The Osmonds were an American family music group who reached the height of their fame in the early to mid-1970s. The group had its best-known configurations as a quartet and a quintet. The group has consisted of siblings who are all members of a family of musicians from Ogden, Utah, and have been in the public eye since the 1960s.
The Barron Knights are a British humorous pop rock group, originally formed in 1959 in Leighton Buzzard, Bedfordshire, as the Knights of the Round Table.
"Ben" is a song written by Don Black and Walter Scharf for the 1972 film of the same name. It was performed by Lee Montgomery in the film and by Michael Jackson over the closing credits. Jackson's single, recorded for the Motown label in 1972, spent one week at the top of the Billboard Hot 100, making it Jackson's first number one single in the US as a solo artist. Billboard ranked it as the number 20 song for 1972. It also reached number 1 on the ARIA Charts, spending eight weeks at the top spot. The song also later reached a peak of number 7 on the UK Singles Chart. In 2004, the song appeared in The Ultimate Collection.
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on 9 January 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. It hit No. 1 in both the US and Canada. In the United States, the song was the first single out of three from the album to interrupt a song's stay at #1. "Too Much Heaven" knocked "Le Freak" off the top spot for two weeks before "Le Freak" returned to #1 again. "Too Much Heaven" also rose to the top three in the UK. In the US, it would become the fourth of six consecutive No. 1s, equaling the record set by Bing Crosby, Elvis Presley, and the Beatles for the most consecutive No. 1 songs. The six Bee Gee songs are "How Deep Is Your Love", "Stayin' Alive", "Night Fever", "Too Much Heaven", "Tragedy" and "Love You Inside Out". The songs spanned the years of 1977, 1978 and 1979.
"Shop Around" is a song originally recorded by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by the Miracles, reaching number one on the Billboard R&B chart, number one on the Cashbox Top 100 Pop Chart, and number two on the Billboard Hot 100 chart. It was the Miracles' first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation.
"Love You Inside Out" is a 1979 single by the Bee Gees from their album, Spirits Having Flown. It was their last chart-topping single on the Billboard Hot 100, interrupting Donna Summer's "Hot Stuff", becoming the third single from the album to do so. In the UK, the single peaked at No. 13 for two weeks. It was the ninth and final number-one hit for the Bee Gees in the US, and the twelfth and final number-one hit in Canada as well. The trio would not return to the top 10 for ten years, with the song, "One".
Barbra Streisand is an American actress and singer. Her discography consists of 118 singles, 36 studio albums, 12 compilations, 11 live albums, and 15 soundtracks. According to the Recording Industry Association of America, Streisand is the second-best-selling female album artist in the United States with 68.5 million certified albums in the country, and a career total ranging from 150 to 200 million making her one of the best-selling music artists of all time.
"Why" is a hit song recorded by Frankie Avalon in 1959. It reached No. 1 on the U.S. Billboard Hot 100 chart published on the week of December 28, 1959. It was Avalon's second and final No. 1 hit.
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams, written by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis, because his last U.S. top 10 hit had been 1963’s "What Will Mary Say" and his last U.S. #1 hit had been 1957's "Chances Are."
"Hurting Each Other" is a song popularized by the Carpenters in 1972. It was written in 1965 by Gary Geld and Peter Udell, and has been recorded many times by artists ranging from Ruby & the Romantics to Rosemary Clooney.
"She's Not You" is a 1962 song recorded by Elvis Presley and released as a single on RCA Victor.
"I'm Leaving It Up to You" is a song written by and originally performed by Don Harris and Dewey Terry in 1957. It was later popularized in 1963 by the American duo Dale and Grace, who took it to #1 on the Billboard Hot 100 chart. In 1974, Donny and Marie Osmond reached the top five on the US Hot 100 chart and peaked at #1 on the Billboard Hot Adult Contemporary chart with their cover.
"Alive" is a ballad recorded by the Bee Gees for their album To Whom It May Concern. It was the second and last single from the album released on 10 November 1972 worldwide. The song was credited to Barry and Maurice Gibb and produced by the Gibbs and their manager Robert Stigwood.
"Everybody Plays the Fool" is a 1972 song first recorded by American R&B group The Main Ingredient, and written by J. R. Bailey, Rudy Clark and Ken Williams. It was the first single released from the group's album Bitter Sweet, released with the B-side "Who Can I Turn To ". "Everybody Plays the Fool" was the group's highest charting hit single, reaching No. 3 on the Billboard Hot 100 chart in the fall of 1972. It also peaked at No. 2 on the Billboard R&B chart and at No. 25 on the Billboard adult contemporary chart. It was certified gold by the RIAA.
Paul Revere & the Raiders are an American rock band from Boise, Idaho. Formed in 1958, the band released their first hit single three years later, "Like, Long Hair", which reached number 38 on the U.S. Billboard Hot 100 chart. Following a few minor charting singles, including a version of "Louie Louie", the band worked with producer Terry Melcher in updating their sound, combining fast-paced, guitar-and-vocal-dominated rock and roll with an intimidating R&B flavor. The result was a string of commercially successful singles, beginning with 1965's "Steppin' Out" and continuing with "Just Like Me", which reached number 11 on the Hot 100, as well as "Kicks", "Hungry", and "Good Thing", all of which peaked inside the top 10. In addition, the band's three 1966 studio albums—Just Like Us!, Midnight Ride, and The Spirit of '67—were each certified gold in the United States.
Love Theme from "The Godfather" is the twenty-ninth studio album by American pop singer Andy Williams, released on March 21, 1972, by Columbia Records. The two new songs on what was otherwise another LP of covers of hits by other artists were the title track and "Music from Across the Way", which came from the songwriters behind his recent hits "Happy Heart" and "(Where Do I Begin) Love Story".
The Way We Were is the thirty-second studio album by American pop singer Andy Williams, released in the spring of 1974 by Columbia Records and was a return to singing songs that his audience was already familiar with after Solitaire, his previous LP that was less reliant on covers of recent pop hits, did not perform well.
Phase III is the third studio album by the American singing group The Osmonds, released in 1972. The album entered the Billboard Top LPs chart on January 29, and reached number ten on March 11. Two singles released from the album, "Yo-Yo" and "Down by the Lazy River", reached No. 3 and No. 4 on the Billboard Hot 100 singles chart, respectively. The album was certified Gold by the RIAA on May 29, 1972.
Crazy Horses is the fourth studio album by the American singing group The Osmonds, released in 1972. It entered the Billboard Top LPs chart on October 14, where it reached number 14 on December 23, 1972. Two singles were released in support of the album, "Hold Her Tight" and "Crazy Horses", both of which reached number 14 on the Billboard Hot 100 singles chart. It was certified Gold by the RIAA on January 24, 1973.
"Chick-A-Boom " is a song written by Janice Lee Gwin and Linda Martin and performed by Daddy Dewdrop. It was featured on his 1971 album, Daddy Dewdrop. The lyrics in the verses are spoken, rather than sung.
