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"Make Your Own Kind of Music" | ||||
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Single by Cass Elliot | ||||
from the album Make Your Own Kind of Music/It’s Getting Better | ||||
B-side | "Lady Love" | |||
Released | 1969 | |||
Studio | Western Recorders (Hollywood) | |||
Genre | Pop | |||
Length | 2:25 | |||
Label | Dunhill | |||
Songwriter(s) | ||||
Producer(s) | Steve Barri | |||
Cass Elliot singles chronology | ||||
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"Make Your Own Kind of Music" is a song by American singer Cass Elliot released in September 1969 by Dunhill Records. The song was written by Barry Mann and Cynthia Weil, while production was helmed by Steve Barri. In the United States, "Make Your Own Kind of Music" was a Top 40 hit, in which it peaked at number 36 on the Billboard Hot 100.
Elliott recorded "Make Your Own Kind of Music" after she had a hit in the summer of 1969 with "It's Getting Better", another Mann/Weil song and the second single from her second solo album, Bubblegum, Lemonade and... Something for Mama . That album had been produced by Dunhill Records vice-president of A&R Steve Barri, who said: "[Since Dunhill] didn't have much success with [the debut Cass Elliot solo album] Dream a Little Dream we wanted to get her back on the [upper] charts and we tried to find some commercial songs." [1] Barri would also attribute the bubblegum music focus of his output with Elliot to a desire "to capture who she was ... this real fun-loving positive ... person I couldn't imagine anybody ... not loving." [2] In a September 1969 Melody Maker interview a week prior to the US release of the "Make Your Own Kind of Music" single, Elliot stated: "Bubblegum music is very pleasant to listen to ... but it's like they say about Chinese food: half an hour after tasting it you are hungry again", although she did concede "maybe [bubblegum] is what I am supposed to be doing [since] my voice is very light ... I just can't sing heavy material". [3] Elliot would be less easygoing in her 1971 summation of her 1968–1970 tenure with Dunhill Records, saying she had been "forced to be so bubblegum that I'd stick to the floor when I walked." [4] Barri, while admitting—also in 1971—that "Cass was one artist I couldn't find the answer for," [1] would maintain: "We never recorded anything that she didn't want to do." [2]
Elliot had also told Melody Maker that "It's Getting Better" was "musically ... not quite what I want to be doing ... It's a good recording for what it is, but you wouldn't exactly call it social commentary." [3] "Make Your Own Kind of Music", while similar in structure to "It's Getting Better", [5] could be considered social commentary: [6] Steve Barri would rank "Make Your Own Kind of Music" in with "pop songs [that] really kind of say something". [2] Released in October 1969, "Make Your Own Kind of Music" swiftly ascended the Hot 100 in Billboard , and in November 1969 Dunhill reissued Elliot's second solo album reformatted to include "Make Your Own Kind of Music", the album's title being changed to It's Getting Better/ Make Your Own Kind of Music. [7] Steve Barri considered "Make Your Own Kind of Music" to be a guaranteed Top Ten hit; the single would garner heavy radio airplay but comparatively meager sales, [1] stalling at #36 on the Hot 100 ("Make Your Own Kind of Music" would reach #6 on the airplay driven Billboard Easy Listening chart). [8]
