Don't Wake Me Up | ||||
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Studio album by | ||||
Released | August 24, 1999 | |||
Recorded | April 25, 1998 – March 1, 1999 [1] | |||
Studio |
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Genre | ||||
Length | 39:32 | |||
Label | K Records (KLP 099) P.W. Elverum & Sun (ELV 028) | |||
The Microphones chronology | ||||
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Don't Wake Me Up is the debut studio album by American musical project the Microphones. It was released by K Records on August 24, 1999, and reissued on vinyl via P.W. Elverum & Sun on April 16, 2013. The album was recorded between April 25, 1998, and March 1, 1999, in studios in Olympia and Anacortes, Washington.
Don't Wake Me Up is a lo-fi rock and indie rock album that uses metaphorical and sometimes cryptic lyricism. The album also includes field recordings, as well as elements of pop and noise rock. It received positive reviews from AllMusic, Pitchfork, and Sputnikmusic. Don't Wake Me Up gave Phil Elverum a small following, and "set a new precedent" for K Records, due to Elverum's production being perceived as high-quality despite recording limitations.
After gaining presence in Anacortes, Washington's independent music scene, [2] : 227–229 Phil Elverum joined the band D+, comprised of himself, Karl Blau, and Bret Lunsford at the time of his joining. [2] : 228 He became associated with K Records with the release of D+'s debut album. [2] : 229 After Elverum toured with D+, K Records founder Calvin Johnson gave Elverum access to the Dub Narcotic Studio, where he experimented with recording; Elverum lacked concern for the studio's modest equipment. [2] : 230 Elverum began the Microphones initially as a solo project, releasing cassette tapes of tests and experiments. [2] : 231
Don't Wake Me Up was recorded between April 25, 1998, and March 1, 1999, in Dub Narcotic Studio in Olympia, Washington, and the Business in Anacortes, Washington. [1] The album was primarily written and composed by Elverum. The studios in which Don't Wake Me Up was recorded lacked high-fidelity recording equipment. [2] : 233 Johnson said, "[Elverum] didn't have the attitude that this wasn't a real studio. He was more like, 'Hey, this is fun.'" [2] : 233 Elverum described the studio as a "huge empty warehouse". [3]
Elverum was 21 at the time of the album's release, and 20 during its recording. [3] During an interview with Impose , he said that "much of [the album] was recorded [...] at the same place where I did my high school recording experiments, so it was still very connected to adolescence." [3] The album was partially recorded in Elverum's hometown, Anacortes, Washington, although he was living in Olympia, at the time of recording. [3] As he described, he had "newly moved away from home for the first time". Elverum stated he recorded the album "living nocturnally ... [d]rinking pots of black tea all night" to stay up. [3]
"What might first have appeared scattered or sloppy in execution eventually revealed an artist developing a tone that embraced the juxtaposition of harmony and dissonance". [4]
— Eric Hill of Exclaim!
Don't Wake Me Up has been described primarily as a lo-fi rock [5] [6] and indie rock [7] album, which includes elements of pop, [7] and noise rock. [7] Ryan Schreiber of Pitchfork called the mix of genres an "incredible balance" between noise rock and ambience, combining to become "distinctly indie rock". [7] Nitsuh Abebe of AllMusic wrote, "Don't Wake Me Up moves between gritty lo-fi rock and droning, spacy constructions; a delicate pop melodicism lies beneath the surface noise of both". [5]
According to AsleepInTheBack of Sputnikmusic, the album's lyrics portray "various universal human experiences", told mostly using metaphors and quasi-stories. [8] Many lines in the album are cryptic, although themes are recognizable; [8] AsleepInTheBack wrote, "whilst general themes seep through his elusive ramblings, it's hard to feel confident that one has truly grasped the precise messages Phil wishes to convey." [8]
The opener, "Ocean 1, 2, 3", begins with a field recording of waves, which are replaced by vocal harmonies and crescendo of bass and keyboards. [7] Then—described by Ryan Schreiber of Pitchfork as "when you least expect it"—a section of lo-fi rock continues until the song's end. [7] "Florida Beach" uses a short snippet of "Good Vibrations" by the Beach Boys. [7] "Here with Summer" uses the Mellotron, which Schreiber called "relaxed" and "sighing". The track transitions into "Where It's Hotter (Part 3)". [7] Both tracks use organs and layered vocals; [8] their textures are "dense", but not "claustrophobic", according to AsleepInTheBack. [8]
The release of Don't Wake Me Up gave Phil Elverum a small following, [6] and according to Ian Gormely of Exclaim! , was the "first time Elverum [was] able to connect with an audience". [6] According to Love Rock Revolution by Mark Baumgarten, the release of the album "set a new precedent for [ K Records ]" since Elverum's production was perceived as high-quality despite the studio's recording limitations. [2] : 233 Baumgarten wrote that Don't Wake Me up was "praised for its production rather than accepted despite it". [2] : 233 The album gave K Records a greater trust in Elverum's musical abilities. [2] : 234
Review scores | |
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Source | Rating |
AllMusic | [5] |
Pitchfork | 8.2/10 [7] |
Sputnikmusic | 4.0/5 [8] |
Don't Wake Me Up received positive reviews from AllMusic, Pitchfork, and Sputnikmusic.
