Donald Rubinstein

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Donald Rubinstein
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Composer Donald Rubinstein
Background information
Born1952 (age 7374)
Origin Brooklyn, New York, U.S.
GenresFilm score, jazz, theater, art
OccupationsComposer, songwriter, artist
InstrumentsPiano, guitar, vocals
Years active1970s to present
Labels Varèse Sarabande, Rhombus Records, Perseverance Records, Levelgreen Records
Website donaldrubinstein.com

Donald Rubinstein is a film composer, singer-songwriter, and multi-media artist who is best known for his collaborations with George A. Romero and Avant-garde jazz/rock collaborations with such musicians as Bill Frisell, Emil Richards and Wayne Horvitz.

Contents

Education

Inspired to compose by his love of jazz, Rubinstein began music studies at Washington University in St. Louis. He first attended at age 16, studying political science and subsequently with pulitzer prize winning poet, Howard Nemerov. After deciding to devote himself entirely to music, Rubinstein learned the guitar and piano, then transferred to the conservatory, and received a B.A. in music from Washington University in 1972. Rubinstein would move to Boston, where he spent two semesters at the Berklee College of Music. Though he left after finding the experience to be too constraining for his experimental ideas, Rubinstein would meet guitarist Bill Frisell, whom he'd later collaborate with on numerous projects. Rubinstein then went on to study on scholarship with noted piano instructor Madame Margaret (Stedman) Chaloff, whose other students included Herbie Hancock, Leonard Bernstein, Keith Jarrett and Chick Corea.

Film scoring for George A. Romero

Donald Rubinstein was 24 when he was first introduced to famed horror filmmaker George A. Romero through his brother Richard P. Rubinstein, who had produced Martin for the writer-director. It was an innovative psychological horror film that equated vampirism with drug addiction and urban decay, and was set in Romero's favored location of Pittsburgh. To match Martin's unique tone, Rubinstein created a Baroque jazz score to play a lonely young man who believes himself to be undead. This was the first time modernistic music had been heard in a "vampire" movie, and Rubinstein's Martin soundtrack would become a highly sought collector's item that Mojo magazine called "One of the top 100 Coolest Soundtracks of All Time." [1] [2]

When Romero next turned Camelot into a motorcycle Renaissance Faire for Knightriders , Donald Rubinstein would compose an equally innovative score, as well as appear in the film as the leader of a musical trio. [1] Rubinstein became close friends with Ed Harris on Knightriders, and would later write an unused score for the actor's directorial debut on Pollock . [2] [3] In 2000, Rubinstein composed the score for Romero's allegorical horror film Bruiser . [2]

Donald Rubinstein's other soundtrack work includes co-writing with Erica Lindsay, the main title for the television series Tales From the Darkside (as well as its film adaptation). Performed by Rubinstein, it was named "The Second Scariest TV Show Intro Of All Time" by Screen Rant (2017). He also wrote the main title and episodic music for the television series Monsters . Rubinstein co-wrote, with Ed Harris, and performed "Ain't Nothin' Like a Friend" for the Harris directed feature soundtrack, Appaloosa . In March 2014 Perseverance Records released Dawn Imagined, which included concert works based on Rubinstein's original sketches for George Romero's Dawn of the Dead . He scored the documentary feature, Tangled Up In Bob: Searching For Bob Dylan and the German Documentary feature Blender, (2015). Perseverance Records then released a composite of selections from that soundtrack, along with selections from Rubinstein's soundtrack for Bruiser in 2016. Rubinstein's score for Martin was released for a fourth time in May 2015 by Ship To Shore Phonograph Company. In 2023 the Martin soundtrack was re-released, yet again, for a fifth time by Second Sight Films. Knightriders also found a new reissue, it's third, via a deluxe two LP rendition on Scare Flair Records.