The follow-up single to "Make Your Own Kind of Music": "New World Coming"—another Mann/ Weil song—was similarly a sugarcoated message song and would have similar soft chart impact—with a #42 Hot 100 peak—signaling Elliot's challenges in maintaining a profile as a current hitmaker, as the 1960s turned into the 1970s. [4] Dunhill Records president Jay Lasker would say of the underperformance of "New World Coming": "The message here—at least to us—is that 'the message record has had it'. [Now] Mama Cass is going to do love songs." [9] The follow-up to "New World Coming", "A Song That Never Comes", would be Elliot's final single to reach the Hot 100, spending two weeks at #99 in August 1970. [10] Dunhill released Elliott's third solo album in October 1970, Mama's Big Ones , compiling seven of her eight Hot 100 singles plus some previously unreleased tracks, as her final solo album on the label. Subsequent to the one-off collaborative album Dave Mason & Cass Elliot on Blue Thumb, Dunhill announced in July 1970 that Elliot would reunite with her former bandmates for a final Mamas & Papas album, after which she would depart Dunhill to record for RCA Victor. [11]
In an August 14 2019 "Staff Picks" ranking of The 100 Best Songs of 1969 in Billboard, Elliott's "Make Your Own Kind of Music" was ranked at #89, with the evaluation: "Though just a modest hit, Elliot's ode to striking out on your own was a crucial evolution in self-referential pop. [In 1968] her debut album [had] stiffed, and ... her three-week Vegas residency closed after a single awful performance. In this light, the sunshine pop of 'Make Your Own Kind of Music' ... sparkled even more defiantly." [12]
The presiding rabbi at Elliot's funeral on 3 August 1974 included the lyrics of "Make Your Own Kind of Music" in the eulogy.[ citation needed ]
Elliot's recording of "Make Your Own Kind of Music" would be featured prominently in the television show Lost , first appearing in the episode "Man of Science, Man of Faith", and was rated as one of Spin magazine's "Best Musical Moments From TV's Latest Golden Age". [13] "Make Your Own Kind of Music" is the title of season 8 episode 9 of Dexter, and features prominently throughout the season as a motivator for the primary antagonist. In 2024, "Make Your Own Kind of Music" was featured in episode 10 of the CBS series "Elsbeth".
After a viral mashup featuring "Make Your Own Kind of Music" with a clip from the 2022 film The Unbearable Weight of Massive Talent became a meme on TikTok, the song was used in 46,000 videos. [14] It continued to go viral in TikTok trends throughout 2023. These trends were satirized on Saturday Night Live's December 2, 2023, episode with Chloe Troast playing Cass, and Emma Stone as the song's recording producer. [15]
Chart (1969) | Peak position |
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Canada RPM Top Singles [16] | 20 |
Canada RPM Adult Contemporary [17] | 7 |
US Billboard Hot 100 [18] | 36 |
US Billboard Adult Contemporary | 6 |
US Cash Box Top 100 [19] | 25 |
In 1997 a remixed version by Carmen Cacciatore and Louie "Balo" Guzman titled the "Yum Club Mix" was released officially on the re-released single California Dreamin' by The Mamas And The Papas, there was also a 12" Vinyl Promo only release to promote the soundtrack for the film "Beautiful Thing" with four different versions including Yum Club Mix (9:48) / Yum Beats (3:12) / Da Yum Flute Dub (7:11) / Mama Cass Mix (3:24), The Yum Club Mix was also featured on the 1997 Dance compilation Dance Across the Universe (Part 1), which was released by Universal Records, [20] [21] This version would reach #11 on the Dance Club Songs chart in Billboard. [22]
"Make Your Own Kind of Music" | ||||
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Single by Paloma Faith | ||||
from the album The Architect | ||||
Released | 19 March 2018 | |||
Length | 2:43 | |||
Label | Sony | |||
Songwriter(s) | ||||
Producer(s) |
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Paloma Faith singles chronology | ||||
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Music video | ||||
"Make Your Own Kind of Music" on YouTube |
"Make Your Own Kind of Music" became a top 30 hit in the United Kingdom in 2018 via a cover version by Paloma Faith.
