Don't Call Me Mama Anymore

Last updated
Don't Call Me Mama Anymore
Cass Elliot Dont CallMe.jpg
Live album by
ReleasedSeptember 1973 [1]
RecordedJuly 20 and 22, 1973
Venue Mister Kelly's, Chicago [2]
Genre
Label RCA Victor
Cass Elliot chronology
The Road Is No Place for a Lady
(1972)
Don't Call Me Mama Anymore
(1973)

Don't Call Me Mama Anymore is a live album recorded by Cass Elliot. It was the third album she released by RCA Records and the last album released before her death.

Contents

Conception

After the disappointment with her first two albums for RCA, Elliot felt that it was time for her to make some changes with her musical career. She hired Allan Carr as her manager who at the time managed the careers of Tony Curtis, Ann-Margret and Peter Sellers. Carr felt that Elliot needed to leave pop and rock music altogether and head into the cabaret circuit. So a show was put together that consisted of old standards along with a few new songs written for her by friends. The act included Elliot along with two male singers who served as backing singers and sidekicks during the musical numbers.

The title of the show, Don't Call Me Mama Anymore, was named after one of the songs written by Elliot's friend, Walter Earl Brown. The song was born out of Elliot's frustration with being identified as "Mama Cass".

After the show debuted on February 9, 1973 in Pittsburgh, Elliot felt she was ready to take the show to Las Vegas and premiered at The Flamingo. Elliot received rave reviews and took the place by storm. The Las Vegas Sun wrote, "Cass Elliot, making a strong point that she is no longer Mama Cass, has a good act serving notice that she is here to stay. The audience was with her all the way... no empty seats anywhere." She then followed up her act in casinos and tony nightclubs in cities throughout the country.

With the success of the show, Carr suggested that Elliot record a live album of the show. The idea of recording a live album was not something she was particularly keen on doing having told Chet Dowling, the show's scriptwriter, "I think there's nothing more boring than a live album."

The idea was also hatched to release the album simultaneously with her television special that September.

Album

The album was recorded live over a series of nights at the famed Mister Kelly's in Chicago. [2] The album included "Extraordinary" from the Broadway play Pippin , "My Love" written by Paul McCartney and Elliot's rendition of the classic "I'll Be Seeing You".

Among the other songs introduced by the album was the title song written by her friend Walter Earl Brown along with "I'm Coming to the Best Part of My Life" written by friends Roger Nichols and John Bettis. The song captured Elliot's newfound confidence and was performed for Johnny Carson when she sang it on The Tonight Show on September 27, 1973. Another popular number at the shows was "The Night Before" which for composer Al Kasha was the reason he wrote "The Morning After", his Academy Award winning theme for The Poseidon Adventure .

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [3]
Creem D [4]

It turned out to be the last new album Elliot released during her lifetime. Despite the success of the shows, the album, as with Elliot's two previous albums, was not a hit. No singles were released, although a studio version of "I Think A Lot About You" had been released as a single earlier in the year, backed with "Listen To the World".

The album was re-released by BMG in November 2000 with three bonus tracks: "Theme From L'Amour", "I Think A Lot About You (Studio Version)" and "Listen To The World".

Several songs from the album appeared on the 1997 compilation CD Dream a Little Dream: The Cass Elliot Collection and "I'm Coming to the Best Part of My Life" was included on the 2005 compilation CD Dream a Little Dream of Me: The Music of 'Mama' Cass Elliot.

In a review for Creem, Robert Christgau rated the album a D, commenting "How about Fatso?" [5]

Track listing

  1. "Introduction: Dream a Little Dream of Me/Extraordinary" (Fabian Andre, Gus Kahn, Wilbur Schwandt / Stephen Schwartz) – 2:38
  2. "I Think a Lot About You" (Margo Guryan) – 2:12
  3. "Audience Rap" (Cass Elliot) – 2:07
  4. "Don't Call Me Mama Anymore" (Walter Earl Brown) – 3:10
  5. "My Love" (Linda McCartney, Paul McCartney) – 3:24
  6. "I'm Coming to the Best Part of My Life" (John Bettis, Roger Nichols) – 3:53
  7. "The Torch Song Medley:" (Ahlert, Arlen, Brown, Cromwell, Ellington, Oscar Hammerstein II, Jerome Kern, Ted Koehler, Turk, Warner, Webster-Robbins) – 6:05
    1. "I Came Here to Sing a Torch Song"
    2. "I Gotta Right to Sing the Blues"
    3. "I Got It Bad (and That Ain't Good)"
    4. "Mean to Me"
    5. "Why Was I Born?"
    6. "I Came Here to Sing a Torch Song" (Reprise)
  8. "Audience Rap" (Cass Elliot) – 1:29
  9. "The Night Before" (Joel Hirschhorn, Al Kasha) – 3:14
  10. "I Like What I Like" (Bruce Wheaton) – 4:02
  11. "I'll Be Seeing You/Don't Call Me Mama Anymore" (Reprise) (Michael Sklar, Ben Weisman) – 3:08

Personnel

Related Research Articles

<span class="mw-page-title-main">The Mamas & the Papas</span> Canadian-American folk rock vocal group

The Mamas & the Papas was a folk-rock vocal-group which recorded and performed from 1965 to 1968. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, and Michelle Phillips, and Canadian Denny Doherty. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group, who adapted folk to the new beat style of the early 1960s.