Nitsuh Abebe of AllMusic praised its composition and textures. [5] Abebe compared the album's sound to Stereolab's Transient Random-Noise Bursts with Announcements and Grandaddy's early music, and Elverum's vocals to His Name Is Alive. [5]
Ryan Schreiber of Pitchfork, who gave the album 8.2 out of 10, praised the album's pop culture references, "muddy production" and lack of high fidelity. [7] Schreiber also praised the album's cohesiveness: "its 15 tracks blend seamlessly together, creating a whole vision instead of just compiling a handful of pop songs". [7]
In AsleepInTheBack's 2017 review for Sputnikmusic, they rated the album 4.0 out of 5. [8] They described the album as containing a "loose patchwork of sounds and textures" which invoke isolation. [8] AsleepInTheBack called the album a "journey," since according to them, like other art, the album's underlying meanings are difficult to interpret. [8]
Adapted from the album's liner notes. [1]
Region | Date | Format | Label | Catalog num. |
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United States | August 24, 1999 | LP, CD | K Records | KLP099 |
United States | April 16, 2013 | LP (reissue) | P.W. Elverum & Sun | ELV028 |
K Records is an independent record label in Olympia, Washington founded in 1982. Artists on the label included early releases by Beck, Modest Mouse and Built to Spill. The record label has been called "key to the development of independent music" since the 1980s.
The Microphones were an American indie folk, indie rock, and experimental project from Olympia, Washington. The project was founded in 1996 and ended in 2003, with a short reunion following in 2007 and revivals in 2019 and 2020. Across every iteration of the Microphones, it has been fronted by Phil Elverum. Elverum is the principal songwriter and producer behind the band's albums, but he has also collaborated with other local musicians on his other recordings and tours. Many of Elverum's recordings from the project's initial period were released by the label K Records.
Mount Eerie is the musical project of American songwriter and producer Phil Elverum. Elverum is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie's releases have been issued on Elverum's label P.W. Elverum & Sun, Ltd., and feature highly detailed packaging with his own artwork.
Mirah is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington, in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (2000) and Advisory Committee (2002). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
Philip Whitman Elverum is an American musician, songwriter, record producer and visual artist, best known for his musical projects the Microphones and Mount Eerie. Based in Anacortes, Washington, in the mid-2000s he began to spell his surname Elvrum as "Elverum".
The Glow Pt. 2 is the third studio album by American indie folk and indie rock project the Microphones. It was released on September 11, 2001, through K Records and later through P.W. Elverum & Sun, Ltd. Recording was done on analog equipment at Dub Narcotic, Olympia, Washington, from May 2000 to March 2001. The album takes influences from numerous music genres such as black metal, ambient and avant-garde, as well as non-musical sources like the American drama television show Twin Peaks and primary member Phil Elverum's relationship to Khaela Maricich. Elverum was responsible for the album's production in its entirety.
"No Flashlight": Songs of the Fulfilled Night is the debut studio album released by the band Mount Eerie. It was released on the 9th May 2005 and features appearances by Geneviève Castrée and Jason Wall.
It Was Hot, We Stayed in the Water, sometimes shortened to It Was Hot, is the second studio album by American indie folk and indie rock band the Microphones. It was released by K Records on September 26, 2000. After Phil Elverum—the frontman, principal songwriter, and producer of the Microphones's albums—had gained a small following with 1999's Don't Wake Me Up, he recorded It Was Hot in Dub Narcotic Studio in Olympia, Washington, between September 1999 and March 2000. The album was recorded on analogue tape; Elverum embraced the medium's technical imperfections. The album was described as indie rock, lo-fi, and indie pop and was inspired by Elverum's visits to the ocean. As a whole, the album centers on the theme of water, while its lyricism is heavily themed on nature. The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow", which was explored in more depth on 2001's The Glow Pt. 2.
