Dream a Little Dream (Cass Elliot album)

Last updated
Dream a Little Dream
Dream a Little Dream (album cover).jpg
Studio album by
ReleasedOctober 1968
Studio Wally Heider, Hollywood, California
Genre Pop rock, psychedelic pop
Label Dunhill
Producer John Simon
Mama Cass chronology
Dream a Little Dream
(1968)
Bubblegum, Lemonade, and... Something for Mama
(1969)

Dream a Little Dream is the debut solo album by American singer Cass Elliot immediately following the breakup of The Mamas & the Papas, though she was still billed as "Mama Cass" for this release. Capitalizing on the success of her first solo song as the album's title, it was released in October 1968 by Dunhill Records. The album was re-released by MCA Japan in 2001.

Contents

Conception

Cass Elliot had agreed to a three-album deal as a solo artist with Dunhill Records less than a month after her split with the Mamas & the Papas.

Elliot chose John Simon as producer to help her steer the album. She had liked his work with The Band and found him to be the perfect person to work with. Both Elliot and Simon agreed that this would be her album and Simon was keen on allowing her the chance to choose her own material and to shine on her own.[ citation needed ]

Album

Elliot's original title for the album was going to be "In the Words of My Friends," called this because most of the songs she chose were written by friends and family.

The album itself is very much a concept album. While working with the Mamas & the Papas, Elliot felt severely limited in her desire to try different musical styles and took this album as that opportunity. The album contains touches of country, blues, rock, jazz, gospel, and bluegrass. When interviewed about the split, she told the Los Angeles Free Press , "I have a lot of things inside me to sing and I can't expect the others to wait around until I have got things out of my system. It's not that I wanted to leave the group, it's just that I wanted to do some things on my own."[ citation needed ]

The album was recorded in no more than ten days at Wally Heider's studio in Los Angeles. Instead of spending countless hours doing retakes as she had done with the Mamas & the Papas, she recorded almost every song live. Elliot was also keen to try, with the help of Simon, some experimental techniques such as adding sound effects to the songs. "Dream a Little Dream of Me" was introduced at the beginning of the album with the sound of rain and a thunderstorm and then with the static of someone changing a radio station. At the end of the song, a radio DJ announces that an ensuing earthquake has hit Los Angeles as "California Earthquake" begins. Several other songs on the album lead into the next song to create the feeling that the same song is still playing.

John Sebastian's "Darling Be Home Soon" and Joni Mitchell's "Sisotowbell Lane" were both recorded but ultimately dropped from the album. These finally saw the light of day in 2005 when The Complete Cass Elliot Collection: 1968-71 was released; it featured all the material recorded for Dunhill on Elliot's first three solo albums, along with several other singles and unreleased rarities.

Track listing

  1. "Dream a Little Dream of Me" (Wilbur Schwandt, Fabian Andre, Gus Kahn) (US Pop #12/AC #2/UK #11) - 3:24
  2. "California Earthquake" (John Hartford) (US #67) - 2:42
  3. "The Room Nobody Lives In" (John Sebastian) - 2:38
  4. "Talkin' to Your Toothbrush" (John Simon) - 2:19
  5. "Blues for Breakfast" (Richard Manuel) - 2:56
  6. "You Know Who I Am" (Leonard Cohen) - 3:57
  7. "Rubber Band" (Cyrus Faryar) - 3:17
  8. "Long Time Loving You" (Stuart Scharf) - 1:59
  9. "Jane, The Insane Dog Lady" (John Simon) - 2:00
  10. "What Was I Thinking Of" (Leah Cohen) - 3:50
  11. "Burn Your Hatred" (Graham Nash) - 2:25
  12. "Sweet Believer" (Cyrus Faryar) - 4:55

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg link

When Elliot presented the album to the studio heads of Dunhill, they were less than pleased; they had expected her to produce material similar to her work with the Mamas & the Papas. They felt the album she had made was only marketable to a hippie audience, and thus went about marketing it toward the underground media. Elliot was displeased with this; she felt that the album really showed who she was and where she was at that moment, and that, had the album been promoted properly, it would have been a hit. Dunhill was also keen on keeping the "Mama Cass" name alive, hence the decision to bill her under that name, despite Elliot wanting to separate herself from that image as much as possible and to be known as Cass Elliot.