It was announced 1 February 2018 that Škoda Auto had commissioned Faith to record a version of "Make Your Own Kind of Music" to serve as jingle for an ad campaign to launch the Karoq, Škoda's new compact crossover SUV, [23] Faith being quoted as saying: "The reality of Škoda is it was the car people took the piss out of you for having...That's how they enticed me in really, it was like that thing or person who people tease for being who they are but is now celebrated for being who they are." [24] Faith has since introduced "Make Your Own Kind of Music" in concert with the statement that "she doesn't usually approve of celebrity endorsements for products, but felt that Škoda was a brand worth celebrating due to how it's gradually become more respected over the years." [25]
The track was made available for streaming as of 2 March 2018 with a promotional video made available 20 March 2018, with a year-long television ad campaign featuring a 60 second edit of the video inaugurated on 24 March 2018: "the [video] follows Paloma through a series of flashbacks as she fights to make it in the music industry. It depicts her struggling to fit in as a young child to performing to empty pubs, to an iconic moment early in her career where she rebukes a music executive for not listening to her sing. The flashbacks are juxtaposed with images of her now as she enjoys chart-topping success and a new period in her life as a mother." [26] (Faith had given birth to her first child in December 2016.) [27]
"Make Your Own Kind of Music" debuted on the UK chart dated 19 April 2018 at No. 59 to enter the top 40 at No. 28 on the chart dated 10 May 2018. The track spent only that one week in the top 40, its typical chart ranking during its ten week chart tenure being between No. 43 and No. 49; however, the track was certified gold for sales and streams of 400,000 units. [28] Included in the tracklist of Faith's fourth studio album The Architect , on sites such as Spotify and Apple Music as of 20 April 2018, [29] "Make Your Own Kind of Music" was officially added to the album's tracklist on its 16 November 2018 re-release: labeled The Zeitgist Edition, this re-release also added "Lullaby" to the tracks on the original album. [30]
Chart (2018) | Peak position |
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Scotland (OCC) [31] | 8 |
UK Singles (OCC) [32] | 28 |
UK Singles Downloads (OCC) [33] | 4 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [28] | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
The first recording of "Make Your Own Kind of Music" was on a 1968 single by the New York City-based trio the Will-O-Bees (Janet Blossom, Steven Porter, and Robert Merchanthouse), who regularly performed Mann/Weil compositions.
In 1972, Barbra Streisand's concert album Live Concert at the Forum featured the medley "Sing"/ "Make Your Own Kind of Music"; released as a single, it reached No. 94 on the Billboard Hot 100, and No. 28 on the magazine's Easy Listening chart. [34] On her 1973 album Barbra Streisand...And Other Musical Instruments , Streisand sings "Make Your Own Kind of Music" in a medley with "Sing". [35]
"Make Your Own Kind of Music" has also been recorded by Roslyn Kind (on This Is Roslyn Kind, 1969); Bobby Sherman (on Here Comes Bobby, 1970); Marilyn Maye (on Girl Singer, 1970); Paul Westerberg (on a flexidisc with The Bob magazine #53 and on the "Love Untold" single, 1996); [36] Telly Leung (on Songs for You, 2015); Cock Robin (on Chinese Driver, 2016); [37] and Alex Lahey (for Like a Version, 2024). [38]
The Mamas & the Papas was a folk rock vocal group that recorded and performed from 1965 to 1968, with a brief reunion in 1971. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, Michelle Phillips, and Canadian Denny Doherty. Their sound was based on vocal harmonies arranged by John Phillips – the songwriter and leader of the group – who adapted folk to the new beat style of the early 1960s.
Lester Louis Adler is an American record and film producer and the co-owner of the Roxy Theatre in West Hollywood, California. Adler has produced and developed a number of high-profile musical artists, including The Grass Roots, Jan & Dean, The Mamas & the Papas, and Carole King. King's album Tapestry, produced by Adler, won the 1972 Grammy Award for Album of the Year and has been called one of the greatest pop albums of all time.
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
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William Louis Shelton is an American guitarist and music producer.
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Bubblegum, Lemonade &... Something for Mama is the second solo album released by Cass Elliot under the billing "Mama Cass". It was recorded in 1969 and arranged and produced by Steve Barri. The album was originally released in June 1969, with only 11 tracks. It was released again in November 1969, under a new title and with a different album cover as Make Your Own Kind of Music/It’s Getting Better. "Make Your Own Kind of Music" had just become a hit and was added to the album.
Dream a Little Dream is the debut solo album by American singer Cass Elliot immediately following the breakup of The Mamas & the Papas, though she was still billed as "Mama Cass" for this release. Capitalizing on the success of her first solo song as the album's title, it was released in October 1968 by Dunhill Records. The album was re-released by MCA Japan in 2001.
Mama's Big Ones is a compilation album of previously released material as noted below, by Cass Elliot.
Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
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"It's Getting Better" is a song written by Barry Mann and Cynthia Weil that was a sunshine pop hit single in 1969 for Mama Cass.
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"New World Coming" is a pop song written by Barry Mann and Cynthia Weil which became a hit for Cass Elliot in early 1970.
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