Mount Eerie is the fourth studio album by American indie folk and indie rock band the Microphones, released by K Records on January 21, 2003. The album is named after the mountain Mount Erie near Anacortes, Washington, which is the hometown of Phil Elverum, the band's frontman. The album received generally positive reviews from critics, including accolades such as Pitchfork's "Best New Music" title and inclusion on Treblezine's list of "essential" psychedelic folk albums.
Geneviève Elverum, also known as Geneviève Castrée, was a Canadian cartoonist, illustrator, and musician from Quebec. An early admirer of comics, she began creating them at a young age. L'Oie de Cravan published her first book, Lait Frappé, in 2000. By 2004 she had released three more books—Die Fabrik, Roulatheque Roulatheque Nicolore and Pamplemoussi. The latter is considered her artistic breakthrough.
Lost Wisdom is the second studio album by Mount Eerie, with Canadian musicians Julie Doiron and Frederick Squire. It was released on October 7, 2008 on P. W. Elverum & Sun, less than a month before Elverum's next album under the Mount Eerie name, Dawn, was released, which featured songs from this album. A follow-up album, Lost Wisdom pt. 2, was released in 2019, without Frederick Squire.
Black Wooden Ceiling Opening is an EP released by Mount Eerie. It was released on March 4, 2008. The EP was described by singer Phil Elverum as "black metal using natural materials".
Wind's Poem is the fourth full-length album by Mount Eerie, released on July 14, 2009. Several of the tracks are inspired by black metal, and showcases Phil Elverum's "relatively newfound affinity for Xasthur and other lynchpins of the unholy genre."
Clear Moon is the fifth studio album by Mount Eerie, a solo project by American musician Phil Elverum. It was released May 22, 2012 on Elverum's own label P.W. Elverum & Sun. The album was written and produced entirely by Elverum, who recorded it at his studio the Unknown.
Sauna is the seventh full-length album by Mount Eerie. It was released on February 3, 2015.
A Crow Looked at Me is the eighth studio album by Mount Eerie, a solo project of the American musician Phil Elverum. Released in 2017, it was composed in the aftermath of his 35-year-old wife Geneviève Castrée's diagnosis with pancreatic cancer in 2015, and her death in July 2016. Elverum wrote and recorded the songs over a six-week period in the room where she died, mostly using her instruments. His sparse lyrics and minimalistic musical accompaniment drew influence from a broad range of artists, including the poet Gary Snyder, author Karl Ove Knausgård and songwriter Julie Doiron.
Lost Wisdom pt. 2 is the second collaborative studio album by Mount Eerie and Julie Doiron. It was released on November 8, 2019. Like the previous two Mount Eerie albums it concerns the death of Geneviève Castrée, the first wife of Mount Eerie's principal member Phil Elverum, as well as his recent divorce from Michelle Williams. The album is a sequel to the 2008 collaborative album Lost Wisdom.
Pre-Human Ideas is a compilation album released by Phil Elverum under the name Mount Eerie, on November 12, 2013. The album consists of computerised versions of songs from his 2012 releases Clear Moon and Ocean Roar, plus 2 organ excerpts from the songs "Pale Lights" and "The Place Lives" from Clear Moon and Ocean Roar respectively.
Microphones in 2020 is the fifth and final studio album by American indie folk and indie rock band the Microphones. It is the Microphones' first release in 17 years, following 2003's Mount Eerie. It was released on August 7, 2020, on frontman Phil Elverum's record label P.W. Elverum & Sun.
The Microphones were an American indie folk, indie rock, and experimental band, founded and fronted by Phil Elverum. The band has released 5 studio albums, 13 miscellaneous albums, 3 extended plays, and 8 singles. Elverum began the Microphones initially as a solo project, releasing cassette demos of tests and experiments. Between 1996 and 1998, Elverum released four demos, mostly on Bret Lunsford's label Knw-Yr-Own. The CD Tests, released in June 1998, was a compilation album comprising tracks from previous cassettes. The same year, the band released the 7" single "Bass Drum Dream". The band's first studio album, Don't Wake Me Up, was released on K Records in August 1999 and gave the band a small following. Two more 7-inches were released in 1999: "Feedback " and "Moon Moon".