Despite the clashes between Elliot and Dunhill, the album sold over 150,000 copies and was a moderate success, landing at #87 on the Billboard Hot 100 chart.

To promote the album, Elliot had an interview with Rolling Stone magazine, [1] followed by a then-extraordinary $40,000 a week gig at Caesars Palace in Las Vegas.

Personnel

Technical

Related Research Articles

<span class="mw-page-title-main">The Mamas & the Papas</span> Canadian-American folk rock vocal group

The Mamas & the Papas was a folk-rock vocal-group which recorded and performed from 1965 to 1968. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, and Michelle Phillips, and Canadian Denny Doherty. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group, who adapted folk to the new beat style of the early 1960s.

<span class="mw-page-title-main">Cass Elliot</span> American singer (1941–1974)

Ellen Naomi Cohen, known professionally as Cass Elliot, was an American singer. She was also known as "Mama Cass", but she reportedly hated the name. She was a member of the singing group the Mamas & the Papas. After the group broke up, Elliot released five solo albums. She received the Grammy Award for Best Contemporary (R&R) Performance for "Monday, Monday" (1967). In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas & the Papas.

<span class="mw-page-title-main">Denny Doherty</span> Canadian musician (1940–2007)

Dennis Gerrard Stephen Doherty was a Canadian musician. He was a founding member of the 1960s musical group the Mamas & the Papas for which he was inducted into the Rock and Roll Hall of Fame in 1998.

Jill Gibson is an American singer, songwriter, photographer, painter and sculptor. She is mostly known for her collaboration work with Jan & Dean and for having briefly been a member of the successful 1960s rock group the Mamas and the Papas. She was also one of the main photographers at the historic Monterey Pop Festival in 1967.

<i>People Like Us</i> (The Mamas & the Papas album) 1971 studio album by The Mamas and the Papas

People Like Us is the fifth and final studio album released by the American folk rock vocal group The Mamas and the Papas. Released in November 1971, the album came to be because the former members of the group were still under contract with Dunhill Records. The group had originally been signed to the label when it was run by their original producer Lou Adler, but by 1971, Dunhill's distributor, ABC Records, had purchased the label and discovered a clause in the group's original contract. According to their contract, the group had to produce one more album, or else be in breach of contract and subject to possible fines up to 1 million dollars. The album is considered a disappointment by fans and critics with some notible exemptions such as “Snowqueen of Texas” and “Lady Genevieve”. Despite its reputation, it sold moderately well. It was produced by John Phillips. Michelle Phillips later wrote in the liner note of a Mamas & Papas CD compilation that the album "sounded like what it was, four people trying to avoid a lawsuit". This mostly had to do with the spark in the groups original content leaving as the group had parted ways and had pursued personal gains.

<i>The Papas & The Mamas</i> 1968 studio album by the Mamas and the Papas

The Papas & The Mamas is the fourth studio album by the American folk rock vocal group the Mamas and the Papas, released in 1968.

"Dream a Little Dream of Me" is a 1931 song with music by Fabian Andre and Wilbur Schwandt and lyrics by Gus Kahn. It was first recorded in February 1931 by Ozzie Nelson and His Orchestra, soon followed by Wayne King and His Orchestra with vocals by Ernie Birchill. A popular standard, it has seen well over 400 recorded versions.

"Make Your Own Kind of Music" is a song by American singer Mama Cass Elliot from her second studio album Make Your Own Kind of Music/It’s Getting Better (1969). It was released as the third and final single from the album in September 1969, by Dunhill Records. The song was written by Barry Mann and Cynthia Weil, while production was helmed by Steve Barri. In the United States, "Make Your Own Kind of Music" was a Top 40 hit, in which it peaked at number 36 on the Billboard Hot 100.

