Don't Get Weird on Me Babe | ||||
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Studio album by | ||||
Released | 1991 | |||
Recorded | Late 1990 – 1991 | |||
Studio | Axis Studios, New York City; Right Track Recording, Manhattan, New York City; Capitol Studios, Hollywood, California | |||
Genre | Alternative rock | |||
Label | Polydor [1] | |||
Producer |
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Lloyd Cole chronology | ||||
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Don't Get Weird on Me Babe is the second solo album by the English musician Lloyd Cole, released in 1991. [2] [3] The title comes from a Raymond Carver expression. [4] Unlike the original release, the American version of the album leads with the "rock" half and ends with the orchestral songs. [5]
The album peaked at No. 40 on Billboard's Heatseekers Albums chart. [6] It peaked at No. 21 on the UK Albums Chart. [7] Cole promoted the album by touring with Robert Forster and Grant McLennan. [8]
The album was produced by Cole, Fred Maher, and Paul Hardiman. [9] The string parts were arranged by Paul Buckmaster. [2] Robert Quine, Matthew Sweet, and Maher joined Cole on the "rock" half of the album. [10]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Encyclopedia of Popular Music | [1] |
Entertainment Weekly | B [11] |
NME | 8/10 [12] |
St. Petersburg Times | [5] |
Upon its release, Jon Wilde of Melody Maker felt the album provided "reason enough for some kind of modest assessment" of Cole's work, commenting, "Divided between orchestral arrangements and more familiar chastened rockers, it somewhat surprisingly offers some of his sharpest, smartest-writing since Rattlesnakes ." He noted that the first side "suggests that Cole might yet venture where Iggy Pop feared to tread after the disintegration of The Stooges" and is characterised by the "lush string arrangements" of Paul Buckmaster. He considered side two to be "more uneven" with a mix of "chunky-knit rockers and picked-clean guitar pop". [13] Stuart Maconie of NME described it as "a great pop record featuring Lloyd's perennial concerns all set to great, big-screen arrangements" and that the "prevalent mood of the record is tousle-haired, whiskey flavoured, a dog-eared Salinger paperback of a thing". He noted that the "terrific" side one "primarily features orchestral tracks and a new-found fascination with the truckstop romanticism of '68 period Jim Webb/Glen Campbell", whereas side two is "a more usual collection of crumpled, glamorous, guitar-driven pop". Maconie also noted Cole's "attractively exasperated voice". [12]
Entertainment Weekly , noting the string arrangements on six of the songs, wrote that "Cole’s no dilettante, and Don’t Get Weird is a strong record ... But Cole should perhaps concentrate on delivering real rock & roll goods over a full album." [11] Trouser Press called Don't Get Weird on Me Babe "a great record," writing that "Cole’s uncomplicated romantic angst [is] made fleshy and devastating by the surrounding lushness of woodwinds, strings, percussion, piano and female backing vocals." [14]
Stereo Review deemed it "one of the most genuinely nervy and idiosyncratic major-label rock albums of the year." [15] Rolling Stone declared: "Lloyd Cole has made a late-Sixties pop album. Think drums with brushes, Hammond B-3 organ, a big string section; think Neil Diamond, Glen Campbell and Sinead [O'Connor]'s pal Frank." [16] The St. Petersburg Times called the album "a masterpiece" and "a breathtaking record full of inspired writing, smooth melodies and eloquent instrumentation." [5]
AllMusic wrote that the album was initially "considered a self-indulgent oddity ... In retrospect, however, it's clearly one of Lloyd Cole's finest works." [4]
All tracks composed by Lloyd Cole, except where noted. For the US track listing, the album opens with UK tracks 7-12 (in the exact same order), and concludes with UK tracks 1-6 (again, in the same order).
Technical
Chart (1991) | Peak position |
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Dutch Albums (Album Top 100) [17] | 91 |
Swedish Albums (Sverigetopplistan) [18] | 7 |
UK Albums (OCC) [19] | 21 |
Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
Lloyd Cole is an English singer, songwriter and musician. He was lead vocalist of Lloyd Cole and the Commotions from 1984 to 1989 and subsequently worked solo.
Lloyd Cole and the Commotions were a British rock and pop band that formed in Glasgow, Scotland in 1982. Between 1984 and 1989, the band scored four Top 20 albums and five Top 40 singles in the UK; it also had success in several other countries including Australia, the Netherlands, Sweden and New Zealand. After they broke up in 1989, Cole embarked on a solo career but the band reformed briefly in 2004 to perform a 20th anniversary mini-tour of the UK and Ireland.
Blair Cowan is a Scottish musician, formerly a member of Lloyd Cole and the Commotions. Following the breakup of that band, he continued to collaborate with Lloyd Cole early in the singer's solo career, playing and co-writing on 1990's Lloyd Cole and 1991's Don't Get Weird on Me Babe.
