid hailed Abdul Wadud's "Camille" in a 2020 feature in the New York Times on music that one could play to make friends fall in love with the cello.
Baikida Carroll is an American jazz trumpeter.
Coon Bid'ness is an album released by Julius Hemphill in 1975 on Arista featuring performances by Hemphill, Baikida Carroll, Abdul Wadud, Phillip Wilson, Arthur Blythe, Barry Altschul and Daniel Zebulon. The final track, "The Hard Blues," was recorded at the same recording session as Hemphill's debut album Dogon A.D.. After Hemphill's death in 1995, Freedom Records re-released the album as a CD under the name Reflections.
Steppin' with the World Saxophone Quartet is an album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label in 1979. The album features performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Revue is an album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label. The album features performances and compositions by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
W.S.Q. is a 1980 album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label. The album features performances and compositions by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Live in Zurich is an album by the jazz group the World Saxophone Quartet recorded in 1981 and released on the Italian Black Saint label.
Live at Brooklyn Academy of Music is a live album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label.
Dances and Ballads is an album by the jazz group the World Saxophone Quartet, released in 1988 and featuring performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Rhythm and Blues is an album by the jazz group the World Saxophone Quartet released on the Elektra label. The album features performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray and was first released in 1989.
Requiem for Julius is an album by the jazz group the World Saxophone Quartet released by the Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray and is dedicated to the band's founding member Julius Hemphill.
Metamorphosis is an album by the jazz group the World Saxophone Quartet released in 1990 on the Elektra/Nonesuch label and features performances by Hamiet Bluiett, Arthur Blythe, Oliver Lake and David Murray with Chief Bey, Melvin Gibbs and Mor Thiam. It was the first album recorded by the group after the departure of foundation member Julius Hemphill and their first to feature additional musicians.
Four Now is an album by the jazz group the World Saxophone Quartet, released by the Canadian Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray, with guests Chief Bey, Mor Thiam, and Mar Gueye on African drums.
Phillip Sanford Wilson was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.
Raw Materials and Residuals is an album by jazz saxophonist Julius Hemphill featuring cellist Abdul Wadud and percussionist Don Moye recorded in 1977 for the Italian Black Saint label.
Wildflowers: The New York Loft Jazz Sessions is a series of five albums recorded May 14–23, 1976 at Studio Rivbea, a loft jazz space in New York City, run by Sam Rivers and his wife Bea. The albums include performances by groups led by musicians such as Hamiet Bluiett, Anthony Braxton, Marion Brown, Dave Burrell, Andrew Cyrille, Oliver Lake, Jimmy Lyons, Ken McIntyre, Kalaparusha Maurice McIntyre, Roscoe Mitchell, David Murray, Sunny Murray, Sam Rivers, Leo Smith, Henry Threadgill, and Randy Weston. The recordings were originally released in 1977 on the Douglas and Casablanca labels as five separate LPs, and were reissued in 1999 by Knit Classics as a 3-CD set.
Shadows and Reflections is an album by trumpeter and composer Baikida Carroll. It was recorded on January 13 and 20, 1982, at Sound House Studio in Newburgh, New York, and was released on vinyl later that year by Soul Note. On the album, Carroll is joined by saxophonist Julius Hemphill, pianist Anthony Davis, double bassist Dave Holland, and drummer Pheeroan akLaff.