<span class="mw-page-title-main">Cass Elliot</span> American singer and actress (1941–1974)

Ellen Naomi Cohen, known professionally as Cass Elliot, was an American singer and voice actress. She was also known as "Mama Cass", but she reportedly hated the name. She was a member of the singing group the Mamas & the Papas. After the group broke up, Elliot released five solo albums. She received the Grammy Award for Best Contemporary (R&R) Performance for "Monday, Monday" (1967). In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas & the Papas.

<span class="mw-page-title-main">Esther Phillips</span> American singer (1935–1984)

Esther Phillips was an American singer, best known for her R&B vocals. She rose to prominence in 1950, scoring several major R&B hits including "Double Crossing Blues" and "Mistrustin' Blues" under the moniker "Little Esther". In the 1960s, she achieved chart success with the country song "Release Me" and recorded in the pop, jazz, blues and soul genres. Phillips received a Grammy nomination for her single "Home Is Where the Hatred Is" in 1973 and her disco recording of "What a Diff'rence a Day Makes" was a major hit in 1975. She died from liver and kidney failure due to long-term drug abuse in 1984.

Jill Gibson is an American singer, songwriter, photographer, painter and sculptor. She is mostly known for her collaboration work with Jan & Dean and for having briefly replaced Michelle Phillips of the successful 1960s rock group the Mamas and the Papas. She was also one of the main photographers at the historic Monterey Pop Festival in 1967.

<i>People Like Us</i> (The Mamas & the Papas album) 1971 studio album by The Mamas and the Papas

People Like Us is the fifth and final studio album released by the American folk rock vocal group The Mamas and the Papas. Released in November 1971, the album came to be because the former members of the group were still under contract with Dunhill Records. The group had originally been signed to the label when it was run by their original producer Lou Adler, but by 1971, Dunhill's distributor, ABC Records, had purchased the label and discovered a clause in the group's original contract. According to their contract, the group had to produce one more album, or else be in breach of contract and subject to possible fines up to 1 million dollars. The album is considered a disappointment by fans and critics with some notible exemptions such as “Snowqueen of Texas” and “Lady Genevieve”. Despite its reputation, it sold moderately well. It was produced by John Phillips. Michelle Phillips later wrote in the liner note of a Mamas & Papas CD compilation that the album "sounded like what it was, four people trying to avoid a lawsuit".This mostly had to do with the spark in the groups original content leaving as the group had parted ways and had pursued personal gains.

"Dream a Little Dream of Me" is a 1931 song with music by Fabian Andre and Wilbur Schwandt and lyrics by Gus Kahn. It was first recorded in February 1931 by Ozzie Nelson and His Orchestra, soon followed by Wayne King and His Orchestra with vocals by Ernie Birchill. A popular standard, it has seen well over 400 recorded versions.

"Make Your Own Kind of Music" is a song by American singer Mama Cass Elliot from her second studio album Make Your Own Kind of Music/It’s Getting Better (1969). It was released as the third and final single from the album in September 1969, by Dunhill Records. The song was written by Barry Mann and Cynthia Weil, while production was helmed by Steve Barri. In the United States, "Make Your Own Kind of Music" was a Top 40 hit, in which it peaked at number 36 on the Billboard Hot 100.

<i>Randy Newman Live</i> 1971 live album by Randy Newman

Randy Newman Live is a live album by American singer Randy Newman. It is one of only two official live recordings he has released The album was recorded over three evenings between September 17 and 19, 1970 at the Bitter End, New York.

<span class="mw-page-title-main">My Love (Paul McCartney and Wings song)</span> 1973 single by Paul McCartney and Wings

"My Love" is a song by the British–American band Paul McCartney and Wings that was first released as the lead single from their 1973 album Red Rose Speedway. It was written by Paul McCartney as a love song to his wife and Wings bandmate Linda. The single marked the first time that McCartney's name appeared in the artist credit for a Wings record, after their previous releases had been credited to Wings alone. Released on 23 March 1973, the song topped the Billboard Hot 100 chart in the US for four weeks and peaked at number 9 on the UK Singles Chart. The single was viewed as Wings' first significant success in the US and helped Red Rose Speedway achieve commercial success.