Recordings

As a prolific jazz composer, Rubinstein has partnered with Hank Roberts, Vinny Golia, Bob Moses and Michael Gregory Jackson, among other notable performers, collaborating with them in both recording sessions and live performances. Peter Gordon (Boston Symphony Orchestra) commissioned a work for French Horn and subsequently a jazz trio, including celebrated bassist Anthony Jackson and percussionist Gordon Gottlieb (New York Philharmonic Orchestra). Jazziz Magazine included the duet "Fingers" by Rubinstein and Bill Frisell on their "Celebration of the Modern Era" special edition 20th anniversary CD in 2003.

Also, a critically acclaimed singer/songwriter Donald's work crosses normal boundaries. In 2009 he completed a CD of original songs, "When She Kisses the Ship On His Arm," for Bare Bones Records, which included a vocal-duet with "country outlaw" Terry Allen. Rubinstein has co-written a number of songs with Allen including "Vampires Parade" for his 2010 release "Too Late to Die," which featured long-time Allen collaborator Lloyd Maines. An iconoclast, Rubinstein has released 28 CDs to date, with little major label support. Maintaining an unusual tenacity of position he has produced a unique body of genre-breaking work. 2010 saw the release of three new Rubinstein CDs. Rubinstein released five varied recordings on three different labels from 2011 to 2016. 2020/21 marked the release of three new additions to Rubinstein's discography, via his own Hijo Records Label. They were The Famous Singer, Eternity's Lament, and 36 Year Serenade, The Songs of Donald Rubinstein (Various artists). In 2025 Rubinstein completed two new studio albums, with a third in production, all slated for release in 2026. Of Rubinstein's musical work, Steve Huey of Allmusic wrote, "Singer/songwriter, pianist, jazz experimentalist, soundtrack composer, beat-style poet -- Donald Rubinstein has somehow juggled all those hats over the lengthy span of his creative career."

Art and theater works

Beginning in the late 70s, Rubinstein's theatrical works often included iconic storyteller Brother Blue, with whom he partnered in numerous situations including when they both acted in the movie Knightriders. Ed Harris and the Met Theatre produced "Buddha Baby" and "Premonitions" in Los Angeles. Rubinstein's third multi-media performance work, "Strum Road" also premiered there in 1997, to widespread critical acclaim.

Rubinstein has been exhibited at both The Museum of Modern Art and The Whitney Museum of American Art in New York City, in collaboration with the famed artist Kiki Smith. His single song CD, "Ruby Star," sung in duet with Robin Holcomb, was first sold exclusively at The Museum of Modern Art in 2003. During 2007 The Center for Contemporary Art, Santa Fe, presented a 'thus far' large-scale celebration of Donald's work, including a screening of films he scored, two art exhibits, and a concert performance with special guests John Densmore, Larry Mitchell, Hani Naser and Terry Allen. It also included Rubinstein's directing premiere, "Tales From the Edge," a short animated film based on his drawings. Donald Rubinstein was awarded, via nomination, a fellowship, and residency from the Robert Rauschenberg Foundation in February 2014. His work was subsequently featured in the Boston Print Bicentennial and Fountain Art Fair in NYC. Rubinstein published three books of writings and drawings on his own Hijo Records and Press in 2020, including "The Musician's Book of Miracles", "Joke Book", and "Ancestors."

Donald Rubinstein has completed two new studio albums for release in 2026, "Recouping the Waves" and "Clouds of the Visionary." He is currently working on a third release for later in the year, "Preparing for the Artist Formerly Known As Vince."

Personal life

Rubinstein currently lives with his family in Santa Fe, New Mexico.

Awards

Discography

References

  1. 1 2 Williams, Tony (2015). The Cinema of George A. Romero: Knight of the Living Dead. Columbia University Press. p. 273. ISBN   9780231850759.
  2. 1 2 3 Marrone, John (April 11, 2011). "Exclusive Interview: Donald Rubinstein Discusses His Score From Romero's 'Martin'". Bloody Disgusting . Retrieved September 7, 2021.
  3. Nastasi, Alison (February 8, 2015). "The Stories Behind 10 Unused Film Scores". Flavorwire . Retrieved September 7, 2021.