Basic is a collaboration album by American musicians Robert Quine and Fred Maher, released in July 1984 by E.G. Records. Produced by the duo in Quine's living room, the record followed their tenure in Lou Reed's backing band, and provided Quine with a different working environment from the underground music scene of New York City, with which he had become disenchanted.
"Girlfriend" is a 1991 song by American power pop musician Matthew Sweet, released as the lead single from his third album, Girlfriend. The song reached No. 4 on the Modern Rock Tracks chart and No. 10 on the Mainstream Rock Tracks chart in Billboard magazine.
Rattlesnakes is the debut studio album by the British rock and pop band Lloyd Cole and the Commotions, released on 12 October 1984 by Polydor Records. The album reached number 13 on the UK Albums Chart and included the singles "Perfect Skin", "Forest Fire" and "Rattlesnakes".
Easy Pieces is the second studio album by the British rock and pop band Lloyd Cole and the Commotions. It was released on Polydor Records in the UK on 22 November 1985 and included the hit singles "Brand New Friend", "Lost Weekend" and "Cut Me Down". The title of the album derives from the American drama film Five Easy Pieces (1970), which Cole described as "one of my very favourite films", saying, "I want to write at least five songs out of that film".
Mainstream is the third and final studio album by Lloyd Cole and the Commotions. It was produced by Ian Stanley and released by Polydor Records in the UK and by Capitol Records in the US on 26 October 1987. It included the singles "My Bag", "Jennifer She Said" and "From the Hip". Although the album reached number nine in the UK, it failed to chart in the US and was not embraced by all critics: Mainstream is the only Lloyd Cole and the Commotions album not to sell at least 100,000 copies in the US.
Live at Benaroya Hall with the Seattle Symphony is the fourth album by American singer-songwriter Brandi Carlile, released on May 3, 2011, through Columbia Records. Recorded during two sold-out shows in November 2010 at Benaroya Hall in Seattle, Washington, the album features Washington-native Carlile and her long-time band performing alongside the Seattle Symphony. Seattle-based producer and audio engineer Martin Feveyear recorded the concerts, which contained orchestral arrangements by Paul Buckmaster and Sean O'Loughlin. Carlile had previously performed with the Seattle Symphony in 2008 at the same venue.
I Still Believe in Santa Claus is a Christmas album by American pop singer Andy Williams that was released by Curb Records in 1990. It was his fourth solo album of Christmas music, following The Andy Williams Christmas Album (1963), Merry Christmas (1965) and Christmas Present (1974). As with the 1965 LP, this album focuses exclusively on 20th-century compositions, including two new songs: "Christmas Needs Love to Be Christmas" and "My Christmas Vow ", the latter of which Williams describes in the liner notes as "a new lyric set to an old Hawaiian melody".
Standards is a rock album by English singer, songwriter and musician Lloyd Cole released on 21 June 2013 by Tapete Records. It is Cole's tenth solo album under his own name, although only his second since 1995 to feature a full band of additional musicians.
Lloyd Cole, also known as The X Album, is the debut solo album by English singer, songwriter and musician Lloyd Cole released on 21 February 1990 by Polydor and Capitol. Previously Cole was best known for his work with the Commotions but this album marked a departure from their signature sound and an opportunity for him to collaborate with other musicians and explore new ideas.
Bad Vibes is the third studio album by Lloyd Cole. It was released in October 1993 on Fontana Records and reached number 38 on the UK Albums Chart and number 8 on the Swedish chart.
"No Blue Skies" is the debut solo single by English singer, songwriter and musician Lloyd Cole, released in 1990 from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 42 in the UK Singles Chart and remained in the top 100 for four weeks. Cole has described "No Blue Skies" as "very simple" and a "girl leaves boy or boy leave girl" song.
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"She's a Girl and I'm a Man" is a song by English singer, songwriter and musician Lloyd Cole, released on 19 August 1991 as the lead single from his second studio album, Don't Get Weird on Me Babe. The song was written by Cole and Robert Quine, and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 55 in the UK Singles Chart and remained in the top 75 for two weeks. In the US, it reached number 7 on the Billboard Modern Rock Tracks chart.
"Don't Look Back" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the second single from his self-titled studio album. The song was written by Cole and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 59 in the UK Singles Chart and remained in the top 100 for three weeks.
"Weeping Wine" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the second single from his second studio album Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman. It reached number 91 in the UK Singles Chart.
"Butterfly" is a song by English singer, songwriter and musician Lloyd Cole, released in 1991 as the third and final single from his second studio album, Don't Get Weird on Me Babe. The song was written by Cole, and produced by Cole, Fred Maher and Paul Hardiman. It peaked at number 90 in the UK Singles Chart.