<span class="mw-page-title-main">Baby I'm Yours (Barbara Lewis song)</span> 1965 single by Barbara Lewis

"Baby I'm Yours" is a song written by Van McCoy which was a hit in 1965 for Barbara Lewis, the original recording artist. The song was featured in the 1995 film The Bridges of Madison County and was included on the soundtrack album. It was also featured in the TV movies The Midnight Hour (1985) and An American Crime (2007), as well as being briefly featured in Baby Driver.

<span class="mw-page-title-main">Words of Love (The Mamas & the Papas song)</span> 1966 single by the Mamas & the Papas

"Words of Love" is a song by the Mamas & the Papas from their second studio album of the same name. The song was written by John Phillips, and featured Cass Elliot as the primary vocalist. It was released as a single in November 1966.

<i>Bubblegum, Lemonade, and... Something for Mama</i> 1969 studio album by Mama Cass

Bubblegum, Lemonade &... Something for Mama is the second solo album released by Cass Elliot under the billing "Mama Cass". It was recorded in 1969 and arranged and produced by Steve Barri. The album was originally released in June 1969, with only 11 tracks. It was released again in November 1969, under a new title and with a different album cover as Make Your Own Kind of Music/It’s Getting Better. "Make Your Own Kind of Music" had just become a hit and was added to the album.

<i>Dream a Little Dream</i> (Cass Elliot album) 1968 studio album by Mama Cass

Dream a Little Dream is the debut solo album by American singer Cass Elliot immediately following the breakup of The Mamas & the Papas, though she was still billed as "Mama Cass" for this release. Capitalizing on the success of her first solo song as the album's title, it was released in October 1968 by Dunhill Records. The album was re-released by MCA Japan in 2001.

<i>The Road Is No Place for a Lady</i> 1972 studio album by Cass Elliot

The Road Is No Place for a Lady is the fifth and final studio album released by Cass Elliot. It was the second album she recorded after signing with RCA Records. The album was recorded over a period of two months during the summer of 1972 at London's Trident Studios, produced by Lewis Merenstein and arranged and conducted by Larry Fallon and Del Newman.

<i>Mamas Big Ones</i> 1970 compilation album by Mama Cass

Mama's Big Ones is a compilation album of previously released material as noted below, by Cass Elliot.

<span class="mw-page-title-main">It's Getting Better</span> 1969 single by Mama Cass

"It's Getting Better" is a song written by Barry Mann and Cynthia Weil that was a sunshine pop hit single in 1969 for Mama Cass.

<span class="mw-page-title-main">Beware My Love</span> 1976 single by Wings

"Beware My Love" is a rock song credited to Paul and Linda McCartney that was first released on the Wings 1976 album Wings at the Speed of Sound. It was also used as the B-side of the single that included "Let 'Em In". A live version recorded on June 7, 1976, in Denver, Colorado, was included on the Wings' album Wings Over America and another live version from three days later in Seattle, Washington, was shown in the concert film Rockshow. An excerpt from the Rockshow performance was also included in the documentary Wings Over the World.

<span class="mw-page-title-main">New World Coming</span> 1970 single by "Mama" Cass Elliot

"New World Coming" is a pop song written by Barry Mann and Cynthia Weil which became a hit for Cass Elliot in early 1970.

<span class="mw-page-title-main">Move in a Little Closer, Baby</span>

"Move in a Little Closer, Baby" is a pop song, first recorded by Harmony Grass as "Move in a Little Closer." The song became an international hit for Cass Elliot in the spring of 1969.

<i>California Dreamin: Cass Elliot Before The Mamas & the Papas</i> Biography of singer Cass Elliot rendered as graphic novel

California Dreamin’: Cass Elliot Before The Mamas & the Papas is a graphic novel written and illustrated by Pénélope Bagieu which highlights the early years of late singer Cass Elliot. It was initially published in French during 2015 by Gallimard. The American edition was translated by Nanette McGuinness and published two years later by First Second Books. The subtitle was added to the American 2017 version. In 2018 it won the Harvey Award of Best European Book.

References

  1. "Audio Album: Don't Call Me Mama Anymore". Second Hand Songs. Retrieved April 21, 2011.
  2. 1 2 "Don't Call Me Mama Anymore". Allmusic . Retrieved April 21, 2011.
  3. Allmusic review
  4. Christgau, Robert (February 1974). "The Christgau Consumer Guide: February 1974". Creem .
  5. Christagu, Robert. "Robert Christagu: CG: Cass Elliott". Robert Christagu. Retrieved 10 January 2024.