<span class="mw-page-title-main">Larry Knechtel</span> American keyboards and bassist session musician (1940–2009)

Lawrence William Knechtel was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles–based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Byrds, the Grass Roots, Jerry Garcia, and Elvis Presley. He also was a member of the 1970s band Bread.

<i>The Mamas & the Papas</i> (album) 1966 studio album by the Mamas & the Papas

The Mamas & the Papas is the second studio album by the Mamas and the Papas, released in September 1966. The album peaked at number 4 on the US Billboard 200 album chart and number 24 in the UK. The lead off single, "I Saw Her Again", reached number 5 on the US Billboard Hot 100 chart and number 11 in the UK Singles Chart. The song was especially unique because of its origins."Words of Love" was released as the second single in the US peaking at number 5. In the UK, it was released as a double A-side with "Dancing in the Street" and charted at number 47 in the UK.

<i>Bubblegum, Lemonade, and... Something for Mama</i> 1969 studio album by Mama Cass

Bubblegum, Lemonade &... Something for Mama is the second solo album released by Cass Elliot under the billing "Mama Cass". It was recorded in 1969 and arranged and produced by Steve Barri. The album was originally released in June 1969, with only 11 tracks. It was released again in November 1969, under a new title and with a different album cover as Make Your Own Kind of Music/It’s Getting Better. "Make Your Own Kind of Music" had just become a hit and was added to the album.

<i>Cass Elliot</i> (album) 1972 studio album by Cass Elliot

Cass Elliot is the fourth studio album released by Cass Elliot and the first album recorded for RCA Records, being released in January 1972.

<i>Mamas Big Ones</i> 1970 compilation album by Mama Cass

Mama's Big Ones is a compilation album of previously released material as noted below, by Cass Elliot.

<i>Dont Call Me Mama Anymore</i> 1973 live album by Cass Elliot

Don't Call Me Mama Anymore is a live album recorded by Cass Elliot. It was the third album she released by RCA Records and the last album released before her death.

<span class="mw-page-title-main">It's Getting Better</span> 1969 single by Mama Cass

"It's Getting Better" is a song written by Barry Mann and Cynthia Weil that was a sunshine pop hit single in 1969 for Mama Cass.

<i>Deliver</i> (The Mamas & The Papas album) 1967 studio album by The Mamas & The Papas

The Mamas & The Papas Deliver is the third studio album by the Mamas and the Papas, released in February 1967 on Dunhill Records. One song, "Creeque Alley", outlines the unique circumstances in which the band met and formed. Other songs on the album are covers of popular hits from years past.

<span class="mw-page-title-main">Leah Kunkel</span> American singer

Leah Kunkel is an American singer and attorney.

<span class="mw-page-title-main">New World Coming</span> 1970 single by "Mama" Cass Elliot

"New World Coming" is a pop song written by Barry Mann and Cynthia Weil which became a hit for Cass Elliot in early 1970.

<span class="mw-page-title-main">Move in a Little Closer, Baby</span>

"Move in a Little Closer, Baby" is a pop song, first recorded by Harmony Grass as "Move in a Little Closer." The song became an international hit for Cass Elliot in the spring of 1969.

<span class="mw-page-title-main">The Mamas & the Papas discography</span> Cataloging of published recordings by The Mamas & the Papas

The Mamas & the Papas were a vocal group from Los Angeles, California that was active from 1966 to 1969. Their discography consists of a total of five albums and 17 singles, six of which made the Billboard top ten, and sold close to 40 million records worldwide. Monday, Monday hit #1 on the Billboard Hot 100 chart in March 1966 and California Dreamin' was the top song on the Billboard Year-End Hot 100 singles of 1966.

References

  1. "The Rolling Stone Interview: Cass Elliot". Rolling Stone. 26 October 1968. Retrieved 2015-12-31.